Stump and Stumpy were a tap dance/comedy/acting duo popular from the mid-1930s to the 1950s, consisting of James "Stump" Cross, and either Eddie Hartman or Harold J. Cromer as "Stumpy". Their act was mostly jazz tap, and comedy expressed through song and movement. [1]
James "Jimmy" Cross and Edward "Eddie" Hartman traveled around the United States, managed by Nat Nazarro, on what was often called the "Black Vaudeville" circuit. On the circuit, Cross met Norma Catherine Greve, with whom he had a daughter, June Cross (born in 1954). [2] Cross was cast in the United States Army's This Is the Army (1943) film, with William Wycoff as his "partner". Stump and Stumpy's first big success was appearing in the movie Boarding House Blues (1948), after which Hartman had become unreliable as a performer and was replaced with Cromer.[ citation needed ]
The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940). The club operated during the United States' era of Prohibition and Jim Crow era racial segregation. Black people initially could not patronize the Cotton Club, but the venue featured many of the most popular black entertainers of the era, including musicians Fletcher Henderson, Duke Ellington, Jimmie Lunceford, Chick Webb, Louis Armstrong, Count Basie, Fats Waller, Willie Bryant; vocalists Adelaide Hall, Ethel Waters, Cab Calloway, Bessie Smith, Lillie Delk Christian, Aida Ward, Avon Long, the Dandridge Sisters, the Will Vodery choir, The Mills Brothers, Nina Mae McKinney, Billie Holiday, Midge Williams, Lena Horne, and dancers such as Katherine Dunham, Bill Robinson, The Nicholas Brothers, Charles 'Honi' Coles, Leonard Reed, Stepin Fetchit, the Berry Brothers, The Four Step Brothers, Jeni Le Gon and Earl Snakehips Tucker.
James Charles Heard was an American swing, bop, and blues drummer.
The Nicholas Brothers were an entertainment act composed of brothers, Fayard (1914–2006) and Harold (1921–2000), who excelled in a variety of dance techniques, primarily between the 1930s and 1950s. Best known for their unique interpretation of a highly acrobatic technique known as "flash dancing", they were also considered by many to be the greatest tap dancers of their day, if not all time. Their virtuoso performance in the musical number "Jumpin' Jive" featured in the 1943 movie Stormy Weather has been praised as one of the greatest dance routines ever captured on film.
Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though about a third of them had Black owners, including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles Henry Douglass. Theater owners booked jazz and blues musicians and singers, comedians, and other performers, including the classically trained, such as operatic soprano Sissieretta Jones, known as "The Black Patti", for black audiences.
Whitey's Lindy Hoppers was a professional performing group of exceptional swing dancers that was first organized in the late 1920s by Herbert "Whitey" White in the Savoy Ballroom and disbanded in 1942 after its male members were drafted into World War II. The group took on many different forms and had several different names and sub-groups, including Whitey's Hopping Maniacs, Harlem Congeroo Dancers, and The Hot Chocolates. In addition to touring nationally and internationally, the group appeared in several films and Broadway theatre productions. Dorothy Dandridge and Sammy Davis Jr. were among the group's celebrity regulars.
LeRoy Myers was an African American tap dancer and manager of the Copasetics. He was born in North Philadelphia, Pennsylvania and learned to tap dance on the street corners of Philadelphia.
Samuel Aaron Bell was an American jazz double-bassist.
Lady Day: The Complete Billie Holiday on Columbia 1933–1944 is a 10-CD box set compiling the complete known studio master recordings, plus alternate takes, of Billie Holiday during the time period indicated, released in 2001 on Columbia/Legacy, CXK 85470. Designed like an album of 78s, the medium in which these recordings initially appeared, the 10.5" × 12" box includes 230 tracks, a 116-page booklet with extensive photos, a song list, discography, essays by Michael Brooks, Gary Giddins, and Farah Jasmine Griffin, and an insert of appreciations for Holiday from a diversity of figures including Tony Bennett, Elvis Costello, Marianne Faithfull, B.B. King, Abbey Lincoln, Jill Scott, and Lucinda Williams. At the 44th Grammy Awards on February 27, 2002, the box set won the Grammy Award for Best Historical Album of the previous year.
Tom Dugan was an Irish-American film actor. He appeared in more than 260 films between 1927 and 1955. He was born in Dublin, Ireland and died in Redlands, California, after injuries sustained in a road accident.
Michael Brooks was a British-born music historian, archivist, consultant, and producer.
Chronological Classics was a French compact disc reissue label. Gilles Pétard, the original owner, intended to release the complete master takes of all jazz and swing recordings that were issued on 78 rpm. By the time the label suspended operations in July 2008, its scope had extended to LPs.
Ernest "Brownie" Brown was an African American tap dancer and last surviving member of the Original Copasetics. He was the dance partner of Charles "Cookie" Cook, with whom he performed from the days of vaudeville into the 1960s, and of Reginald McLaughlin, also known as "Reggio the Hoofer," from 1996 until Brown's death in 2009.
The Flo-Bert Award honors "outstanding figures in the field of tap dance".
Boarding House Blues is a 1948 American musical race film directed by Josh Binney which featured the first starring film role by Moms Mabley. It was the penultimate feature film of All-American News, a company that made newsreels about black Americans.
Harold J. Cromer was a vaudevillian, Master of Ceremony, Hoofer, Choreographer, and Comedian. He was known as Stumpy in the dance/comedy/acting duo Stump and Stumpy.
Leonard Harper was a producer, stager, and choreographer in New York City during the Harlem Renaissance in the 1920s and 1930s.
The Cotton Club Boys were African American chorus line entertainers who, from 1934, performed class act dance routines in musical revues produced by the Cotton Club until 1940, when the club closed, then as part of Cab Calloway's revue on tour through 1942.
The Earle Theatre was a 2768-seat theatre in Philadelphia, United States at 1046 Market Street, on the southeast corner of South 11th Street. It is associated with being a thriving venue for big band jazz music in the 1930s and 1940s.
Miller Brothers and Lois, a renowned tap dance class act team, comprising Danny Miller, George Miller and Lois Bright, was a peak of platform dancing with the tall and graceful Lois said to distinguish the trio. The group performed the majority of their act on platforms of various heights, with the initial platform spelling out M-I-L-L-E-R. They performed over-the-tops, barrel turns and wings on six-foot-high pedestals. They toured theatres coast to coast with Jimmy Lunceford and his Orchestra, Cab Calloway and his Orchestra, and the Count Basie Band.
Harold J. Cromer ... died on June 8 at his home in Manhattan. He was in his early 90s.