Susan Scafidi | |
---|---|
Education | Duke University Yale Law School |
Occupation(s) | President, Fashion Law Institute Professor, Fordham University School of Law |
Website | CounterfeitChic.com |
Susan Scafidi is an American lawyer, legal scholar, advocate, nonprofit executive, and commentator. The first professor to offer a formal course on fashion law at a U.S. law school, she is the founder and president of the Fashion Law Institute, a nonprofit organization located at the Fordham University School of Law in New York City. [1]
Scafidi is a frequent commentator on fashion and fashion law, with appearances in the New York Times, [2] the Wall Street Journal, [3] Women's Wear Daily , [4] Forbes [5] Time, [6] Newsweek, [7] Crain's New York Business , [8] the Chicago Tribune, [9] National Public Radio, [10] Today, [11] CBS This Morning, [12] [13] 20/20, [14] The Tyra Banks Show , and other media outlets in the U.S. and abroad. She is also known for her work on cultural appropriation. [15] [16] [17]
Scafidi is credited with being the "pioneer," [18] [19] [20] [21] "innovator" [22] and "senior stateswoman" [23] of fashion law as a distinct legal field. [24]
In 2005, Scafidi launched CounterfeitChic.com. [23] [25] In addition to discussing examples of originality and copying in fashion, Scafidi used the site to call for a cultural analysis of fashion design protection. [26] Scafidi's work in Counterfeit Chic has been cited as the inspiration for subsequent fashion law sites. [23] [27] The American Bar Association has recognized Counterfeit Chic as a top 100 law blog, [28] and Counterfeit Chic has also received attention in multiple media outlets, including the New York Times, [29] ABC News, [30] and The Tyra Banks Show.
Scafidi was the first law professor to advocate for recognizing fashion law as a distinct legal field. Besides writing and speaking on the subject, she offered the first course on fashion law. [1] [31]
In 2010, with the support of Diane von Furstenberg and the Council of Fashion Designers of America, Scafidi founded the Fashion Law Institute, the world's first academic center dedicated to legal and business issues pertaining to the fashion industry. [32] [33] [34] [35] In 2015, Diane von Furstenberg and Scafidi announced the launch of the world's first master's degrees in fashion law: a Master of Laws for attorneys and a Master of Science in Law for designers, executives, and other non-attorney members of the fashion community. [36] [37]
Scafidi has been a leading proponent for the enactment of intellectual property protection for fashion design. [38] [39] [40] In 2006, she testified before the House Judiciary Committee in favor of the bill now referred to as the Innovative Design Protection Act, which she helped draft. [41] [42] She has continued to speak about the bill and to provide updates on design protection in Congress and the courts. [43] [44] She has been an expert and amicus brief author in multiple cases pertaining to brand protection, including Star Athletica, LLC v. Varsity Brands, Inc. [44]
Scafidi was a founding board member of the Model Alliance, which was formed after Scafidi approached model advocate Sara Ziff to discuss organizational strategy after a showing of Ziff's documentary, Picture Me. [45] [46] Scafidi and Fashion Law Institute assisted with the drafting and enactment of a New York state law that established legal safeguards for models under the age of sixteen. Scafidi described this legislation as "one of the biggest developments in a century, bringing a whole new group under legal protection." [47] [48]
Scafidi is on the advisory board of the Humans of Fashion Foundation, an organization dedicated to curbing harassment throughout the fashion industry. [49]
Scafidi is the author of Who Owns Culture?, a study of cultural identity in the contemporary marketplace. [50] Scafidi's work on cultural appropriation and ethnographic legal history has been cited in a range of scholarly articles. [51] As she explained in a January 2006 talk at the annual meeting of the Association of American Law Schools, Scafidi's work in both cultural appropriation and fashion grew out of an interest in forms of creativity that the law does not protect and the values implicit in this status, in contrast to other academics' focus on works with extensive and increasing intellectual property protection. [52] [53] [54] Scafidi's work on cultural appropriation has also been cited on both sides in public debates over the use of culture in fashion, such as the Urban Outfitters' Navajo panty; [55] [56] [57] the use of Native American garb in the 2012 Victoria's Secret Fashion Show;, [17] literature, music, and art; [58] [59] and Moana and other halloween costumes. [60]
A native of Washington D.C., Scafidi received her B.A. from Duke University and J.D. from Yale Law School. She also did graduate work in history at the University of California-Berkeley and the University of Chicago.
