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Susan Robb is an American visual artist based in Seattle, Washington, United States.
Susan Robb is a west-coast based interdisciplinary artist who examines the interrelatedness between people and place. Her work has been shown nationally and internationally including exhibitions at the Henry Art Gallery, the Berkley Art Museum, and Blindside Gallery in Melbourne, Australia. Robb was born in Connecticut [1] and attended Syracuse University in New York where she received a BFA in Photography and a BA in Art History. She earned her MFA in photography at the University of Washington in Seattle. She played in the music projects Incredible Force of Junior and Goatmax1. [2]
According to her Creative Capital profile, Susan Robb's work is an "ongoing investigation of people, place and the search for utopia." [3] Drawing on her own travel experiences, the utopian thought at play in intentional communities, and the hands-on ethos of DIY subcultures, she depicts the kaleidoscopic relationship we have with our surroundings. Works such as Sleeper Cell Training Camp,The Long Walk, and Scent of the Trails require spontaneous involvement from her audience and in return deliver a reordering of the expected relationships to each other and their surroundings. She combines poetic applications of technology (from muscle wire circuitry to methane digesters), an interrogation and manipulation of materials (giant black plastic bags to cultured crystals), and a re-purposing of forms and sites (bike parking-as-social hub; hiking trail-as-game space). [4]
Robb has undertaken several long-form project involving travel and site-specific exploration including
Ann Hamilton is a visual artist who emerged in the early 1980s known for her large-scale multimedia installations. After receiving her BFA in textile design from the University of Kansas in 1979, she lived in Banff, Alberta, and Montreal, Quebec, Canada before deciding to pursue an MFA in sculpture at Yale in 1983. From 1985 to 1991, she taught on the faculty of the University of California at Santa Barbara. Since 2001, Hamilton has served on the faculty of the Department of Art at the Ohio State University. She was appointed a Distinguished University Professor in 2011.
Alison Saar is a Los Angeles, California based sculptor, mixed-media, and installation artist. Her artwork focuses on the African diaspora and black female identity and is influenced by African, Caribbean, and Latin American folk art and spirituality. Saar is well known for "transforming found objects to reflect themes of cultural and social identity, history, and religion."
Heather T. Hart is a visual artist who works in a variety of media including interactive and participatory Installation art, drawing, collage, and painting. She is a co-founder of the Black Lunch Table Project, which includes a Wikipedia initiative focused on addressing diversity representation in the arts on Wikipedia.
Nancy Davidson is an American artist best known for large-scale inflatable sculptures regarded as hyper-feminized abstractions of the human female form. Bulbous and flesh-like, the sculptures resemble buttocks and breasts and employ erotic cultural signifiers in their shape and decoration. Davidson's work spans art media but centers around sculpture. It is largely post-minimal in character and described by commentators as providing a feminist counterpoint to the male-dominated, minimalist sculpture of the 1960s, as well as to cultural tropes involving bodies that the works themselves invoke. Of particular note are Davidson's use of humor and a sense of absurdity to seemingly both celebrate and subvert these tropes, inviting their investigation but without the seriousness and moralism that often accompany critical works. Sculpture Magazine critic Robert Raczka wrote that "The confectionary color and oversize scale" of Davidson's sculpture creates a "playfully upbeat mood that allows feminist and gender issues to rise to the surface at irregular intervals, without didacticism." The New Art Examiner's Susan Canning described it as establishing "a context where all can revel in the transgressive and liberating power of the grotesque."
Xenobia Bailey is an American fine artist, designer, Supernaturalist, cultural activist and fiber artist best known for her eclectic crochet African-inspired hats and her large scale crochet pieces and mandalas. She has said that her specialty is crochet and needlecraft.
Saya Woolfalk is an American artist known for her multimedia exploration of hybridity, science, race and sex. Woolfalk uses science fiction and fantasy to reimagine the world in multiple dimensions.
