Sylvia Spring

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Sylvia Spring (born July 14, 1942) [1] is a Canadian feminist writer, filmmaker and activist. [2] [3] In 1970, she made Madeleine Is ..., the first Canadian English-language feature film directed by a woman. [4] [5] [6] She was a member of the Canadian task force on Sex-Role Stereotyping in the Broadcast Media established in 1979, [7] a founder of MediaWatch Canada and subsequently its National Director, and presented internationally at forums on the portrayal of women in advertising. In 2005, she was named in the Top 100 list of Canada's Most Powerful Women, in the Trailblazers and Trendsetters category. [8] [9]

Contents

Early life

Sylvia Spring was born in Galt, Ontario, on 14 July 1942, the second of three children to Daniel Ronald Spring and Shanna Shapiro. [10] She gained a BA(Hons) at the State University of New York, Buffalo, majoring in English literature and drama. [11]

Career

After graduating, Spring wrote poetry and worked in advertising, journalism, radio and television. She conducted radio interviews of the Canadian poet Irving Layton, [12] [13] directed This Land is People, a TV series introducing viewers to up-and-coming Canadians from all walks of life, including Peter Lougheed, Sinclair Stevens and Gustavo da Roza, [14] [15] and co-directed with David Rimmer Know Place, an experimental short documentary about an alternative school. [16] [17]

Madeleine Is ...

In 1969, Spring received a $15,000 grant from the Canadian Film Development Corporation, to produce a feature-length film in Canada. [18] She co-wrote and directed the resulting 90 minute film, Madeleine Is ... (1971), a segment of which, released as a short feature under the name Madeleine, won an award at the Vancouver International Film Festival in 1970. [19] [20] With a total budget of $100,000, [21] the film was filmed in Vancouver, and starred Vancouver actress Nicola Lipman in the eponymous role of a young aspiring painter from Quebec who moves to Vancouver, where she is involved in an abusive relationship with a political radical and an unfulfilling relationship with a businessman/nerd, before discovering her own identity as an artist. [5] [22] It premiered in April 1971 in Toronto and Montreal, and in May 1971 in Vancouver, but closed in Toronto after just one week. [23] While the film was feted as the "First movie by woman film-maker" [24] (in fact it was the first since Nell Shipman in 1919), reviews were mixed. [25] One reviewer stated that Spring "introduces a character or sets up a mood then doesn't sustain or develop it. The result is a picture of little artistic or entertainment merit, relying on a lot of clichéd outdoor shots to pad a slight story and thin characterisations." [24] When shown at the Edinburgh Festival three years later, a reviewer felt that it "[won] its place merely by a cry of .... militant feminism". [26] On the other hand, one reviewer recognised "the political and psychological naivety, which at times is downright embarrassing" but found that "Nevertheless, the film was better than the response it got. ... Spring's film achieves something fairly difficult: it takes people of five varying social types .... and never once treats them as stereotypes or without generosity. .... There's a straightforward warmth to this film, and it seems to come from its direction". [23] Another reviewer considered the film "over-condemned", with "tender silly scene[s], amusing and touching"; "by the end of the delightful film I only wished that Spring hadn't bitten off so much for this first feature." [27]

From the early 2000s, critics brought a new perspective to Madeleine Is ..., with one stating that "Spring's film has a few very powerful moments ... and some strikingly expressionistic shots of downtown Vancouver. But regardless of its uneven technical and artistic quality, I would argue that the indifference from which the film has suffered results mainly from two factors: its politics and its style." [5] Another believes that it "should also be recognized as one of the best documents of Vancouver in the history of fiction film, unusually sophisticated in dealing with urban issues as pertinent today as they were in the 1970s." [6]