After graduation from Yale, she clerked for Morris S. Arnold of the United States Court of Appeals for the Eighth Circuit
Scafidi's first law teaching position was at the University of Chicago. She subsequently joined the faculties at the St. Louis University School of Law and the Dedman School of Law at Southern Methodist University, where she received tenure. Prior to becoming a law professor at Fordham University School of Law, she also taught in the law schools at Brooklyn Law School, Georgetown and Yale. [61]
A copyright is a type of intellectual property that gives its owner the exclusive legal right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States and fair dealings doctrine in the United Kingdom.
Intellectual property (IP) is a category of property that includes intangible creations of the human intellect. There are many types of intellectual property, and some countries recognize more than others. The best-known types are patents, copyrights, trademarks, and trade secrets. The modern concept of intellectual property developed in England in the 17th and 18th centuries. The term "intellectual property" began to be used in the 19th century, though it was not until the late 20th century that intellectual property became commonplace in most of the world's legal systems.
The World Intellectual Property Organization Copyright Treaty is an international treaty on copyright law adopted by the member states of the World Intellectual Property Organization (WIPO) in 1996. It provides additional protections for copyright to respond to advances in information technology since the formation of previous copyright treaties before it. As of August 2023, the treaty has 115 contracting parties. The WCT and WIPO Performances and Phonograms Treaty, are together termed WIPO "internet treaties".
To counterfeit means to imitate something authentic, with the intent to steal, destroy, or replace the original, for use in illegal transactions, or otherwise to deceive individuals into believing that the fake is of equal or greater value than the real product. Counterfeit products are fakes or unauthorized replicas of the real product. Counterfeit products are often produced with the intent to take advantage of the superior value of the imitated product. The word counterfeit frequently describes both the forgeries of currency and documents as well as the imitations of items such as clothing, handbags, shoes, pharmaceuticals, automobile parts, unapproved aircraft parts, watches, electronics and electronic parts, software, works of art, toys, and movies.
Fashion law deals with legal issues that impact the fashion industry. Fundamental issues in fashion law include intellectual property, business, and finance, with subcategories ranging from employment and labor law to real estate, international trade, and government regulation. Fashion law also includes related areas such as textile production, modelling, media, the cosmetics and perfume industries, questions of safety and sustainability, dress codes and religious apparel, consumer culture, privacy and wearable tech, and civil rights. Clothing laws varies by country.
Intellectual property rights (IPRs) have been acknowledged and protected in China since 1980. China has acceded to the major international conventions on protection of rights to intellectual property. Domestically, protection of intellectual property law has also been established by government legislation, administrative regulations, and decrees in the areas of trademark, copyright, and patent.
Cultural appropriation is the adoption of an element or elements of one culture or identity by members of another culture or identity in a manner perceived as inappropriate or unacknowledged. This can be especially controversial when members of a dominant culture appropriate from minority cultures. When cultural elements are copied from a minority culture by members of a dominant culture, and these elements are used outside of their original cultural context – sometimes even against the expressly stated wishes of members of the originating culture – the practice is often received negatively. Cultural appropriation can include the exploitation of another culture's religious and cultural traditions, dance steps, fashion, symbols, language, and music.
The threshold of originality is a concept in copyright law that is used to assess whether a particular work can be copyrighted. It is used to distinguish works that are sufficiently original to warrant copyright protection from those that are not. In this context, "originality" refers to "coming from someone as the originator/author", rather than "never having occurred or existed before".
