Stefano Gherardini (1695-1755) was an Italian painter, prolific in painting genre scenes or bambocciate.
Stefano Gherardini (1695-1755) was an Italian painter, prolific in painting genre scenes or bambocciate.
He was a pupil of Giuseppe Gambarini. [1] [2] He was born and died in Bologna. He is described by Pietro Zani as a painter of capricci, caricatures, di pittocchi, of charlatans and all things recognized under the title of bambocciate [3]
Nunzio Ferraiuoli (1661–1735) was an Italian painter of the Baroque period, mainly of landscapes.
Giacomo Alboresi (1632–1677) was an Italian painter of the Baroque period.
Francesco Ange (1675–1757) was an Italian painter of the late-Baroque period. Born in Annesi and trained in Bologna. He joined the Philippine order established by Saint Phillip Neri.
Alessandro Badiale (1626–1671) was an Italian painter and engraver of the Baroque period, active in Bologna. He was a pupil of Flaminio Torre. Among his etchings are prints of Virgin seated with the Infant Jesus, between St. Philip Neri and St. Anthony of Padua, a Deposition and a Holy Family after Flaminio Torre. He also made a Madonna with Child, who holds a cross and an apple after Cignani.
Cesare Baglioni was an Italian painter of the Renaissance period. He trained under his father, then became renowned as a painter of quadratura. He painted in Parma and Rome. He befriended both Agostino and Annibale Carracci. Leonello Spada apprenticed with Baglioni.
Giovanni Maria Cerva was a 17th-century Italian painter of the Baroque period, active in quadratura in the city of Bologna. Also named il Bagnolino. He was a pupil of Menichino. He was active in 1640.
Marco Bandinelli, also known as Marchino di Guido Reni, was an Italian painter of the Baroque period. He began as a model and cook for Guido Reni in Bologna.
Anton Giuseppe Barbazza was an Italian painter and engraver of the Baroque period. He was born in Rome, moved to Bologna, and in 1771 moved to Spain. In Rome, he had engraved the prints for Francesco Bianchini's L'istoria universale provata coi monumenti, published first in 1697 and reissued in 1747.
Alessandro Bardelli (1583–1633) was an Italian painter of the Baroque period.
Francesco Bassi was an Italian painter active in the early-Baroque period, mainly in his hometown of Cremona, but also in Venice. He was also known as Francesco Maria Bassi the elder.
Pier Francesco Battistelli was an Italian painter active in the early-Baroque period, mainly in his hometown of Bologna, as well as Parma. He painted quadratura.
Gaspare Bazzani was an Italian painter active in Reggio Emilia as a painter of vedute or landscapes, as well as a scenic designer.
Pietro Bellotti (1625–1700) was an Italian painter active in the Baroque period.
Lorenzo Bergonzoni was an Italian painter of the Baroque period. He was born and active in Bologna. He was first a pupil of Giovanni Battista Bolognini, but afterwards studied under Guercino in Cento. He is also called Lorenzo Bergunzi. He became known mostly as a portrait painter at Bologna.
Giovanni Francesco Cassioni was a 17th-century Italian engraver in wood. He was born in Bologna, and made a number of portraits of painters for Carlo Cesare Malvasia to use in his Felsina Pittrice in 1678.
Rinaldo Botti was an Italian painter active in the Baroque period. He was a pupil of Jacopo Chiavistelli, and specialized in quadratura. He collaborated with Andrea Landini in frescoing some salons of Villas belonging to the Corsini family. He painted the ceiling of Santa Elisabetta delle Convertite.
Giovanni Battista Bertusio was a painter of the early-Baroque period, active in Bologna. He trained initially under Denys Calvaert, then under Ludovico and Agostino Carracci. He married the painter Antonia Pinelli.
Lodovico Bertucci was an Italian painter of the Baroque period, specializing in paintings of bambocciate and capricci. He was born in Modena.
Giacomo Franceschini (1672–1745) was an Italian painter.
Pietro Gallinari, also known as Pierino del Signor Guido, (1600s–1640) was an Italian painter of the Baroque period. He was a close follower of Guido Reni in Bologna. he painted for the churches and court of Guastalla. He died young, perhaps of poisoning.
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