Formation | 1932 |
---|---|
Dissolved | 1941 |
Purpose | private art academy |
Location |
|
The Ste. Genevieve Art Colony was an art collective in Ste. Genevieve, Missouri. It was founded in 1932 by Aimee Schweig, Bernard E. Peters, and Jessie Beard Rickly. [1] The Ste. Genevieve Summer School of Art was established in 1934. The colony was modeled on its most recent predecessor, the Provincetown Art Colony in Provincetown, Massachusetts, as well as The Shinnecock Hills Summer School of Art on Long Island, New York, the New Hope School in Pennsylvania, and the Taos art colony in New Mexico. The location of Ste. Genevieve contained rural vistas and genre scenes yet was close to the metropolitan Saint Louis area. [2]
The group expanded to include other Saint Louis artists including Frank Nuderscher, Joe Jones, and Thomas Hart Benton. [3] The colony attracted many Midwestern artists with the styles of painting including American regionalism, Social realism, plein air and the new Abstract art. [4] [1] [5]
The colony dissolved in 1941. [6]
Artists closely associated with the colony include: [6]
In 2004 a study of the colony entitled An American art colony : the art and artists of Ste. Genevieve, Missouri, 1930-1940 was published. [7] In 2011 the Museum of Art and Archaeology in Columbia, Missouri held a retrospective exhibition entitled A Midwestern View: The Artists of the Ste. Genevieve Art Colony. [1]
Sainte Genevieve County, often abbreviated Ste. Genevieve County, is a county located in the eastern portion of the U.S. state of Missouri. As of the 2020 census, the population was 18,479. The largest city and county seat is Ste. Genevieve. The county was officially organized on October 1, 1812, and is named after the Spanish district once located in the region, after Saint Genevieve, patroness of Paris, France.
Thomas Hart Benton was an American painter, muralist, and printmaker. Along with Grant Wood and John Steuart Curry, he was at the forefront of the Regionalist art movement. The fluid, sculpted figures in his paintings showed everyday people in scenes of life in the United States.
Marguerite Munger Peet (1903–1995) was an American painter. She did not have a far-reaching artistic reputation during her lifetime as she did not often exhibit her work in public. Her family found over 430 of her paintings after her death, and she has been the subject of three major retrospectives in the last 15 years. Her most significant work was created under the tutelage of famed American Regionalist painter Thomas Hart Benton.
Frederic James (1915–1985) was an American painter who specialized in watercolors. He was associated with the Regionalist art movement.
Joseph John Jones (1909–1963) was an American painter, landscape painter, lithographer, and muralist. Time magazine followed him throughout his career. Jones was associated with the John Reed Club and his name is closely associated with its artistic members, most of them also contributors to the New Masses magazine.
Missouri French or Illinois Country French also known as français vincennois, français Cahok, and nicknamed "Paw-Paw French" often by individuals outside the community but not exclusively, is a variety of the French language spoken in the upper Mississippi River Valley in the Midwestern United States, particularly in eastern Missouri.
The Reverend Henry Platte was the first native Catholic priest of what is now the State of Missouri in the United States. He was curé of the Church of Ste. Genevieve in Ste. Genevieve, Missouri in 1815, and pastor from 1816 until his death from yellow fever in 1822.
Martyl Suzanne Schweig Langsdorf was an American artist who created the Doomsday Clock image for the June 1947 cover of the Bulletin of the Atomic Scientists.
Cinque Hommes is one of the eight townships located in Perry County, Missouri, in the United States of America.
Joseph Paul Vorst was a German-American visual artist.
Miriam McKinnie, aka Miriam McKinnie Hofmeier was an American artist.
Frederick Conway (1900–1973) was an American artist.
Aimee Gladstone Schweig (1892–1987) was an American artist known as one of the founders of the Ste. Genevieve Art Colony. Her paintings depict primarily local subjects from the Ste. Genevieve and other Missouri areas.
James Duard Marshall was a painter, lithographer, museum director, and art conservator who lived most of his life in Kansas City. Duard [pronounced "doo-erd"] was a student of Thomas Hart Benton and is best known for his 30-foot mural created for the centennial of Neosho, Missouri in 1939. The civic leaders of Neosho had approached Benton to produce the mural, as Benton had been born in Neosho, but he suggested that his student Marshall do the job. That mural hangs in the Neosho Newton County Library.
Joseph Meert was an American artist who created three New Deal post office murals.
Jessie Beard Rickly (1895-1975) was an American artist and co founder of the Ste. Genevieve Art Colony.
Bernard E. Peters (1893-1949) was an American artist and co founder of the Ste. Genevieve Art Colony.
E. Oscar Thalinger (1885-1965) was an American artist originally associated with the American regionalist style. In his later career, he painted in an abstract style.
Matthew E. Ziegler (1897-1981) was an American artist associated with the American regionalist style. He painted the New Deal mural Wheat in the Shock in the Flandreau, South Dakota post office. It was commissioned by the United States Department of the Treasury.
Jessie Housley Holliman was an African-American educator, muralist, printmaker, and commercial artist active in St. Louis, Missouri from 1929 until 1949.