Sweet Lavender | |
---|---|
Directed by | Paul Powell |
Screenplay by | Beulah Marie Dix |
Based on | Sweet Lavender by Arthur Wing Pinero |
Starring | Mary Miles Minter Milton Sills Harold Goodwin Jane Keckley |
Cinematography | William Marshall |
Production company | Realart Pictures Corporation |
Distributed by | Realart Pictures Corporation |
Release date |
|
Running time | 5 reels |
Country | United States |
Language | Silent (English intertitles) |
Sweet Lavender is a 1920 American silent drama film directed by Paul Powell and starring Mary Miles Minter. The scenario was adapted by Beulah Marie Dix from the 1888 play of the same name by Arthur Wing Pinero. [1] Like many of Minter's features, it is thought to be a lost film. [2]
As described in various film magazine reviews, [3] [4] [5] [6] Lavender (Minter) lives with her aunt Ruth Holt (Keckley), who runs a boarding house for college boys. Lavender believes that Ruth is her mother; she does not know that her real mother died in childbirth after her husband cast her out for her lower social status.
Among the boys at Ruth's boarding house is a freshman called Clem Hale (Goodwin). Some sophomores play a prank on him, tying him to a chair when he is supposed to be giving a speech at a dinner. Lavender deceives the sophomores and rescues Clem from his plight, and a romance develops between them.
Clem's guardian, Horace Weatherburn (Sills), pays his charge a visit, and, thinking Lavender to be beneath Clem's status, objects vehemently to the relationship. Lavender's aunt Ruth also objects, but for very different reasons; she recognises Weatherburn as her sister's cruel husband, and thus Lavender's father. Lavender is sent off to boarding school and away from Clem.
Lavender escapes from boarding school when she hears that Clem is seriously ill. Disguising herself in boys' clothes, she walks through the rain until she is overcome with exhaustion and faints. Weatherburn finds her, and recognises her from Clem's engagement ring, which she still wears. Impressed by Lavender's devotion to Clem at the expense of her own safety, he takes her to him. Mrs. Holt tells Weatherburn the truth - that Lavender is really his daughter - and all objections to her union with Clem are overcome.
The September 4th, 1920 edition of Motion Picture News lists a musical cue sheet for the film. [7]
The Trail of the Lonesome Pine is a 1923 American silent Western film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the play and novel of the same name by John Fox Jr. This was the second time that Maigne had directed Minter in an adaptation of a Fox novel, the first being 1920's A Cumberland Romance. This was Minter's final film; her contract with Paramount Pictures was not renewed, and she stated that she was "through" with films. As with many of Minter's features, The Trail of the Lonesome Pine is thought to be a lost film.
Always in the Way is a 1915 American silent drama film directed by J. Searle Dawley and starring Mary Miles Minter. The film, which was inspired by the song of the same name by Charles K. Harris, was partially filmed in the Bahamas. As with many of Minter's features, the film is thought to be a lost film.
The Mate of the Sally Ann is a 1917 American silent comedy-drama film directed by Henry King and starring Mary Miles Minter. As with many of Minter's features, it is thought to be a lost film.
Powers That Prey is a 1918 silent comedy-drama film directed by Henry King and starring Mary Miles Minter, with whom King stated that he enjoyed working. The film is based on a story called Extra! Extra! by Will M. Ritchey, which was also the working title of the film. As with many of Minter's features, it is thought to be a lost film.
Judy of Rogue's Harbor is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. The film is based on the novel of the same name by Grace Miller White, with a scenario by Clara Beranger. It was produced by Famous Players-Lasky and distributed through Realart and Paramount Pictures. As with many of Minter's features, it is thought to be a lost film.
All Souls' Eve is a 1921 American silent drama film directed by Chester M. Franklin and starring Mary Miles Minter. The film is based on the mystical 1920 Broadway play of the same name by Anne Crawford Flexner, with a story by Elmer Blaney Harris. Much was made of the film's use of double, triple and quadruple exposures to enable Minter to play two parts within the same scenes. As with many of Minter's features, it is thought to be a lost film.
