Suze Oosterhuis-van der Stok | |
|---|---|
| Born | Suze van der Stok 17 July 1910 The Hague, Netherlands |
| Died | 29 August 1989 (aged 79) Amersfoort, Netherlands |
| Nationality | Dutch |
| Other names | Johanna Suzanna Oosterhuis-van der Stok |
| Education | Akademie van beeldende kunsten |
| Known for | Monumental art, Ceramics |
| Spouse(s) | J.H. Oosterhuis |
Johanna Suzanna Oosterhuis-van der Stok (1910-1989) was a Dutch ceramist.
Oosterhuis-van der Stok née Stok was born on 17 July 1910 in The Hague. She attended the Akademie van beeldende kunsten (Royal Academy of Art, The Hague). She studied with Henk Meijer (kunstenaar) . She traveled to London and Paris where she studied with André Lhote. She was married to J.H. Oosterhuis. [1] Her work was included in the 1939 exhibition and sale Onze Kunst van Heden (Our Art of Today) at the Rijksmuseum in Amsterdam. [2] She was a member of the Pulchri Studio in The Hague. [1]
Oosterhuis-van der Stok died on 29 August 1989 in Amersfoort. [3]
Amsterdam Impressionism was an art movement in late 19th-century Holland. It is associated especially with George Hendrik Breitner and is also known as the School of Allebé.
Kas Oosterhuis (1951) is a Dutch architect, professor and co-founder of the innovation studio ONL together with visual artist Ilona Lénárd. He was a professor at Delft University of Technology from 2000 to 2016 and has been a professor at Qatar University since 2017. His office, ONL, has realized a number of innovative, contemporary architecture projects including the Salt Water Pavilion at Neeltje Jans, the Web of North Holland at the 2002 World Expo in Haarlemmermeer, the A2 Cockpit in the Sounder Barrier at Leidsche Rijn, Utrecht and the Liwa Tower in Abu Dhabi.
Maria Elisabeth Georgina Ansingh was a Dutch painter.
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Schelto, Baron van Heemstra was a Dutch politician. He was Prime Minister from 1861 to 1862.
Jacoba Johanna (Coba) Ritsema, was a portrait painter from the Netherlands.
The Amsterdamse Joffers were a group of women artists in Amsterdam who met weekly in the last quarter of the 19th century to paint and show their works together. They were known for their style that followed the example of the Amsterdam Impressionists, and were all members of the Amsterdam artist societies Arti et Amicitiae and Sint Lucas, and most followed the lessons by professor August Allebé of the Rijksakademie van beeldende kunsten of Amsterdam.
August Allebé (1838–1927) was a 19th-century artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Suze Robertson was a Dutch painter. She belonged to a group of artists known as the Amsterdamse Joffers.
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Betsy Westendorp-Osieck was a Dutch painter, watercolourist, etcher, pastelist and draftsman who was part of the Amsterdamse Joffers painting group.
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
Petronella Johanna Carolina "Lina" Gratama (1875–1946) was a Dutch painter, art historian, and political activist.
Johanna Hendrika Pieneman (1889-1986) was a Dutch artist.
Ecoline "Etie" Adrienne van Rees (1879-1959) was a Dutch ceramist.
Johanna Maria Cornelia Bertha Waszklewicz-van Schilfgaarde was a Dutch peace activist and journalist.
Suze Slager-Velsen (1883-1964) was a Dutch painter.
Agnes Johanna Elisabeth van Stolk (1898-1980) was a Dutch artist.
Hanneke van der Werf is a Dutch politician of Democrats 66 (D66). She has been a member of the House of Representatives since the 2021 general election. She previously held a seat in the municipal council of The Hague (2014–2021) and worked for the D66 caucus in the House of Representatives (2010–2018).
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