Stephanie Radok

Last updated

Stephanie Radok (born 1954) is an artist and writer based in Adelaide, South Australia, whose work is held in the National Gallery of Australia and the National Gallery of Victoria, Geelong Art Gallery and the Art Gallery of South Australia. [1] She worked as a general editor for Artlink and as an art critic for Artlink, Adelaide Review, and Art Monthly Australia and since 2024 has written reviews for The Saturday Paper. [2]

Contents

Biography

Radok was born in Melbourne, Australia, in 1954. [3] Radok studied a degree in Visual Arts, with a major in Printmaking, at the Canberra School of Art from 1982 to 1985. In 2002, she completed a Master of Arts in Visual Art at the South Australian School of Art.[ citation needed ]

Radok’s writing about art is linked to memoir and the everyday, it includes lyrical passages that demonstrate art’s immense significance beyond its monetary value. Radok’s writing was first published in the art magazine Unreal City, [4] which she founded with eX de Medici in 1986 in Canberra. [5] She has written many catalogue essays including a notable one for Hossein Valamanesh titled Fingers of Memory. [6] IAustralia’s international literary magazine HEAT published Radok’s non-fiction works Under The Bed in 2022 and Inventory 2020 in 2023. [7]

Art practice

Radok has held 21 solo exhibitions.[ citation needed ]

Her work has been exhibited in group exhibitions from 1977, with an artwork in The Women’s Show held by the Women's Art Movement in Adelaide in 1977. [8] A major survey exhibition titled The Sublingual Museum was held at the Flinders University Museum of Art in 2011. [9]

Radok is the co-author of a book published in 2007 on leading contemporary Australian jeweller Julie Blyfield. [10] [11]

In 2012 Radok’s book An Opening: twelve love stories about art was published by Wakefield Press. It was long listed for the inaugural Stella Prize for writing by women, and was widely reviewed. [12]

"Radok shows how art reaches deeply into our lives in unexpected and ordinary ways: the tattered calendar cutting kept for decades and left behind in a photocopier, the postcard stuck to a laundry wall, or the persistent memory of something, seen perhaps only briefly, that alters one’s thinking utterly." Dr Michele McCrea, [13] Transnational Literature. [12]

Radok’s second memoir, Becoming a Bird, was published in March 2021. [14] Martin Edmond wrote "Radok in her wanderings keeps a weather-eye out for what grows outside galleries, beside footpaths, and in public gardens of all descriptions. Everywhere she goes she looks for weeds, sometimes defined as plants growing in the wrong place [15] ". In 2022 Radok wrote a piece of prose titled Under the Bed published in Heat. Under the Bed/Inventories 2020-2022, considered by Michelle de Kretser “ A simply glorious book," is Radok's third memoir, published in 2025. [16]

Selected solo exhibitions

Collections

References

  1. ↑ "Stephanie Radok". Framer Framed. Retrieved 16 June 2021.
  2. ↑ "Asia Pacific Triennial of Contemporary Art at QAGOMA". 14 December 2024.
  3. ↑ "Stephanie Radok · The Stella Prize". The Stella Prize. 7 August 2017. Retrieved 16 June 2021.
  4. ↑ "'Unreal City' gets magazine on the arts". Canberra Times (ACT : 1926–1995). 4 December 1986. p. 2. Retrieved 20 June 2021.
  5. ↑ Grishin, Sasha (18 May 2015). "Urban Suburban art review: a view of Canberra that is out of date". The Canberra Times. Retrieved 20 June 2021.
  6. ↑ "Hossein Valamanesh + Sherman Galleries Goodhope". www.shermangalleries.com.au. Retrieved 20 June 2021.
  7. ↑ "Stephanie Radok | Under the Bed | HEAT Series 3 Number 5". Giramondo Publishing. Retrieved 7 March 2025.
  8. ↑ Women's Art Movement (S.A.); Experimental Art Foundation (Adelaide, S.A.), eds. (1978). The women's show, Adelaide, 1977. St. Peters, S.A: Experimental Art Foundation. ISBN   978-0-9596729-2-3.
  9. ↑ "Stephanie Radok, Author at The Nature of Cities". The Nature of Cities. Retrieved 16 June 2021.
  10. ↑ Www.australi, Esigncentre com; Office: +61 2 9361 4555, esigncentre com T: Gallery: +61 2 8599 7999. "Julie Blyfield". Australian Design Centre. Retrieved 27 June 2021.{{cite web}}: CS1 maint: numeric names: authors list (link)
  11. ↑ "Wakefield Press :: Arts, Architecture and Design :: Julie Blyfield". www.wakefieldpress.com.au. Retrieved 27 June 2021.
  12. 1 2 "Transnational Literature – Current Issue: 5.2, May 2013". fhrc.flinders.edu.au. Retrieved 20 June 2021.
  13. ↑ "Dr Michele McCrea". Flinders University. Retrieved 27 June 2021.
  14. ↑ rodmclary (19 March 2021). "Becoming a Bird by Stephanie Radok". Queensland Reviewers Collective. Retrieved 20 June 2021.
  15. ↑ Edmond, Martin. "The Direction of Indirection". Sydney Review of Books (14 November 2021).
  16. ↑ Sexton, Maddy (28 April 2025). "Launching Stephanie Radok's UNDER THE BED". Wakefield Press. Retrieved 6 July 2025.
  17. ↑ Jose, Nicholas (Third Quarter 2023). "Tree Stories".
  18. ↑ "The Museum of Domestic Botany". Fabrik. Retrieved 21 June 2021.
  19. ↑ Radok, Stephanie; Salmon, Fiona; Smith, Jason (2011). The sublingual museum: Stephanie Radok: Flinders University City Gallery 9 July – 21 August 2011. Flinders University Art Museum. Adelaide: Flinders University Art Museum. ISBN   978-0-9805208-4-2. OCLC   731733384.
  20. ↑ "National Gallery – Stephanie Radok". searchthecollection.nga.gov.au. Retrieved 15 July 2021.
  21. ↑ "Artists | NGV". www.ngv.vic.gov.au. Retrieved 23 June 2021.
  22. ↑ "FUMA | Flinders University Museum of Art". Flinders University. Retrieved 23 June 2021.
  23. ↑ "Art Gallery of South Australia".
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.