Pamela Samuelson is an American legal scholar, activist, and philanthropist. She is the Richard M. Sherman '74 Distinguished Professor of Law at the University of California, Berkeley, School of Law, where she has been a member of the faculty since 1996. She holds a joint appointment at the UC Berkeley School of Information. She is a co-founder of Authors Alliance and a co-director of the Berkeley Center for Law and Technology.
The Design Piracy Prohibition Act, H.R. 2033, S. 1957, and H.R. 2196, were bills of the same name introduced in the United States Congress that would have amended Title 17 of the United States Code to provide sui generis protection to fashion designs for a period of three years. The Acts would have extended protection to "the appearance as a whole of an article of apparel, including its ornamentation," with "apparel" defined to include "men's, women's, or children's clothing, including undergarments, outerwear, gloves, footwear, and headgear;" "handbags, purses, and tote bags;" belts, and eyeglass frames. In order to receive the three-year term of protection, the designer would be required to register with the U.S. Copyright Office within three months of going public with the design.
The following outline is provided as an overview of and topical guide to intellectual property:
The Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS) is an international legal agreement between all the member nations of the World Trade Organization (WTO). It establishes minimum standards for the regulation by national governments of different forms of intellectual property (IP) as applied to nationals of other WTO member nations. TRIPS was negotiated at the end of the Uruguay Round of the General Agreement on Tariffs and Trade (GATT) between 1989 and 1990 and is administered by the WTO.
Copyright infringement is the use of works protected by copyright without permission for a usage where such permission is required, thereby infringing certain exclusive rights granted to the copyright holder, such as the right to reproduce, distribute, display or perform the protected work, or to produce derivative works. The copyright holder is usually the work's creator, or a publisher or other business to whom copyright has been assigned. Copyright holders routinely invoke legal and technological measures to prevent and penalize copyright infringement.
Counterfeit consumer goods—or counterfeit, fraudulent, and suspect items (CFSI)—are goods, often of inferior quality, made or sold under another's brand name without the brand owner's authorization. The colloquial terms knockoff or dupe (duplicate) are often used interchangeably with counterfeit, although their legal meanings are not identical.
Iran is a member of the WIPO since 2001 and has acceded to several WIPO intellectual property treaties. Iran joined the Convention for the Protection of Industrial Property in 1959. In December 2003 Iran became a party to the Madrid Agreement and the Madrid Protocol for the International Registration of Marks. In 2005 Iran joined the Lisbon Agreement for the Protection of Appellations of Origin and their International Registration, which ensures the protection of geographical names associated with products. As at February 2008 Iran had yet to accede to The Hague Agreement for the Protection of Industrial Designs.
Brittany Mason is an American model, actress, activist and beauty pageant titleholder. In 2017 she became the national director for the Miss Universe Ireland franchise.
Established in 2010 with the support of Diane von Furstenberg and the Council of Fashion Designers of America, the Fashion Law Institute is the world's first academic center dedicated to legal and business issues pertaining to the fashion industry. The Fashion Law Institute's founder and academic director is Professor Susan Scafidi, who teaches at Fordham Law School. The Fashion Law Institute is a nonprofit organization recognized as a tax-exempt educational organization under the Section 501(c)(3) of the Internal Revenue Code.
Star Athletica, LLC v. Varsity Brands, Inc., 580 U.S. ___ (2017), was a U.S. Supreme Court case in which the court decided under what circumstances aesthetic elements of "useful articles" can be restricted by copyright law. The Court created a two-prong "separability" test, granting copyrightability based on separate identification and independent existence; the aesthetic elements must be identifiable as art if mentally separated from the article's practical use, and must qualify as copyrightable pictorial, graphic, or sculptural works if expressed in any medium.
Fashion design copyright refers to the web of domestic and international laws that protect unique clothing or apparel designs. The roots of fashion design copyright may be traced in Europe to as early as the 15th century.
Native American fashion is the design and creation of high-fashion clothing and fashion accessories by Native Americans in the United States. This is a part of a larger movement of Indigenous fashion of the Americas.
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