Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.
Jimmie Noone was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his Boléro on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s.
OKeh Records is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Otto K. E. Heinemann but later changed to "OKeh". Since 1965, OKeh was a subsidiary of Epic Records, a subsidiary of Sony Music. Today, OKeh is a jazz imprint, distributed by Sony Masterworks.
Nordskog Records was a jazz record company and label founded by Andrae Nordskog in 1921 in Santa Monica, California.
Arto Records was a record company and label that operated from 1920 to 1923.
Pathé Records was an international record company and label and producer of phonographs, based in France, and active from the 1890s through the 1930s.
Fantasy Records is an American independent record label company founded by brothers Max and Sol Stanley Weiss in 1949. The early years of the company were dedicated to issuing recordings by jazz pianist Dave Brubeck, who was also one of its investors, but in more recent years the label has been known for its recordings of comedian Lenny Bruce, jazz pianist Vince Guaraldi, the last recordings made on the Wurlitzer organ in the San Francisco Fox Theatre before the theatre was demolished, organist Korla Pandit, the 1960s rock band Creedence Clearwater Revival, bandleader Woody Herman, and Disco/R&B singer Sylvester.
Stewart Levine is an American record producer. He has worked with such artists as The Crusaders, Minnie Riperton, Lionel Richie, Simply Red, Hugh Masekela, Dr. John, Randy Crawford, B.B. King, Jonatha Brooke, Huey Lewis and the News, Patti LaBelle, Sly Stone, Boy George, Peter Blakeley, Joe Cocker, Oleta Adams, Killing Joke, Jon Anderson, Boz Scaggs, Womack and Womack, David Sanborn, Brenda Russell, Lamont Dozier, Curiosity Killed the Cat, Aaron Neville, Everyday People, Jamie Cullum and The Marshall Tucker Band.
Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected.
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz styles. Although this style dominated, it was not the only form of jazz heard on the American West Coast.
Corky Hale is an American jazz harpist, pianist, flutist, and vocalist. She has been a theater producer, political activist, restaurateur, and the owner of the Corky Hale women's clothing store in Los Angeles, California.
Black Jazz Records was a jazz record company and label founded in Oakland, California by pianist Gene Russell and percussionist Dick Schory. The label was created to promote the talents of young African American jazz musicians and singers, and released twenty albums between 1971 and 1975. The artists who recorded for Black Jazz Records included Cleveland Eaton, former bassist for Count Basie and Ramsey Lewis, and organist/pianist Doug Carn, whose four albums were the most successful of any Black Jazz artist. Carn's wife at the time, Jean Carn, sang on his albums; she changed her name to Jean Carne and had a successful solo career as an R & B singer. Singer Kellee Patterson gained notice as the first black Miss Indiana in 1971, before recording her debut album, Maiden Voyage, with Black Jazz Records in 1973. The label was distributed and financed by Ovation Records, a country and western label based in Chicago, which was also founded by Schory. Black Jazz Records was considered at the time to be the first jazz label started by an African American since brothers John and Reb Spikes started Sunshine Records in 1921.
Henry "Kid" Rena was an American jazz trumpeter, who was an early star of the New Orleans jazz scene.
Arthur Budd Scott was an American jazz guitarist, banjoist and singer. He was one of the earliest musicians associated with the New Orleans jazz scene. As a violinist he performed with James Reese Europe's Clef Club Orchestra at a historic 1912 concert at Carnegie Hall, and the following year worked with Europe's ensemble on the first jazz recordings on the Victor label.
William Rogers Campbell "Sonny" Clay was an American jazz pianist, drummer, and bandleader, who had an unusual impact on the development of Australian jazz.
Nesuhi Ertegun was a Turkish-American record producer and executive of Atlantic Records and WEA International.
Benjamin Franklin "Reb" Spikes was an American jazz saxophonist and entrepreneur. His composition with his brother John, "Someday Sweetheart", has become an often-recorded jazz standard.
"Ory's Creole Trombone" is a jazz composition by Kid Ory. Ory first recorded it in Los Angeles in 1921. The band included Ory on trombone, Mutt Carey on cornet, Dink Johnson on clarinet, Fred Washington on piano, Ed Garland on bass and Ben Borders on drums. The recording of "Ory's Creole Trombone" was released by John and Reb Spikes' short-lived Sunshine Records label. It was the first issued recording session by an African American jazz band from New Orleans. Other numbers recorded the same day included "When You're Alone Blues", "Krooked Blues", "Society Blues", "That Sweet Something Dear", "Maybe Some Day" and "Froggie Moore".
The Orson Welles Almanac is a 1944 CBS Radio series directed and hosted by Orson Welles. Broadcast live on the Columbia Pacific Network, the 30-minute variety program was heard Wednesdays at 9:30 p.m. ET January 26 – July 19, 1944. The series was sponsored by Mobilgas and Mobiloil. Many of the shows originated from U.S. military camps, where Welles and his repertory company and guests entertained the troops with a reduced version of The Mercury Wonder Show. The performances of the all-star jazz band that Welles brought together for the show were an important force in the revival of traditional New Orleans jazz in the 1940s.
Recorded In Hollywood was an independent American record label specializing in rhythm and blues, active from the late 1940s to the end of the 1950s, which issued several sides by artists significant to the genre. John Dolphin operated the label out of his record shop, before selling it to Starday's Don Pierce. Pierce changed the name to Hollywood Records and began releasing re-issues.