Moonlight and Honeysuckle is a 1921 American silent romantic comedy film directed by Joseph Henabery and starring Mary Miles Minter and Monte Blue. It was adapted by Barbara Kent from the 1919 stage play of the same name by George Scarborough. As with many of Minter's features, it is thought to be a lost film.
South of Suva is a 1922 American silent drama film starring Mary Miles Minter and directed by Frank Urson. It was adapted by Fred Myton from a story by Ewart Adamson. As with many of Minter's features, it is thought to be a lost film.
Nurse Marjorie is a 1920 American silent drama film directed by William Desmond Taylor and starring Mary Miles Minter. It is based on a 1906 play, Nurse Marjorie, by Israel Zangwill, with a scenario by Julia Crawford Ivers. It is one of approximately a dozen of Minter's films know to survive today, and one of even fewer readily available for the general public to view.
A Fighting Colleen is a 1919 American silent comedy-drama film directed by David Smith and produced by Vitagraph Company of America. It stars Bessie Love and Charles Spere.
Don't Call Me Little Girl is a 1921 American silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. It was adapted by Edith Kennedy from the stage play "Jerry" by Catherine Chisholm Cushing. As with many of Minter's features, it is thought to be a lost film.
Her Winning Way is a silent comedy film directed by Joseph Henabery and starring Mary Miles Minter. The screenplay was written by Douglas Z. Doty, based upon the novel Ann Annington by Edgar Jepson and the play Ann by Lechmere Worrall. As with many of Minter's features, it is thought to be a lost film.
Tillie is a 1922 American silent drama film directed by Frank Urson and starring Mary Miles Minter. The scenario was written by Alice Eyton, based on the novel Tillie, the Mennonite Maid by Helen Reimensnyder Martin. Tillie reunited Minter with Allan Forrest, her most frequent leading man from her time at Mutual Film and the American Film Company, for the first time since their 1919 picture Yvonne from Paris. As with many of Minter's features, Tillie is thought to be a lost film.
Drums of Fate is a 1923 American silent drama film directed by Charles Maigne and starring Mary Miles Minter. It was adapted by Will M. Ritchey from the novel "Sacrifice" by Stephen French Whitman. It was also referred to as "Drums of Destiny" in some promotional material. As with many of Minter's features, it is thought to be a lost film.
Jenny Be Good is a 1920 American silent romance drama film directed by William Desmond Taylor and starring Mary Miles Minter, based on a novel by Wilbur Finley Fauley and adapted for the screen by Julia Crawford Ivers. It is the last of Minter's films to also feature her older sister Margaret Shelby in a supporting role. As with many of Minter's features, it is believed to be a lost film.
A Cumberland Romance is a 1920 American silent drama film written and directed by Charles Maigne and starring Mary Miles Minter and Monte Blue, based on the 1899 novel A Mountain Europa by John Fox Jr. It is one of approximately a dozen of Minter's features still known to survive today.
Eyes of the Heart is a 1920 American silent crime film directed by Paul Powell and starring Mary Miles Minter. It was adapted by Clara Genevieve Kennedy from the story "Blindness" by Dana Burnet, published in the Ladies Home Journal. As is the case with many of Minter's features, it is thought to be a lost film.
The Little Clown is a 1921 American silent comedy film directed by Thomas N. Heffron and starring Mary Miles Minter, adapted by Eugene B. Lewis from a comedy play by Avery Hopwood. It is one of approximately a dozen of Minter's films which still survive today. A copy of the film was found in the Dawson Film Find in 1978 - although other copies survived in various holdings - and a few brief frames from this copy can be seen in 2016 documentary Dawson City: Frozen Time.
The Intrusion of Isabel is a 1919 American silent comedy film directed by Lloyd Ingraham and starring Mary Miles Minter, J. Parks Jones, Allan Forrest, and Lucretia Harris. As with many of Minter's features, it is thought to be a lost film.
The Ghost of Rosy Taylor is a 1918 American silent comedy-drama film starring Mary Miles Minter and directed by Edward Sloman. The film is based on a Saturday Evening Post story of the same name, written by Josephine Daskam Bacon. It is one of approximately a dozen Minter films which are known to have survived - a print was found in New Zealand in the 1990s which is in possession of the BFI National Archive - and one of even fewer readily available for the general public to view.