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William Tefft Johnson, Jr., better known as Tefft Johnson, was an American stage and film actor, and film director and screenwriter. He appeared in 131 films between 1909 and 1926.
The New Klondike is a 1926 American black-and-white silent romantic comedy sports drama film directed by Lewis Milestone for Famous Players–Lasky. The film was set against the backdrop of the Florida land boom of the 1920s, and stands as Ben Hecht's first film assignment.
As You Like It is a 1912 American silent film based on the play of the same name by William Shakespeare. It was directed by J. Stuart Blackton, Charles Kent, and James Young, and was produced by the Vitagraph Company. The film brings stage star Rose Coghlan to the screen to costar alongside Maurice Costello. At 61 or 62 Coghlan is an older Rosalind than usual.
The Prince of Broadway is a 1926 American silent drama film directed by John Gorman and starring George Walsh, Alyce Mills, and Freeman Wood.
A Man of Quality is a 1926 American silent crime film directed by Wesley Ruggles and starring George Walsh, Ruth Dwyer and Brian Donlevy. The survival status of the film is unknown.
That Model from Paris is a 1926 American silent comedy film directed by Louis J. Gasnier and starring Marceline Day, Bert Lytell, and Eileen Percy.
The Night Bride is a 1927 American silent comedy film directed by E. Mason Hopper and starring Marie Prevost, Harrison Ford and Franklin Pangborn.
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The Winning Oar is a 1927 American silent drama film directed by Bernard McEveety and starring George Walsh, Dorothy Hall and Arthur Donaldson.
Broken Barriers is a 1928 American silent drama film directed by Burton L. King and starring Helene Costello, Gaston Glass and Joseph W. Girard. The film is currently lost.
Cardinal Wolsey is a 1912 silent short film drama directed by Laurence Trimble, written by and starring Hal Reid. It was based on the play Henry VIII by William Shakespeare. It was produced by the Vitagraph Company of America and distributed through the General Film Company.
The Oath is a 1921 American silent drama film directed by Raoul Walsh and starring Miriam Cooper, Robert Fischer and Conway Tearle. The film's sets were designed by the art director William Cameron Menzies. It is based on the 1911 novel Idols by the British writer William John Locke.
Six Days is a 1923 American silent drama film directed by Charles Brabin and starring Corinne Griffith, Frank Mayo and Myrtle Stedman. It is based on a novel of the same title by Elinor Glyn.
Combat is a 1927 American silent adventure film directed by Albert Hiatt and starring George Walsh, Bradley Barker and Claire Adams.
Alimony is a 1924 American silent drama film directed by James W. Horne and starring Grace Darmond, Warner Baxter, and Ruby Miller. In the United Kingdom it was released under the title When the Crash Came.
The Nutcracker is a 1926 American silent comedy film directed by Lloyd Ingraham and starring Edward Everett Horton, Mae Busch, and Harry Myers. It was based on the 1920 novel The Nut Cracker by Frederic S. Isham.
Going the Limit is a 1926 American silent comedy film directed by Chester Withey and starring George O'Hara, Sally Long and Brooks Benedict. It is loosely inspired by the plot of George Barr McCutcheon's Brewster's Millions, also featuring a central character who is trying to lose money.
The Dead Line is a 1920 American silent drama film directed by Dell Henderson and starring George Walsh, Irene Boyle and Virginia Valli.
The Plunger is a 1920 American silent drama film directed by Dell Henderson and starring George Walsh, Virginia Valli and Richard Neill.
The Tip Off is a 1929 American silent crime drama film directed by Leigh Jason and starring Bill Cody, George Hackathorne and Duane Thompson. It was shot at Universal Studios, just as the company was producing its last silents amidst the conversion to sound. It was originally registered under the working title The Stool Pigeon, but this was changed possibly due to the similarity to Columbia's Stool Pigeon. In Britain it was released under the alternative title Underworld Love.
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- ↑ Munden p.773