Sheila Klein is a sculptor and public artist living and working in Bow, Washington and Buenos Aires, Argentina. Her practice straddles the worlds of architecture, sculpture, installation and traditional women's crafts. She is particularly noted for her monumental projects dressing public buildings with hand crocheted and knitted steel. She lives on a farm in the Skagit Valley near Seattle, Washington with her artist husband Ries Niemi, and sons Rebar and Torque. Sheila has created numerous public art projects across the USA, and maintains a parallel studio practice as a sculptor and installation artist.
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Humaira Abid is a contemporary artist who was born in Pakistan. The main element she works with is wood. Her recent work combines traditional miniature painting with wood sculpture. Her work examines women's roles, relationships, and taboos from a cross-cultural perspective.
Norie Sato is an artist living in Seattle, Washington. She works in the field of public art using sculpture and various media–including glass, terrazzo, plastic film, stone, and metal–and often incorporating lighting effects, landscaping, mosaics, prints, and video. She frequently collaborates with architects, city planners, and other artists and specializes in integrating artwork and site specific design.
Jina Valentine is a contemporary American visual artist whose work is informed by the techniques and strategies of American folk artists. She uses a variety of media to weave histories—including drawing, papermaking, found-object collage, and radical archiving.
Ruby Lerner is an American arts executive. She ran Creative Capital, an arts foundation, from 1999 to 2016. Under her leadership, Creative Capital committed $40 million in financial and advisory support to 511 projects representing 642 artists. She stepped down from the organization in June 2016.
Cherdonna Shinatra is the stage name of Jody Kuehner, a Seattle-based, American dancer, drag queen and performance artist. Kuehner won the Stranger Genius Award in Performance in 2015.
Tip Toland is an American ceramic artist and teacher who was born in Pottstown, Pennsylvania. She earned a BFA in Ceramics from the University of Colorado and an MFA in Ceramics from Montana State University. Her works, which are figurative and often described as "hyper-real," are held by galleries and museums around the United States.
Straight Shot is a 2007 public art work at the Sand Point calibration baseline in Magnuson Park, Seattle. It was created by Seattle artist Perri Lynch, and funded by the City of Seattle's 1% for Art program, Trimble and the Washington Surveyors Association. The baseline at Sand Point predates the development of Magnuson Park, and was originally at the western edge of the Navy's Naval Air Station Seattle runway at the location. The artwork was created in part to illustrate the importance of the baseline to surveyors and to preserve the baseline – "in peril of being destroyed" – as a part of the park. The work has been nicknamed "Linehenge" by surveyors.
Valerie Curtis-Newton is an American artistic director. Newton is head of Performance – Acting and Directing at the University of Washington School of Drama and Artistic Director for The Hansberry Project.
Mary Ann Peters (1949) is an American. Her large scale paintings and installations deal with the themes of immigration and the refugee crisis. She is a founder of COCA.
Anna Mlasowsky is a German artist. She is known for her experimental and boundary pushing work in glass and is recognized as one of the leading female artist working in glass today.
Pat DeCaro is an American artist based in Seattle, Washington. She has lived in the Pacific Northwest since 1980, where her works are held in the collections of the Northwest Museum of Art, the Washington State Arts Commission, the Seattle Office of Arts and Culture, and the Pilchuck Glass School. DeCaro’s work has been exhibited in numerous solo and group shows in the United States and Europe. She received the 2012 Twining Humber Award for lifetime achievement in the arts.
Guadalupe Maravilla, formerly known as Irvin Morazan, is a transdisciplinary visual artist, choreographer, and healer. At the age of eight, Maravilla was part of the first wave of unaccompanied, undocumented children to arrive at the United States border in the 1980s as a result of the Salvadoran Civil War. In 2016, Maravilla became a U.S. citizen and adopted the name Guadalupe Maravilla in solidarity with his undocumented father, who uses Maravilla as his last name. As an acknowledgment to his past, Maravilla grounds his practice in the historical and contemporary contexts belonging to undocumented communities and the cancer community. Maravilla's studio is located in Brooklyn, New York.