 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Susan Collis (born 1956) is a British artist working in Hackney, London. She is known for crafting ordinary looking, everyday objects from valuable materials. In her approach to sculpture, Collis manages to elevate the mundane, celebrate traditional craft techniques, and encourage viewers to take second, closer looks.[ citation needed ]
Collis was born in Edinburgh, Scotland. She studied sculpture, gaining a BA(Hons) in 2000 at the Chelsea School of Art, London and a MA from the Royal College of Art in 2002.[ citation needed ]
Collis uses a variety of techniques and strategies to investigate issues concerning interpretation, craft, value and labor. Everyday objects are presented etched, splattered and stained with marks of work, wear and tear. At first glance, the marks seem to be the accidental results of normal use, and as such seem meaningless and not worthy of examination. Collis is interested in the shift of perception that takes place upon discovery that they are, in fact, careful, intentional acts, and that the materials used are traditionally valued for their financial or decorative properties. A tired stepladder covered with paint drips from years of use has been simulated by the meticulous inlaying of diamonds, pearls, opals and other prized materials. A bucket catching a drip from the gallery ceiling may not be the result of neglect, rather a complex staging of pumps, water-tanks and false walls to artificially create the scenario. Typically works involve large amounts of often hidden labor to create an object that may easily go unnoticed, but is replete with value, be it material or conceptual. Much of Collis’ work can go unnoticed and this visual gamble results in a possible conceptual pay-off that rewards concerted investigation by the viewer. [1]
Collis’s work has been exhibited at venues including Ikon in Birmingham, the Walker Art Center in Minneapolis, the Christchurch Art Gallery in New Zealand, the Massachusetts Museum of Contemporary Art, the Zabludowicz Collection, and the Israel Museum in Jerusalem.[ citation needed ]
Collis won a British Cement Association Award in 2001, the Pizza Express Prospects Contemporary Drawing Prize [2] and the Jerwood Student Drawing Prize in 2002. [3]
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap.
Milton Ernest "Robert" Rauschenberg was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was both a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance.
Wearable art, also known as Artwear or "art to wear", refers to individually designed pieces of (usually) handmade clothing or jewellery created as fine or expressive art. While the making of any article of clothing or other wearable object typically involves aesthetic considerations, the term wearable art implies that the work is intended to be accepted as a serious and unique artistic creation or statement. Wearable art is not intended to be worn as everyday clothing but one that is meant to draw attention while it is being displayed or modeled. Pieces may be sold and/or exhibited. The modern idea of wearable art seems to have surfaced more than once in various forms. Marbeth Schon's book on modernist jewellery refers to a "wearable art movement" spanning roughly the years 1930 to 1960. A 2003 The New York Times review of a book on knitting refers to "the 60s Art to Wear movement".
Tom Friedman is an American conceptual sculptor. He was born in St. Louis, Missouri and received a BFA in graphic illustration from Washington University in St. Louis (1988) and an MFA in sculpture from the University of Illinois at Chicago (1990.). As a conceptual artist he works in diverse media including sculpture, painting, drawing, video, and installation.
Sir Michael Craig-Martin is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is Emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.
Tara Donovan ) is an American sculptor who lives and works in Brooklyn, New York. Her large-scale installations, sculptures, drawings, and prints utilize everyday objects to explore the transformative effects of accumulation and aggregation. Known for her commitment to process, she has earned acclaim for her ability to exploit the inherent physical characteristics of an object in order to transform it into works that generate unique perceptual phenomena and atmospheric effects. Her work has been conceptually linked to an art historical lineage that includes Postminimalism and Process artists such as Eva Hesse, Jackie Winsor, Richard Serra, and Robert Morris, along with Light and Space artists such as Mary Corse, Helen Pashgian, Robert Irwin, and James Turrell.
The following outline is provided as an overview of and topical guide to the visual arts:
Art jewelry is one of the names given to jewelry created by studio craftspeople. As the name suggests, art jewelry emphasizes creative expression and design, and is characterized by the use of a variety of materials, often commonplace or of low economic value. In this sense, it forms a counterbalance to the use of "precious materials" in conventional or fine jewelry, where the value of the object is tied to the value of the materials from which it is made. Art jewelry is related to studio craft in other media such as glass, wood, plastics and clay; it shares beliefs and values, education and training, circumstances of production, and networks of distribution and publicity with the wider field of studio craft. Art jewelry also has links to fine art and design.
