String Quartet | |
---|---|
No. 3 | |
Early string quartet by Ludwig van Beethoven | |
Key | D major |
Opus | 18, No. 3 |
Composed | 1798–1800 |
Dedication | Joseph Franz von Lobkowitz |
Published | 1801 |
Movements | Four |
The String Quartet No. 3 in D major, Op. 18, No. 3, was written by Ludwig van Beethoven between 1798 and 1800 and published in 1801, dedicated to Joseph Franz von Lobkowitz. Although it is numbered third, it was the first quartet Beethoven composed.
It consists of four movements:
According to Steinberg, this is "the gentlest, most consistently lyrical work [within Beethoven's Op. 18]", [1] except for the fourth movement, in which "Beethoven first explores the idea of shifting the centre of gravity toward the end of a multimovement work". [2]
The first movement starts with a gentle and unassuming theme:
However, its return at the start of the recapitulation shows the theme in an entirely different light. Philip Radcliffe (1965, p. 24) describes this moment as “beautifully contrived”. [3] Burstein (1998, p. 295) describes the
dramatic and unusual harmonic progression at the end of the development section as “breathtaking”. [4]
“The sudden reinterpretation of the C♯ creates a type of tonal crisis which has deep structural ramifications for the entire movement. Beethoven’s brilliant manner of dealing with the implications of this unusual strategy indicates a debt to his teacher, Haydn, and also reveals much about Beethoven’s own craft and artistic vision”. [5] The final movement contains a theme that resembles the Mexican Hat Dance.
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Sonata form is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century.
The String Quartet No. 1 in F major, Op. 18, No. 1, was written by Ludwig van Beethoven between 1798 and 1800, published in 1801, dedicated to the Bohemian aristocrat Joseph Franz von Lobkowitz. It is actually the second string quartet that Beethoven composed.
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The Op. 33 String Quartets were written by Joseph Haydn in the summer and Autumn of 1781 for the Viennese publisher Artaria. This set of string quartets has several nicknames, the most common of which is the "Russian" quartets, because Haydn dedicated the quartets to the Grand Duke Paul of Russia and many of the quartets were premiered on Christmas Day, 1781, at the Viennese apartment of the Duke's wife, the Grand Duchess Maria Feodorovna. Some scholars theorize that the "Russian" quartets were the inspiration for Mozart's six string quartets dedicated to Haydn, but no direct evidence has been found.
The six string quartets Op. 20 by Joseph Haydn are among the works that earned Haydn the sobriquet "the father of the string quartet". The quartets are considered a milestone in the history of composition; in them, Haydn develops compositional techniques that were to define the medium for the next 200 years.
The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.
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