Stormtroopers Advance Under a Gas Attack (German: Sturmtruppe geht unter Gas vor) is an engraving in aquatint by Otto Dix representing German soldiers in combat during the First World War. It is the twelfth in the series of fifty engravings entitled The War , published in 1924. Copies are kept at the German Historical Museum in Berlin, at the Museum of Modern Art in New York, and at the Minneapolis Institute of Art, among other public collections.
The engraving is almost monochrome, rectangular in format (19.3 × 28.8 cm for the engraving, 34.8 × 47.3 cm for the sheet). The engraving represents five German stormtroopers, recognizable by their steel helmets, all wearing gas masks, as they are advancing into enemy lines, while suffering a gas attack. [1] [2] [3]
Wilhelm Heinrich Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.
Joseph Fernand Henri Léger was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism which he gradually modified into a more figurative, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art.
Degenerate art was a term adopted in the 1920s by the Nazi Party in Germany to describe modern art. During the dictatorship of Adolf Hitler, German modernist art, including many works of internationally renowned artists, was removed from state-owned museums and banned in Nazi Germany on the grounds that such art was an "insult to German feeling", un-German, Freemasonic, Jewish, or Communist in nature. Those identified as degenerate artists were subjected to sanctions that included being dismissed from teaching positions, being forbidden to exhibit or to sell their art, and in some cases being forbidden to produce art.
The German spring offensive, or Kaiserschlacht, also known as the Ludendorff offensive, was a series of German attacks along the Western Front during the First World War, beginning on 21 March 1918. Following American entry into the war in April 1917, the Germans decided that their only remaining chance of victory was to defeat the Allies before the United States could ship soldiers across the Atlantic and fully deploy its resources. The German Army had gained a temporary advantage in numbers as nearly 50 divisions had been freed by the Russian defeat and withdrawal from the war with the Treaty of Brest-Litovsk.
The Battle of Caporetto was a battle on the Italian front of World War I.
In warfare, infiltration tactics involve small independent light infantry forces advancing into enemy rear areas, bypassing enemy frontline strongpoints, possibly isolating them for attack by follow-up troops with heavier weapons. Soldiers take the initiative to identify enemy weak points and choose their own routes, targets, moments and methods of attack; this requires a high degree of skill and training, and can be supplemented by special equipment and weaponry to give them more local combat options.
The Kunstmuseum Stuttgart is a contemporary and modern art museum in Stuttgart, Germany, built and opened in 2005.
John Quinn was an Irish-American cognoscente of the art world and a lawyer in New York City who fought to overturn censorship laws restricting modern literature and art from entering the United States.
Conrad Felixmüller was a German expressionist painter and printmaker. Born in Dresden as Conrad Felix Müller, he chose Felixmüller as his nom d'artiste.
Otto Piene was a German-American artist specializing in kinetic and technology-based art, often working collaboratively. He lived and worked in Düsseldorf, Germany; Cambridge, Massachusetts; and Groton, Massachusetts.
Max Ackermann was a German painter and graphic artist of abstract works and representational art.
The Dresdner Sezession was an art group aligned with German Expressionism founded by Otto Schubert, Conrad Felixmüller and his pupil Otto Dix in Dresden, during a period of political and social turmoil in the aftermath of World War I. The group's activity spanned from 1919 until its final collective exhibition in 1925. During its heyday, the group consisted of some of the most influential and prominent expressionist artists of their generations, including Will Heckrott, Lasar Segall, Otto Schubert and Constantin von Mitschke-Collande, as well as the architect Hugo Zehder and writers Walter Rheiner, Heinar Schilling, and Felix Stiemer.
Galerie St. Etienne is a New York art gallery specializing in Austrian and German Expressionism, established in Vienna in 1939 by Otto Kallir. In 1923, Kallir founded the Neue Galerie in Vienna. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, moving the Galerie St. Etienne to New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane at 24 West 57th Street.
The War, sometimes known as the Dresden War Triptych, is a large Oil and Tempera painting by Otto Dix on four wooden panels, a triptych with predella. The format of the work and its composition are based on religious triptychs of the Renaissance, like those by Matthias Grünewald. It was begun in 1929 and completed in 1932, and has been held by the Galerie Neue Meister in Dresden since 1968. It is one of several anti-war works done by Dix in the 1920s, inspired by his experience of trench warfare in the First World War.
The Trench, but earlier known as Das Kriegsbild or simply Der Krieg, was an oil painting by the German artist Otto Dix. The large painting was made from 1920 to 1923, one of several anti-war works by Dix in the 1920s inspired by his experience of trench warfare in the First World War.
The War is a series of 50 drypoint and aquatint etchings by German artist Otto Dix, catalogued by Florian Karsch as K.70 to K.119. The prints were published in Berlin in 1924 by Karl Nierendorf, in an edition which included separate high quality folio prints, and a lower-quality version with 24 prints bound together. It is often compared to Francisco Goya's series of 82 engravings The Disasters of War. The British Museum, which holds a complete set of the folio prints, has described the series as "Dix's central achievement as a graphic artist"; the auction house Christie's has described it as "one of the finest and most unflinching depictions of war in western art".
The Otto-Dix-Haus or Otto Dix House in Gera is a museum located in the birth house of the German painter Otto Dix, at Mohrenplatz 4. The building became an art museum in 1991, with exhibits on two floors. for the celebrations of the 100th birthday of Otto Dix. The museum, with the Orangerie, is part of the Kunstsammlung Gera.
The Painter Otto Dix and His Wife, Martha is a black and white photograph taken by August Sander in 1925–1926. It was included in his photography book Face of Our Time (1931) and in his project People of the 20th Century, released posthumously.
The Skat Players is an oil-and-collage-on-canvas painting executed by Otto Dix in 1920. It depicts disabled veterans of the First World War playing a card game. It has the dimensions of 110 by 88 cm. It is held at the Neue Nationalgalerie in Berlin. He also had the later title of Kartenspielende Kriegskrüppel. It was one of the first works of the artist in the style of New Objectivity.
The Match Seller is a 1920 oil painting with collage elements by the German Dada and Neue Sachlichkeit artist Otto Dix. Completed one year after the end of World War I, the composition depicts a crippled and homeless veteran match seller who is ostensibly ignored by bourgeois passersby on a street in Germany.
 | This article about a twentieth-century painting is a stub. You can help Wikipedia by expanding it. |