Atsuko Tanaka was a Japanese avant-garde artist. She was a central figure of the Gutai Art Association from 1955 to 1965. Her works have found increased curatorial and scholarly attention across the globe since the early 2000s, when she received her first museum retrospective in Ashiya, Japan, which was followed by the first retrospective abroad, in New York and Vancouver. Her work was featured in multiple exhibitions on Gutai art in Europe and North America.
Benni Efrat is an Israeli painter, sculptor, printmaker and filmmaker who was born in Beirut, Lebanon.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Molly Springfield is an American artist whose work includes labor-intensive drawings of printed texts and visual explorations of the history of information and mediated representation.
An Te Liu is a Taiwanese-Canadian artist based in Toronto. Liu has become well known for his predominantly sculptural practice that involves a creative and insightful use of everyday found objects that are reconfigured into often playful yet critical commentaries on the ideals of modernism.
Catherine Bertola is a British artist. Based in Newcastle upon Tyne, her works consist of drawings, objects and installations which often draw upon history, collections and people. Bertola studied Fine Art at Newcastle University before going on to work on multiple commissions and exhibitions both nationally and internationally.
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.
Ann Agee is an American visual artist whose practice centers on ceramic figurines, objects and installations, hand-painted wallpaper drawings, and sprawling exhibitions that merge installation art, domestic environment and showroom. Her art celebrates everyday objects and experiences, decorative and utilitarian arts, and the dignity of work and craftsmanship, engaging issues involving gender, labor and fine art with a subversive, feminist stance. Agee's work fits within a multi-decade shift in American art in which ceramics and considerations of craft and domestic life rose from relegation to second-class status to recognition as "serious" art. She first received critical attention in the influential and divisive "Bad Girls" exhibition, curated by Marcia Tucker at the New Museum in 1994, where she installed a functional, handmade ceramic bathroom, rendered in the classic blue-and-white style of Delftware. Art in America critic Lilly Wei describes Agee's later work as "the mischievous, wonderfully misbegotten offspring of sculpture, painting, objet d'art, and kitschy souvenir."
Anna Maria Maiolino is a Brazilian contemporary artist.
Sheela Gowda is a contemporary artist living and working in Bangalore. Gowda studied painting at Ken School of Art, Bangalore, India (1979) pursued a postgraduate diploma at Visva-Bharati University, Santiniketan, India (1982), and a MA in painting from the Royal College of Art in London in 1986. Trained as a painter Gowda expanded her practice into sculpture and installation employing a diversity of material like human hair, cow-dung, incense and kumkuma powder. She is known for her 'process-orientated' work, often inspired by the everyday labor experiences of marginalized people in India. Her work is associated with postminimalism drawing from ritualistic associations. Her early oils with pensive girls in nature were influenced by her mentor K. G. Subramanyan, and later ones by Nalini Malani towards a somewhat expressionistic direction depicting a middle class chaos and tensions underplayed by coarse eroticism. She is the recipient of the 2019 Maria Lassnig Prize.
Joe Scanlan is an American artist and educator.
Liz Young was a Los Angeles-based artist known for diverse work investigating body- and nature-focused themes, such as loss, beauty, the inevitability of decay, and the fragility of life. She produced sculpture, installation, performance, painting, drawing and video incorporating fabricated and recontextualized found objects, organic materials, and processes from industrial metalworking to handicrafts, taxidermy and traditional art practices. Young exhibited throughout the United States and Europe, including solo shows at the Los Angeles County Museum of Art (LACMA) and Los Angeles Contemporary Exhibitions (LACE), and alternative spaces such as Hallwalls, Randolph Street Gallery (Chicago) and New Langton Arts ; she participated in group shows at Exit Art, Art in the Anchorage, and Armory Center for the Arts, among others. Her art was discussed in ARTnews, Artforum, Frieze, Los Angeles Times, The New York Times, and The Village Voice, and is included in the LACMA permanent collection. Critic Peter Frank wrote that her work "reflects both on life's relentless erosion of body and spirit, and on our indomitable struggle against these nagging cruelties." Artillery Magazine critic Ezrha Jean Black called her 2017 installation a "mordant yet elegiac show" in which "craft bears out the work’s consciousness." In 2016, Young received a Guggenheim Foundation Fellowship; she was recognized with awards from the Getty Trust and Andy Warhol Foundation, among others. Young lived and worked in Los Angeles from 1981.
| General | |
|---|---|
| National libraries | |
| Art research institutes | |
