Summer A. Smith was an American photographer who worked in the 1850s and 1860s and was an early creator of daguerrotypes.
Smith was one of eighteen professional women photographers who worked in Pennsylvania prior to 1870. [1]
She was active in the 1850s and 1860s, including a stint in Philadelphia and Montrose, Iowa. [2] [3] While in Philadelphia, she boarded at one of the several inns known as the Black Horse Tavern and operated a daguerreotypist studio nearby. [2]
Two of her prints are included in the collection of the Museum of Fine Arts Houston. [4]
A forge is a type of hearth used for heating metals, or the workplace (smithy) where such a hearth is located. The forge is used by the smith to heat a piece of metal to a temperature at which it becomes easier to shape by forging, or to the point at which work hardening no longer occurs. The metal is transported to and from the forge using tongs, which are also used to hold the workpiece on the smithy's anvil while the smith works it with a hammer. Sometimes, such as when hardening steel or cooling the work so that it may be handled with bare hands, the workpiece is transported to the slack tub, which rapidly cools the workpiece in a large body of water. However, depending on the metal type, it may require an oil quench or a salt brine instead; many metals require more than plain water hardening. The slack tub also provides water to control the fire in the forge.
Eadweard Muybridge was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection. He adopted the first name "Eadweard" as the original Anglo-Saxon form of "Edward", and the surname "Muybridge", believing it to be similarly archaic.
A blacksmith is a metalsmith who creates objects primarily from wrought iron or steel, but sometimes from other metals, by forging the metal, using tools to hammer, bend, and cut. Blacksmiths produce objects such as gates, grilles, railings, light fixtures, furniture, sculpture, tools, agricultural implements, decorative and religious items, cooking utensils, and weapons. There was an historical distinction between the heavy work of the blacksmith and the more delicate operation of a whitesmith, who usually worked in gold, silver, pewter, or the finishing steps of fine steel. The place where a blacksmith works is called variously a smithy, a forge or a blacksmith's shop.
Alfred Stieglitz was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe.
Mathew B. Brady was one of the earliest photographers in American history. Best known for his scenes of the Civil War, he studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and photographed John Quincy Adams and Abraham Lincoln, among other public figures.
The American Civil War was the most widely covered conflict of the 19th century. The images would provide posterity with a comprehensive visual record of the war and its leading figures, and make a powerful impression on the populace. Something not generally known by the public is the fact that roughly 70% of the war's documentary photography was captured by the twin lenses of a stereo camera. The American Civil War was the first war in history whose intimate reality would be brought home to the public, not only in newspaper depictions, album cards and cartes-de-visite, but in a popular new 3D format called a "stereograph," "stereocard" or "stereoview." Millions of these cards were produced and purchased by a public eager to experience the nature of warfare in a whole new way.
Roger Fenton was a British photographer, noted as one of the first war photographers.
A pritchel is a type of punch used in forging, particularly in making nail holes in horseshoes. The horseshoe is heated and a hole is punched through 90 percent of the steel with a forepunch or drift punch. The pointed end of the tool should be kept sharp and so that the burr is cut out smoothly. The punched hole is lined up over the pritchel hole and the pritchel is driven into the hole, knocking out the remaining metal at the bottom of the punched hole. The temperature of the pritchel should be always below the red-hot stage as the tool itself will bend and lose the temper. When over-heated it is advised to cool it in water intermediately.
A metalsmith or simply smith is a craftsperson fashioning useful items out of various metals. Smithing is one of the oldest metalworking occupations. Shaping metal with a hammer (forging) is the archetypical component of smithing. Often the hammering is done while the metal is hot, having been heated in a forge. Smithing can also involve the other aspects of metalworking, such as refining metals from their ores, casting it into shapes (founding), and filing to shape and size.
Antonio Beato (1835–1906), also known as Antoine Beato, was an Italian-British photographer. He is noted for his genre works, portraits, views of the architecture and landscapes of Egypt and other locations in the Mediterranean region. He was the younger brother of photographer Felice Beato (1832–1909), with whom he sometimes worked. Antonio and his brother were part of a small group of commercial photographers who were the first to produce images of the Orient on a large scale.
Felice Beato, also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting.
Pierre Joseph Rossier was a pioneering Swiss photographer whose albumen photographs, which include stereographs and cartes-de-visite, comprise portraits, cityscapes, and landscapes. He was commissioned by the London firm of Negretti and Zambra to travel to Asia and document the progress of the Anglo-French troops in the Second Opium War and, although he failed to join that military expedition, he remained in Asia for several years, producing the first commercial photographs of China, the Philippines, Japan and Siam. He was the first professional photographer in Japan, where he trained Ueno Hikoma, Maeda Genzō, Horie Kuwajirō, as well as lesser known members of the first generation of Japanese photographers. In Switzerland he established photographic studios in Fribourg and Einsiedeln, and he also produced images elsewhere in the country. Rossier is an important figure in the early history of photography not only because of his own images, but also because of the critical impact of his teaching in the early days of Japanese photography.
Eva Watson-Schütze (1867–1935) was an American photographer who was one of the founding members of the Photo-Secession.
In Denmark, photography has developed from strong participation and interest in the very beginnings of the art in 1839 to the success of a considerable number of Danes in the world of photography today.
The participation of women in photography goes back to the very origins of the process. Several of the earliest women photographers, most of whom were from Britain or France, were married to male pioneers or had close relationships with their families. It was above all in northern Europe that women first entered the business of photography, opening studios in Denmark, France, Germany, and Sweden from the 1840s, while it was in Britain that women from well-to-do families developed photography as an art in the late 1850s. Not until the 1890s, did the first studios run by women open in New York City.
Hermaphrodite is a series of photographs of a young intersex person, who had a male build and stature and may have been assigned female or self-identified as female, taken by the French photographer Nadar in 1860. Possibly commissioned by Armand Trousseau, the nine photographs have been described as "probably the first medical photo-illustrations of a patient with intersex genitalia". They were originally restricted for scientific uses, and Nadar did not publish them. Further photographs of intersex subjects followed over the next several decades, although there is no evidence that the photographers knew of Nadar's work.
Robert Jefferson Bingham was an English pioneer photographer, mainly active in France, making portraits and reproductions of paintings. He is one of the first photographers to use and write about the collodion process, which he claimed to have invented.
Samuel Smith was an English photographer.
John Moran was a pioneering American photographer and artist. Moran was a prominent landscape, architectural, astronomical and expedition photographer whose career began in the Philadelphia, Pennsylvania area during the 1860s.
Photographs have been taken in the area now known as Canada since 1839, by both amateurs and professionals. In the 19th century, commercial photography focussed on portraiture. But professional photographers were also involved in political and anthropological projects: they were brought along on expeditions to Western Canada and were engaged to document Indigenous peoples in Canada by government agencies.