Related Research Articles
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
Arthur Thrall was an American painter and printmaker. His works have been shown in more than 500 exhibits in the United States and abroad including England, Finland, Germany, and U.S. embassies. Milwaukee Journal-Sentinel art critic James Auer said Thrall is one to "defy the dictates of fashion" and "whose high-styled uses of calligraphy rival those of the great age of the Ottomans." His work explores the abstract qualities of the alphabet and recalls "the elegant hand scripts in ceremonial documents and proclamations of an earlier age," re-creating "the tensions and rhythms emerging from a historic document."
Krishna Reddy was an Indian master printmaker, sculptor, and teacher. He was considered a master intaglio printer and known for viscosity printing.
Paul V Coldwell is an English artist.
The California Society of Printmakers (CSP) is the oldest continuously operating association of printmakers and friends of printmakers in the United States. CSP is a 501(c)(3) non-profit arts organization with an international membership of print artists and supporters of the art of fine printmaking. CSP promotes professional development and opportunity for printmakers, and educates artists and the public about printmaking. New members are admitted by portfolio review. Friends, Institutional and Business members are admitted by fee. CSP is based in the San Francisco Bay Area, California.
Vitreography is a fine art printmaking technique that uses a 3⁄8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph. Unlike a monotype, in which ink is painted onto a smooth glass plate and transferred to paper to produce a unique work, the vitreograph technique involves fixing the imagery in, or on, the glass plate. This allows the production of an edition of prints.
Chris Pig is a British artist printmaker known for politically astute prints that combine of expanses of black ink with carefully worked areas of detail. His work, inspired by the formal aesthetic of Victorian wood-engraving and influenced by Anarchism, is made by engraving and printing from Lino and/or boxwood. Chris Pig is the director of the Black Pig Printmaking Studio, Somerset, and has work in public and private collections throughout the world, including Guangdong Museum of Art China, Douro Museum of Printmaking Portugal, Ashmolean Museum Oxford, the British Museum in London, Pallant House Gallery, Chichester and the Victoria and Albert Museum in London.
Carol Wax is an American artist, author and teacher whom the New York Times called "a virtuoso printmaker and art historian" for her work in mezzotint and her writings on the history and technique of that medium.
The Outlaws of Printmaking, also known as "The Outlaws" and "Outlaw Printmakers" are a collective of printmaking artists that exists internationally. The idea of "Outlaw Printmakers" formed from a show in New York at Big Cat Gallery in 2000. Tony Fitzpatrick, the owner of the Big Cat Press which is associated with the gallery, decided to call a show there "Outlaw Printmaking" to reflect attitudes of the printmakers involved in a non-academic approach to prints. As pointed out by Sean Starwars, the Southern Graphic Council print conference was happening at the same time as that show in NYC across the water in New Jersey. A handful of artists from the conference attended the show.). At that conference the core group now known as the Outlaw Printmakers formed, adopting the name from the show and continuing their own events, happenings and shows outside of the academic norm. The core members are Bill Fick, Tom Huck, The Hancock Brothers, Sean Star Wars, Dennis McNett and Cannonball Press. Many of the core artists associated with the movement cite the printmaker/artist Richard Mock as a primary influence. Mock's political and social narrative prints appeared in the New York Times op-ed pages for more than a decade in the 1980s and early 1990s. Later the group grew to include Carlos Hernandez, Drive By Press, Ryan O'Malley, Artemio Rodriguez, Kathryn Polk, Erica Walker, Derrick Riley, and Julia Curran.
Joanne Elizabeth Manning was a Canadian etcher, painter and author.
Anne Desmet is a British artist who specializes in wood engravings, linocuts and mixed media collages. She has had three major museum retrospectives, received over 30 international awards, and her work is in museum collections and publications worldwide.
Margo Humphrey is an American printmaker, illustrator and art teacher. She earned a Master of Fine Arts degree from Stanford after earning a Bachelor of Fine Arts degree at the California College of Arts and Crafts in printmaking. She has traveled in Africa, Brazil, the Caribbean, and Europe and has taught in Fiji, Nigeria, Uganda, and the University of Maryland. As a printmaker, she is known for her "bold, expressive use of color and freedom of form", creating works that are "engaging, exuberant and alive." Her work is considered to be "in the forefront of contemporary printmaking."
Articulate Ink is a printmaking collective formed in January 2010 in Regina, Saskatchewan, Canada. It was founded by four Fine Arts graduates from the University of Regina.
Jack Glover is an American artist living and working in Richmond, Virginia.
Blanche McVeigh was an American printmaker, founder of the Fort Worth School of Fine Arts and Fort Worth Artists Guild, and art educator in Fort Worth, Texas. Known for her mastery of the aquatint medium, McVeigh’s leadership in art education influenced a generation of local artists, particularly members of the group known as the Fort Worth Circle. Her work is represented in several national collections as well as local and private collections.
Clare Romano (1922–2017) was an internationally known American printmaker and painter with works in the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Cooper Hewitt, Smithsonian Design Museum and other major collections. As an advocate, innovator, and educator in the field of printmaking, Romano has co-authored in collaboration with her husband, John Ross, The Complete Printmaker (1972), The Complete Collagraph (1980), and several other printmaking manuals that have become standard texts for universities. They founded their High Tide Press for artists books in 1991.
Sylvia Solochek Walters is an American artist and educator. She has produced drawings, paintings and collage works in her career, but is best known for complex woodcut prints created through the "reduction and stencil" process. Her work combines elements of realist, decorative and formalist art, flat and illusionistic space, and varied patterning and textures. She has largely focused on portraits, still lifes and domestic interiors, and collage-like combinations of personal symbolism—concerns that writers often align with early feminist art.
Hertha Kluge-Pott is a German-born Australian printmaker based in Melbourne.
Mary Teichman is an American artist and printmaker known for her color aquatint etchings.
This is a timeline of 20th-century printmaking in America.
References
- ↑ "Susan Lowdermilk". portlandartmuseum.us. Retrieved March 5, 2016.
- ↑ "About Susan Lowdermilk". susanlowdermilk.com. Retrieved March 2, 2016.
- ↑ "Pushing the Margins, an Exhibition of Northwest Book Arts: Susan Lowdermilk". www.wlotus.com. May 6, 2005. Retrieved June 25, 2016.
- 1 2 3 4 "Visiting-Artist Lecture: Susan Lowdermilk". Minneapolis College of Art and Design. Retrieved June 25, 2016.
- ↑ "last gods retreat". deniskeoghart.com. Retrieved June 25, 2016.
- ↑ "Book Art Inspired by Science". artvoice.com. Retrieved December 4, 2016.
- ↑ Taylor, R.P. (2012). "The Transience of Virtual Fractals" (PDF). Nonlinear Dynamics, Psychology, and Life Sciences. 16 (1). Society for Chaos Theory in Psychology & Life Sciences: 91–96. PMID 22196114.
- ↑ "Studio Arts News & Events". www.vanderbilt.edu. Archived from the original on May 13, 2016. Retrieved June 25, 2016.
- ↑ "From paper to print: the art of making books". Google News Archive Search. Lawrence Journal-World. October 1, 1998. Retrieved June 25, 2016.
- ↑ "Susan Lowdermilk". portlandartmuseum.us. Retrieved June 25, 2016.
- ↑ "Explore the Thriving and Diverse World of Print Arts". Tacoma Art Museum. Retrieved June 25, 2016.
- ↑ "Lowdermilk". www.wlotus.com. Retrieved December 4, 2016.
| International | |
|---|---|
| National | |
