Countee Cullen was an American poet, novelist, children's writer, and playwright, particularly well known during the Harlem Renaissance.
The Crisis is the official magazine of the National Association for the Advancement of Colored People (NAACP). It was founded in 1910 by W. E. B. Du Bois (editor), Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, William Stanley Braithwaite, and Mary Dunlop Maclean. The Crisis has been in continuous print since 1910, and it is the oldest Black-oriented magazine in the world. Today, The Crisis is "a quarterly journal of civil rights, history, politics and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color."
Jessie Redmon Fauset was an African-American editor, poet, essayist, novelist, and educator. Her literary work helped sculpt African-American literature in the 1920s as she focused on portraying a true image of African-American life and history. Her black fictional characters were working professionals which was an inconceivable concept to American society during this time Her story lines related to themes of racial discrimination, "passing", and feminism. From 1919 to 1926, Fauset's position as literary editor of The Crisis, a NAACP magazine, allowed her to contribute to the Harlem Renaissance by promoting literary work that related to the social movements of this era. Through her work as a literary editor and reviewer, she discouraged black writers from lessening the racial qualities of the characters in their work, and encouraged them to write honestly and openly about the African-American race. She wanted a realistic and positive representation of the African-American community in literature that had never before been as prominently displayed. Before and after working on The Crisis, she worked for decades as a French teacher in public schools in Washington, DC, and New York City. She published four novels during the 1920s and 1930s, exploring the lives of the black middle class. She also was the editor and co-author of the African-American children's magazine The Brownies' Book. She is known for discovering and mentoring other African-American writers, including Langston Hughes, Jean Toomer, Countee Cullen, and Claude McKay.
Arturo Alfonso Schomburg, was a historian, writer, collector, and activist. Schomburg was a Puerto Rican of African and German descent. He moved to the United States in 1891, where he researched and raised awareness of the great contributions that Afro-Latin Americans and African Americans have made to society. He was an important intellectual figure in the Harlem Renaissance. Over the years, he collected literature, art, slave narratives, and other materials of African history, which were purchased to become the basis of the Schomburg Center for Research in Black Culture, named in his honor, at the New York Public Library (NYPL) branch in Harlem.
Aaron Douglas was an American painter, illustrator and visual arts educator. He was a major figure in the Harlem Renaissance. He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. Douglas set the stage for young, African-American artists to enter public arts realm through his involvement with the Harlem Artists Guild. In 1944, he concluded his art career by founding the Art Department at Fisk University in Nashville, Tennessee. He taught visual art classes at Fisk until his retirement in 1966. Douglas is known as a prominent leader in modern African-American art whose work influenced artists for years to come.
The Niggerati was the name used, with deliberate irony, by Wallace Thurman for the group of young African-American artists and intellectuals of the Harlem Renaissance. "Niggerati" is a portmanteau of "nigger" and "literati". The rooming house where he lived, and where that group often met, was similarly christened Niggerati Manor. The group included Zora Neale Hurston, Langston Hughes, and several of the people behind Thurman's journal FIRE!!, such as Richard Bruce Nugent, Jonathan Davis, Gwendolyn Bennett, and Aaron Douglas.
The New Negro: An Interpretation (1925) is an anthology of fiction, poetry, and essays on African and African-American art and literature edited by Alain Locke, who lived in Washington, DC, and taught at Howard University during the Harlem Renaissance. As a collection of the creative efforts coming out of the burgeoning New Negro Movement or Harlem Renaissance, the book is considered by literary scholars and critics to be the definitive text of the movement. "The Negro Renaissance" included Locke's title essay "The New Negro," as well as nonfiction essays, poetry, and fiction by writers including Countee Cullen, Langston Hughes, Zora Neale Hurston, Claude McKay, Jean Toomer, and Eric Walrond.
Rudolph John Chauncey Fisher was an American physician, radiologist, novelist, short story writer, dramatist, musician, and orator. His father was John Wesley Fisher, a clergyman, his mother was Glendora Williamson Fisher, and he had two siblings. Fisher married Jane Ryder, a school teacher from Washington, D.C. in 1925, and they had one son, Hugh, who was born in 1926 and was also nicknamed "The New Negro" as a tribute to the Harlem renaissance. Fisher had a successful career as an innovative doctor and author, who discussed the dynamics and relationships of Black and White people living in Harlem. This racial conflict was a central theme in many of his works.
"New Negro" is a term popularized during the Harlem Renaissance implying a more outspoken advocacy of dignity and a refusal to submit quietly to the practices and laws of Jim Crow racial segregation. The term "New Negro" was made popular by Alain LeRoy Locke in his anthology The New Negro.
