The Swiss Design Awards [1] competition is a hundred-year old design award and one of the three means of design promotion by the Swiss government's Federal Office of Culture, along with the Most Beautiful Swiss Books and the Grand Prix Design. They are open to Swiss designers and to designers resident in Switzerland. Around 17 prizes of CHF 25,000 each are awarded each year. [2] The Federal Design Commission (previously known as the Federal Commission for Applied Arts) acts as the jury. The commission is assisted by recognised experts, who it invites for the jury. [3]
The type of work accepted in the competition includes graphic design, products and objects, fashion and textile design, photography, scenography and mediation, media and interaction design, and design research. [4]
The competition takes place in two rounds. In the first round, participants submit an entry. The candidates selected by the Commission are invited to a second round, where they present their work at the Swiss Design Awards public exhibition. The exhibition takes place every year in June, at the same time as the Art Basel and Design Miami/Basel exhibitions, and attracts more than 12'000 visitors every year. [5] The committee selects the winners shortly before the opening of the exhibition.
The competition is influential in Switzerland. It is critically reputed and its relatively high money prize can exert a positive impact on designers' careers. [4]
The competition was founded in 1917 as a sister competition to the Swiss Art Awards, which had been running since 1898. In 1917, the Swiss government created the Federal Commission of the Applied Arts (FCAA) to support the applied arts via grants, exhibitions, subsidies for professional associations and general financial backing for the applied arts. [4] [6]
The FCAA was initially under the control of the professional associations Schweizerischer Werkbund SWB and L'Oeuvre. [7] From the 1960s, in the international context of social norm upheaval, the government began a process of reviewing cultural policy. [8] A group of experts was asked to provide advice, which became known as the Clottu Commission. [4]
In the 1990s, the Swiss Design Awards in particular, and the Federal Office of Culture's approach to cultural policy in general were heavily criticised by the Schweizerischer Werkbund. [4] This contributed to a redefinition and relaunch of the competition in 2002. [9] [10]
In 1997, the government celebrated 100 years of Swiss Federal Design promotion with the publication Made in Switzerland. [11]
Ferdinand Hodler was a Swiss painter. He is one of the best-known Swiss painters of the nineteenth century. His early works were portraits, landscapes, and genre paintings in a realistic style. Later, he adopted a personal form of symbolism which he called "parallelism".
Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer.
Sophie Henriette Gertrud Taeuber-Arp was a Swiss artist, painter, sculptor, textile designer, furniture and interior designer, architect, and dancer.
Hermann Obrist was a Swiss sculptor of the Jugendstil and Art Nouveau movement. He studied Botany and History in his youth; the influence of those subjects is detected in his later work in the field of applied arts. As a teacher, Hermann Obrist exerted a seminal influence on the rise and subsequent development of Jugendstil in Germany.
The F+F School for Art and Design Zürich or F+F is a private art school in Zürich, Switzerland. F+F stands for "Form und Farbe", a discipline practiced at the German art and architecture school Bauhaus.
Gustav Ammann was a Swiss landscape architect who worked in the modernist style and influenced garden architecture in Switzerland. He has worked on over 1,700 projects, notable amongst which is the namesake Gustav-Ammann-Park in Zürich.
Willy Leopold Guggenheim, known as Varlin, was a Swiss painter. His figurative work emphasized the fragility of everyday life.
Stefan Banz was an artist and curator.
Richard Paul Lohse was a Swiss painter and graphic artist and one of the main representatives of the concrete and constructive art movements.
Verena Loewensberg was a Swiss painter and graphic designer.
Kurt Aepli was a Swiss silversmith, a designer of fine jewelry and implements, as well as a professional educator.
The G59 – 1st Swiss Horticulture Exhibition was the first of two Swiss horticulture exhibitions up until now. It took place from April 25 to October 11, 1959, in Zurich and covered an area of about 37 acres on the right and left banks of lower Lake Zurich. The two separate halves of the exposition were connected by commuter ferries and a specially created cable car.
Serge Stauffer was a Swiss artist and art educator. He was one of the co-founders of the F+F Schule für experimentelle Gestaltung in Zurich and known for his German translations of the works of Marcel Duchamp. Stauffer can be considered to have pioneered art as research.
Giaco Schiesser is a Zurich-based theorist of cultural and media studies. He is a professor emeritus for cultural theory and media theory and for artistic research of Zurich University of the Arts, ZHdK (Switzerland).
Schweizerischer Werkbund, is a Swiss association of artists, architects, designers, and industrialists established in 1913, inspired by the mission of the Deutscher Werkbund.
Hans Danuser was a Swiss artist and photographer. His first major work, the cycle In Vivo, brought him international fame, therein he broke several societal taboos with respect to genetic research and nuclear physics. Since the 1990s, in addition to his photographic studies, Danuser has focused increasingly on transdisciplinary (research) projects in the arts and sciences.
M. S. Bastian and Isabelle L. are a Swiss artist couple who has made a name for themselves with their comic art, including paintings, sculptures, animated films and installations.
René Groebli, sometimes spelt Gröbli, is an exhibiting and published Swiss industrial and advertising photographer, expert in dye transfer and colour lithography.
Ralph Schraivogel is a Swiss graphic designer and lecturer.
Cornel Windlin is a Swiss graphic and type designer originally from Kerns (Obwalden) whose work has received national and international awards, been exhibited in museums and published in design books and publications. In addition to his design work, he also lectures regularly in Switzerland and abroad. His work has been extensively recognised in books, trade journals and exhibitions.
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