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Survivance is a critical term in Native American studies.
Survivance is a critical term in Native American studies.
Survivance was originally a legal term, but fell out of use in the 18th century. [1] It was also borrowed from the French term 'suvivance' in other contexts.
It was first employed in the context of Native American studies by the Anishinaabe cultural theorist Gerald Vizenor, in his 1999 book Manifest Manners: Narratives on Postindian Survivance. [2] There he explains that "Survivance is an active sense of presence, the continuance of native stories, not a mere reaction, or a survivable name. Native survivance stories are renunciations of dominance, tragedy and victimry". [3] Vizenor makes the term, which is deliberately imprecise, the cornerstone of his analysis of contemporary Native American literature, culture and politics. Several critics (e.g. Alan Velie) have analysed the term as a portmanteau of "survival and endurance," and others (e.g. Jace Weaver) have read it as a portmanteau of "survival + resistance," but there does not seem to be any evidence that Vizenor had such a specific combination in mind. Rather, by changing the suffix from -al to -ance, he insists on an active survival, in which contemporary Native American peoples go beyond merely subsisting in the ruins of tribal cultures to actively inheriting and refashioning those cultures for the postmodern age. The Cherokee-descent poet Diane Glancy demonstrates the ways that an imprecise term can inspire creativity by reconfiguring it: "Poetry is rebound. A turn of writing. (Sur)vivance: Sur – a survival outside survival. Vivance – the vitality of it." [4]
Vizenor frequently defines "survivance" in opposition to "victimry", some commentators note. [5] Karl Kroeber writes that Vizenor's "work aims to repair a peculiarly vicious consequence of genocidal attacks on native of the Americas: an inducing in them of their destroyers' view that they are mere survivors. By accepting this imposed definition of themselves as victims, natives complete psychologically the not-quite-entirely-successful physical genocide." [6] Similarly, Joe Lockard calls it "the condition of self-reliant or communal survival without the social or personal indulgence of victimization." [7]
The word has become a term of art in contemporary Native American studies, used far beyond the context of Vizenor's own work. It is now also an interactive video game, [8] and is used in captions for the National Museum of the American Indian, [9] as well as being employed numerous times in titles of books and academic articles.
The word was subsequently utilized in the 20th century by francophone Canadians as "La Survivance", from the French "survivance" (relict) and also employed by the French theorist Jacques Derrida to denote a spectral existence that would be neither life nor death, and migrated into English thence from French. [10]
Ishi was the last known member of the Native American Yahi people from the present-day state of California in the United States. The rest of the Yahi were killed in the California genocide in the 19th century. Widely described as the "last wild Indian" in the U.S., Ishi lived most of his life isolated from modern North American culture, and was the last known Native manufacturer of stone arrowheads. In 1911, aged 50, he emerged at a barn and corral, 2 mi (3.2 km) from downtown Oroville, California.
Leslie Marmon Silko is an American writer. A woman of Laguna Pueblo descent, she is one of the key figures in the First Wave of what literary critic Kenneth Lincoln has called the Native American Renaissance.
Gerald Robert Vizenor is an American writer and scholar, and an enrolled member of the Minnesota Chippewa Tribe, White Earth Reservation. Vizenor also taught for many years at the University of California, Berkeley, where he was Director of Native American Studies. With more than 30 books published, Vizenor is Professor Emeritus at the University of California, Berkeley, and Professor of American Studies at the University of New Mexico.
Alfred Louis Kroeber was an American cultural anthropologist. He received his PhD under Franz Boas at Columbia University in 1901, the first doctorate in anthropology awarded by Columbia. He was also the first professor appointed to the Department of Anthropology at the University of California, Berkeley. He played an integral role in the early days of its Museum of Anthropology, where he served as director from 1909 through 1947. Kroeber provided detailed information about Ishi, the last surviving member of the Yahi people, whom he studied over a period of years. He was the father of the acclaimed novelist, poet, and writer of short stories Ursula K. Le Guin.
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. The term is an anglicisation of French narratologie, coined by Tzvetan Todorov. Its theoretical lineage is traceable to Aristotle (Poetics) but modern narratology is agreed to have begun with the Russian formalists, particularly Vladimir Propp, and Mikhail Bakhtin's theories of heteroglossia, dialogism, and the chronotope first presented in The Dialogic Imagination (1975).
House Made of Dawn is a 1968 novel by N. Scott Momaday, widely credited as leading the way for the breakthrough of Native American literature into the mainstream. It was awarded the Pulitzer Prize for Fiction in 1969, and has also been noted for its significance in Native American anthropology.
