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The Opera Ball is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was shot at the Halensee Studios in Berlin. The film's sets were designed by the art directors Karl Weber and Erich Zander. It was part of a large group of operetta films made during the decade, although he film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.
The Tragedy of Castle Rottersheim is a 1916 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Hermann Benke, Liane Haid and Cordy Millowitsch.
Hermann Benke (1866–1937) was an Austrian stage and film actor. He made a number of appearances in silent films, co-starring with the rising actress Liane Haid in productions by Wiener Kunstfilm.
With Heart and Hand for the Fatherland is a 1915 Austrian silent war drama film directed by Jacob Fleck and Luise Fleck and starring Hubert Marischka, Hermann Benke and Liane Haid. The composer Franz Lehár, better known for his operetta, created a score to accompany the film during screenings.
With God for Emperor and Empire is a 1916 German silent war drama film directed by Jacob Fleck and Luise Fleck and starring Hermann Benke and Liane Haid. The celebrated operetta composer Karl Michael Ziehrer wrote a score to accompany the film at screenings.
On the Heights is a 1916 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Hermann Benke and Wilhelm Klitsch.
The Woman in White is a 1921 Austrian silent drama film directed by Max Neufeld and starring Liane Haid, Dora Kaiser and Eugen Neufeld. It is based on the 1860 novel The Woman in White by Wilkie Collins.
Rigoletto or The King Amuses Himself is a 1918 Austrian silent historical film directed by Jacob Fleck, Luise Fleck and starring Wilhelm Klitsch, Hermann Benke and Liane Haid. It is based on the 1832 play by the French writer Victor Hugo. To recreate the look of Paris in the early sixteenth century, location shooting took place at the neo-gothic Vienna City Hall.
Don Cesar, Count of Irun is a 1918 Austrian silent historical film directed by Jacob Fleck and Luise Fleck and starring Max Neufeld, Grit Haid and Karl Ehmann. It is based on the opera Don César de Bazan by Philippe Dumanoir and Adolphe d'Ennery, based on an earlier work by Victor Hugo. It was made and released during the closing stages of the First World War.
Doctor Ruhland is a 1920 Austrian silent film directed by Max Neufeld and starring Neufeld and Liane Haid.
The Dancing Death is a 1920 Austrian silent film directed by Jacob Fleck and Luise Fleck and starring Karl Ehmann, Liane Haid and Max Neufeld.
The Films of Princess Fantoche is a 1921 Austrian silent film directed by Max Neufeld and starring Liane Haid and Hermann Benke.
The Voice of Conscience is a 1920 Austrian silent film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Max Neufeld and Wilhelm Klitsch.
The Ancestress is a 1919 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Max Neufeld and Karl Ehmann. The same story had previously been shot in 1910.
Eva, The Sin is a 1920 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Max Neufeld and Karl Ehmann.
Let the Little Ones Come to Me is a 1920 Austrian silent film directed by Max Neufeld and starring Neufeld. Liane Haid and Karl Ehmann.
The Master of Life is a 1920 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Karl Ehmann, Liane Haid and Max Neufeld.
Light of His Life is a 1921 Austrian silent film directed by Max Neufeld and starring Liane Haid, Eugen Neufeld and Karl Ehmann.
The Black Hand is a 1917 Austrian silent crime film directed by Liane Haid, Max Neufeld and Hermann Benke.
Lebenswogen is a 1917 Austro-Hungarian silent film directed by Jacob Fleck and Luise Fleck and starring Wilhelm Klitsch, Liane Haid and Hermann Benke. The term "lebenswogen" translates to "life waves".
References
- ↑ Parish p.245
