Swaraveenapani | |
---|---|
Born | |
Nationality | Indian |
Citizenship | Indian |
Education | LL.B |
Occupation(s) | Lyricist, music director |
Swara Veenapani (born Vogeti Naga Venkata Ramana Murthy) is a lyricist and Telugu cinema music director. He holds a Guinness world record for longest church organ marathon. [1]
Swara Veenapani's first film was "Pattukondi Chooddam" had a box office run of 100 days. [2] Veenapani's latest films are Devasthanam [3] [4] and Mithunam . [5] [6] [7] Recently he completed his research on 72 Melakartha Ragaas and he brought the entire theme as a song in a span of 6 and 1/2 minute and the other version is of 3 and 1/2 minute. He has been working for the last 16 years on the Swaranidhi project [8] which has been registered as Swaranidhi. He is working vigorously to spread the same to the World which can be most useful to the Music Students, Musicians and Music Lovers to know the capsule format of 72 Mela karta ragas in an easy way. Swaranidhi project got a huge applause from the stalwarts of Indian Music.
Swara Veenapani has set a Guinness world record for longest marathon church organ playing by rendering the 72 Melakarta ragas continuously on his musical instrument for 61 hours and 20 minutes(2 days 13 hours 20 minutes) at an event in London on 2 October 2019. [9] [10]
He was born in Ravela village, Tadikonda Mandal in Guntur district to Seetha Annapurnamma and Vogeti Lakshmi Narasimha Sastry. He is married to Lakshmi and has two children.
Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and Telangana. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. The other subgenre is Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. Varnams capture the essence of the ragam in terms of typical swara patterns used, vishesha prayogas, highlighting the main notes, etc. This forms the basis for creative presentation (manodharma) of the raga in the form of raga aalapana, kalpana swarams and neraval.
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Dhīraśankarābharaṇaṃ, commonly known as Śankarābharaṇaṃ, is a rāga in Carnatic music. It is the 29th Melakarta rāga in the 72 Melakarta rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as "Sarva Gamaka Maaṇika Rakti Rāgaṃ".
Anandabhairavi or Ananda Bhairavi is a very old melodious ragam of Carnatic music. This rāgam also used in Indian traditional and regional musics. Ānandam (Sanskrit) means happiness and the rāgam brings a happy mood to the listener.
Arabhi or Aarabhi is a ragam in Carnatic music. It is a Janya raga, whose Melakarta raga is Shankarabharanam, 29th in the 72 Melakarta raga system. It is a combination of the pentatonic scale Shuddha Saveri and the sampurna raga scale Shankarabharanam.
Mayamalavagowla is a raga of Carnatic music. It is classified as 15th melakarta raga under Venkatamakhin's melakarta system. Originally known as malavagowla, "maya" was prefixed to it after the advent of the scheme of the 72 melas. The number 15 was assigned to it following the Katapayadi sankhya system. This is a morning raga.
Saluri Rajeswara Rao was an Indian composer, multi instrumentalist, conductor, singer, and music producer known for his works predominantly in South Indian cinema. Regarded as one of the finest music composers, Rajeswara Rao's works are noted for integrating Indian classical music in Telugu cinema for over half a century.
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Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol.
Emani Sankara Sastry, was a renowned Veena player of Carnatic music.
Carnatic raga refers to ragas used in Carnatic music. It has several components - primordial sound (nāda), tonal system (swara), pitch (śruti), scale, ornaments (gamaka) and important tones.
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Balantrapu Rajanikanta Rao was an Indian writer, composer and poet in the Telugu language. He was the son of Balantrapu Venkatarao, one of modern Telugu poet-duo "Kavi Rajahamsa" Venkata Parvateswara Kavulu. He won several national and state level awards for his work. He died in April 2018 at the age of 98.
The Asampurna Melakarta scheme is the system of 72 ragas originally proposed in the 17th century by Venkatamakhin in his Chaturdanda Prakasikha. This proposal used scales with notes that do not conform to the sampurna raga system. Skipped notes or repeated notes, etc., were used in some of the ragas. Some of the ragas of any Melakarta system will use Vivadi swaras. The original system is supposed to avoid such ill-effects and was followed by the Muthuswami Dikshitar school. The naming of the original system followed Katapayadi system. Muthuswami Dikshitar's compositions use the name of these ragas in the lyrics of the songs and is still referred to by those names even in radio / TV announcements of these songs.
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