Native American studies is an interdisciplinary academic field that examines the history, culture, politics, issues, spirituality, sociology and contemporary experience of Native peoples in North America, or, taking a hemispheric approach, the Americas. Increasingly, debate has focused on the differences rather than the similarities between other ethnic studies disciplines such as African American studies, Asian American studies, and Latino/a studies.
Paula Gunn Allen was an American poet, literary critic, activist, professor, and novelist. Of mixed-race European-American, Arab-American, and Native American descent, she identified with her mother's people, the Laguna Pueblo. Gunn Allen wrote numerous essays, stories and poetry with Native American and feminist themes, and two biographies of Native American women. She edited four collections of Native American traditional stories and contemporary writing.
The Native American Renaissance is a term originally coined by critic Kenneth Lincoln in the 1983 book Native American Renaissance to categorise the significant increase in production of literary works by Native Americans in the United States in the late 1960s and onwards. A. Robert Lee and Alan Velie note that the book's title "quickly gained currency as a term to describe the efflorescence on literary works that followed the publication of N. Scott Momaday's House Made of Dawn in 1968". Momaday's novel garnered critical acclaim, including the Pulitzer Prize for Fiction in 1969.
The traditional narratives of Native California are the folklore and mythology of the native people of California. For many historic nations of California, there is only a fragmentary record of their traditions. Spanish missions in California from the 18th century Christianized many of these traditions, and the remaining groups were mostly assimilated to US culture by the early 20th century. While there are sparse records from the 18th century, most material was collected during the 19th and the early 20th centuries.
Maidu traditional narratives include myths, legends, tales, and oral histories preserved by the Maidu, Konkow, and Nisenan people of eastern Sacramento Valley and foothills in northeastern California.
Indigenous decolonization describes ongoing theoretical and political processes whose goal is to contest and reframe narratives about indigenous community histories and the effects of colonial expansion, cultural assimilation, exploitative Western research, and often though not inherent, genocide. Indigenous people engaged in decolonization work adopt a critical stance towards western-centric research practices and discourse and seek to reposition knowledge within Indigenous cultural practices.
Hauntology is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost. The term is a neologism first introduced by French philosopher Jacques Derrida in his 1993 book Spectres of Marx. It has since been invoked in fields such as visual arts, philosophy, electronic music, anthropology, criminology, politics, fiction, and literary criticism.
Bearheart: The Heirship Chronicles is a 1990 novel by Gerald Vizenor; it is a revised version of his 1978 debut novel Darkness in Saint Louis: Bearheart. The novel is a part of the Native American Renaissance and is considered one of the first Native American novels to introduce a trickster figure into a contemporary setting. Vizenor drew from trickster traditions from various Native American tribes, such as Nanabozho (Anishinaabe) and Kachina (Pueblo).
The Heirs of Columbus is a 1991 novel by Gerald Vizenor that, in the face of the 500th anniversary of Christopher Columbus' arrival in America, inverts the historical record by re-imagining Columbus as a descendant of Mayans and Sephardic Jews who now wants to return home, that is, to America. Meanwhile, his modern-day descendants, the heirs of the title, are trying to bring his bones home. Critic Louis Owens considers this novel to be Vizenor "[i]n his best trickster-satirist mode" as he accomplishes "a brilliant appropriation of the master symbol of Euroamerican history".
The Trickster of Liberty is a 1988 novel by Gerald Vizenor that acts as a prequel to his earlier novels Bearheart: The Heirship Chronicles and Griever: An American Monkey King in China. The novel is a collection of stories about the mixedblood descendants of Luster Browne and their lives on the White Earth Indian Reservation. The novel continues Vizenor's focus on mixedbloods and tricksters and includes characters from the previous novels, including Griever de Hocus and China Brown from Griever and Eternal Flame from Bearheart.
Native American literature is literature, both oral and written, produced by Native Americans in what is now the United States, from pre-Columbian times through to today. Famous authors include N. Scott Momaday, Leslie Marmon Silko, Simon Ortiz, Louise Erdrich, Gerald Vizenor, Joy Harjo, Sherman Alexie, D'Arcy McNickle, James Welch, Charles Eastman, Mourning Dove, Zitkala-Sa, John Rollin Ridge, Lynn Riggs, Hanay Geiogamah, William Apess, Samson Occom, Gerald Vizenor, Stephen Graham Jones, et al. Importantly, it is not "a" literature, but a set of literatures, since every tribe has its own cultural traditions. Since the 1960s, it has also become a significant field of literary studies, with academic journals, departments, and conferences devoted to the subject.
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Eric Gansworth is a Haudenosaunee novelist, poet and visual artist from New York. He is a citizen of the Onondaga Nation and Tuscarora descendant.