Alain Leroy Locke was an American writer, philosopher, educator, and patron of the arts. Distinguished in 1907 as the first African-American Rhodes Scholar, Locke became known as the philosophical architect —the acknowledged "Dean"— of the Harlem Renaissance. He is frequently included in listings of influential African Americans. On March 19, 1968, the Rev. Dr. Martin Luther King Jr. proclaimed: "We're going to let our children know that the only philosophers that lived were not Plato and Aristotle, but W. E. B. Du Bois and Alain Locke came through the universe."
The Harlem Renaissance was an intellectual and cultural revival of African American music, dance, art, fashion, literature, theater and politics centered in Harlem, Manhattan, New York City, spanning the 1920s and 1930s. At the time, it was known as the "New Negro Movement", named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African American cultural expressions across the urban areas in the Northeast and Midwest United States affected by a renewed militancy in the general struggle for civil rights for African Americans that occurred in the wake of civil rights struggles in the then-still-segregated US Armed Forces in WWI and which was further inspired by the NAACP, the Garveyite movement and the Russian Revolution, combined with the Great Migration of African American workers fleeing the racist conditions of the Jim Crow Deep South, Harlem being the final destination of the largest number of those who migrated north.
William Stanley Beaumont Braithwaite was an African-American writer, poet, literary critic, anthologist, and publisher. His work as a critic and anthologist was widely praised and important in the development of East Coast poetry styles in the early 20th century.
Lewis Grandison Alexander was an American poet, actor, playwright, and costume designer who lived in Washington, D.C. and had strong ties to the Harlem Renaissance period in New York. Alexander focused most of his time and creativity on poetry, and it is for this that he is best known.
A black mecca, in the United States, is a city to which African Americans, particularly singles, professionals, and middle-class families, are drawn to live, due to some or all of the following factors:
Elise Johnson McDougald, aka Gertrude Elise McDougald Ayer, was an American educator, writer, activist and first African-American woman principal in New York City public schools. McDougald's essay "The Double Task: The Struggle for Negro Women for Sex and Race Emancipation" was published in the March 1925 issue of Survey Graphic magazine, Harlem: The Mecca of the New Negro. This particular issue, edited by Alain Locke, helped usher in and define what is now known as the Harlem Renaissance. McDougald's contribution to this magazine, which Locke adapted for inclusion as "The Task of Negro Womanhood" in his 1925 anthology The New Negro: An Interpretation, is an early example of African-American feminist writing.
Gerri Major (1894–1984) was an African-American woman who lived in Harlem during a career that stretched from the 1920s through the 1970s. She was successful in a number of overlapping vocations including journalist, editor, newscaster, publicist, public health official, author, and community leader. An article celebrating her 80th birthday said "Gerri was definitely one of the 'new Negroes' of the early 20th Century" adding that by the end of the 1930s she had become "one of the best known black women in America."
John Frederick Matheus was an American writer and a scholar who was active during the Harlem Renaissance in the 1920s. He is well known for his short stories, and he also wrote essays, plays and poetry. His story "Fog" won first place in Opportunity magazine's literary contest in 1925 and was published that same year in Alain Locke's famous anthology The New Negro. Matheus won first prize in the Crisis magazine's contest in 1926 with his story "Swamp Moccasin". His works were influenced by Harriet Beecher Stowe's Uncle Tom's Cabin, Edgar Allan Poe's tales, and the writings of Phillis Wheatley and Paul Laurence Dunbar.
The New Negro: The Life of Alain Locke is a 2018 biography of Alain LeRoy Locke written by historian Jeffrey C. Stewart. The biography examines the life of Locke, an African-American activist and scholar who mentored many African-American intellectuals and writers and whom many see as the "father" of the Harlem Renaissance. Published by Oxford University Press, The New Negro won the 2018 National Book Award for Nonfiction and the 2019 Pulitzer Prize for Biography.
"New Negro" is a term popularized during the Harlem Renaissance of the 1920s.
The Howard School of International Relations is a school of academic thought originating at Howard University in the decades between the 1920s and 1950s. Articulated by scholars such as Merze Tate, Ralph Bunche, Alain Locke, E. Franklin Frazier, Rayford Logan, and Eric Williams, the Howard School emphasized race and empire in the study of international relations. These scholars posed a sustained critique of dominant international relations theories such as racial hierarchy, which vindicated the Jim Crow era in the U.S as well as the practice of colonialism in the world through the 1960s.
