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Sunshine Records was a small California-based record label of the early 1920s, producing 6 double-sided phonograph records of early jazz and blues.
The labels of Sunshine Records say that they were "Manuf. by Spikes Bros. Phonograph Co. Inc. Los Angeles", but they were all actually manufactured by Nordskog Records, and also issued by Nordskog. Most Sunshine Records simply have the Sunshine label pasted over the Nordskog label. (It is believed that the labels were supposed to be pressed onto the records, but Arto Records, who pressed Nordskog's records, made this error.)
The Spikes Brothers (John and Reb Spikes) were the owner/operators of a Los Angeles, California music store which catered to the city's African-American community. The Spikes Brothers also published sheet music both by themselves and other songwriters, mostly, they later recalled, to help draw attention to numbers they hoped to sell to national music publishers. The Spikes Brothers arranged with Nordskog to sell copies of records by African-American artists in their store on their own label. It is believed that all copies of the rare Sunshine Records were sold only at the Spikes Brothers Music Store.
All of the Sunshine Records feature Kid Ory's New Orleans jazz band. Two sides are instrumentals by the band; on the rest Ory's group accompanies singers Roberta Dudley and Ruth Lee. [1]
Back in 1995, Sunshine Records signed the upcoming rapper - Skee-Lo and he released his hit album ‘I Wish’. He left the label only five months after due to a dispute with Sunshine Records.
Edward "Kid" Ory was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz.
Jimmie Noone was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his Boléro on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s.
Thomas "Papa Mutt" Carey was an American jazz trumpeter.
OKeh Records is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Otto K. E. Heinemann but later changed to "OKeh". In 1965, OKeh became a subsidiary of Epic Records, a subsidiary of Sony Music. OKeh has since become a jazz imprint, distributed by Sony Masterworks.
Nordskog Records was a jazz record company and label founded by Andrae Nordskog in 1921 in Santa Monica, California.
Arto Records was a record company and label that operated from 1920 to 1923.
Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected.
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz styles. Although this style dominated, it was not the only form of jazz heard on the American West Coast.
Corky Hale is an American jazz harpist, pianist, flutist, and vocalist. She has been a theater producer, political activist, restaurateur, and the owner of the Corky Hale women's clothing store in Los Angeles, California.
Black Jazz Records was a jazz record company and label founded in Oakland, California by pianist Gene Russell and percussionist Dick Schory. The label was created to promote the talents of young African American jazz musicians and singers, and released twenty albums between 1971 and 1975. The artists who recorded for Black Jazz Records included Cleveland Eaton, former bassist for Count Basie and Ramsey Lewis, and organist/pianist Doug Carn, whose four albums were the most successful of any Black Jazz artist. Carn's wife at the time, Jean Carn, sang on his albums; she changed her name to Jean Carne and had a successful solo career as an R & B singer. Singer Kellee Patterson gained notice as the first black Miss Indiana in 1971, before recording her debut album, Maiden Voyage, with Black Jazz Records in 1973. The label was distributed and financed by Ovation Records, a country and western label based in Chicago, which was also founded by Schory. Black Jazz Records was considered at the time to be the first jazz label started by an African American since brothers John and Reb Spikes started Sunshine Records in 1921.
Henry "Kid" Rena was an American jazz trumpeter, who was an early star of the New Orleans jazz scene.
Arthur Budd Scott was an American jazz guitarist, banjoist and singer. He was one of the earliest musicians associated with the New Orleans jazz scene. As a violinist he performed with James Reese Europe's Clef Club Orchestra at a historic 1912 concert at Carnegie Hall, and the following year worked with Europe's ensemble on the first jazz recordings on the Victor label.
William Rogers Campbell "Sonny" Clay was an American jazz pianist, drummer, and bandleader, who had an unusual impact on the development of Australian jazz.
Nesuhi Ertegun was a Turkish-American record producer and executive of Atlantic Records and WEA International.
John Curry Spikes was an American jazz musician and entrepreneur.
Benjamin Franklin "Reb" Spikes was an American jazz saxophonist and entrepreneur. His composition with his brother John, "Someday Sweetheart", has become an often-recorded jazz standard.
"Ory's Creole Trombone" is a jazz composition by Kid Ory. Ory first recorded it in Los Angeles in 1921. The band included Ory on trombone, Mutt Carey on cornet, Dink Johnson on clarinet, Fred Washington on piano, Ed Garland on bass and Ben Borders on drums. The recording of "Ory's Creole Trombone" was released by John and Reb Spikes' short-lived Sunshine Records label. It was the first issued recording session by an African American jazz band from New Orleans. Other numbers recorded the same day included "When You're Alone Blues", "Krooked Blues", "Society Blues", "That Sweet Something Dear", "Maybe Some Day" and "Froggie Moore".
The Orson Welles Almanac is a 1944 CBS Radio series directed and hosted by Orson Welles. Broadcast live on the Columbia Pacific Network, the 30-minute variety program was heard Wednesdays at 9:30 p.m. ET January 26 – July 19, 1944. The series was sponsored by Mobilgas and Mobiloil. Many of the shows originated from U.S. military camps, where Welles and his repertory company and guests entertained the troops with a reduced version of The Mercury Wonder Show. The performances of the all-star jazz band that Welles brought together for the show were an important force in the revival of traditional New Orleans jazz in the 1940s.
Recorded In Hollywood was an independent American record label specializing in rhythm and blues, active from the late 1940s to the end of the 1950s, which issued several sides by artists significant to the genre. John Dolphin operated the label out of his record shop, before selling it to Starday's Don Pierce. Pierce changed the name to Hollywood Records and began releasing re-issues.
The Starr Piano Company was an American manufacturer of pianos from the late 1800s to the middle 1900s. Founded by James Starr, the company also made phonographs and records and was the parent company of the jazz label Gennett. The company is known for manufacturing pianos under the brand names of Starr, Trayser, Duchess, Richmond, Remington, and Royal.