Advocacy on Sex-Role Stereotyping in Advertising

In 1979, Spring was appointed to a task force on Sex-Role Stereotyping in the Broadcast Media, established by the Canadian minister responsible for the status of women. The purpose of the task force was "to draw up guidelines for a more positive and realistic portrayal of women in radio and television, and to make policy recommendations for consideration by the CRTC and the broadcast industry." [7] Following the decision of the task force that the broadcast industry should voluntarily apply self-created guidelines for a two-year trial period, Spring and two others founded, and Spring was National Director of, MediaWatch Canada, a national lobby group intended to educate the public, facilitate public complaints about the portrayal of women, monitor television and radio broadcasting and advertising, and lobby the federal government. [28] [29] [30] After evaluating industry voluntary self-regulation, the CRTC instituted a policy on sex-role stereotyping in broadcasting in 1986. The Canadian experience was influential in policy development in other countries: Spring presented in 1988 in Australia at a public forum on the portrayal of women in advertising, [31] [32] [33] during which she was interviewed by New Zealand media. [34] [35]

In 1994, Spring led a workshop at the Women Empowering Communication conference in Bangkok, Thailand, at which a plan to monitor media worldwide on a single day was conceived; the first Global Media Monitoring Project occurred in 1995, with 71 countries participating. [36] At the 1995 UNESCO International Symposium Women and the Media: Access to Expression and Decision-Making, she was a member of the Canadian Organizing Committee, the Drafting Committee, and co-presented on 'Overview of Common Obstacles and Strategies to Expression in all Regions'. [37] Spring worked as a Communications Consultant for the Canadian National Association of Women and the Law (NAWL), and in January 2000, travelled to China to conduct workshops on the information dissemination techniques used by women's groups in Canada." [38]

Film-making companies

By late 1973, Spring was a member of feminist film-making company, Fromunder Films, which was organized to produce films and television programs exclusively about women. [39] [40] She later founded Making Waves Productions. In 1995, she produced Voices and Visions, a documentary series from the UN World Conference on Women held in Beijing, China. In 1996, she produced Breaking the Silence: Stories from AIDS Activists in Southern Africa, [41] which won two awards at the Ottawa Reel Awards in 1996. [42] For the year 2000, Spring had hoped to make a 13-part series on Canadian women, but without funding or TV network interest, instead developed a one hour "docudramady", 20th Century Gals (According to Babe), which explored the women's movement of the 20th century. [43] [44] [45] In 2005, Spring co-produced Our bodies...their battleground, a documentary about the sexual violence crisis facing women and girls in the Democratic Republic of Congo and Liberia. It was shown at the inaugural United Nations Documentary Film Festival, and was "the only film to receive a unanimous top vote by all judges". [46]

Spring currently lives in Wakefield, Quebec, with her partner of 30 years, Canadian diplomat Carolyn McAskie. [47] [48]

Filmography

Awards

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References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 "Canadian Film Encyclopedia - Sylvia Spring". legacy.tiff.net. Archived from the original on August 17, 2018. Retrieved 2018-08-17.
  2. ↑ "People / Sylvia Spring". Ruins in Process: Vancouver Art in the Sixties. Retrieved 25 October 2018.
  3. ↑ Munshi, Shoma; Birch, David (2000). "Contextualizing the Global Media Monitoring Project" (PDF). Asian Studies. 36 (2): 1–22.
  4. ↑ Douglas, Dave (2001). Rist, Peter (ed.). Guide to the Cinema(s) of Canada. Greenwood Publishing Group. p. 135. ISBN   978-0313299315 . Retrieved 25 October 2018.
  5. 1 2 3 Loiselle, André (July–August 2002). "Madeleine is... worth a second look". Take One (Toronto). Retrieved 24 October 2018. Viewed on Canadian Women Film Directors Database.{{cite journal}}: CS1 maint: postscript (link)
  6. 1 2 Jordan, Randolph (2013). "Vancouver Is...: Defining the City in Sylvia Spring's Madeleine Is... (1971).". In Walls, Rachel (ed.). World Film Locations: Vancouver. Bristol: Intellect Books. pp. 44–45. Retrieved 24 October 2018. Viewed on Canadian Women Film Directors Database.{{cite book}}: CS1 maint: postscript (link)
  7. 1 2 "Task force to study sex stereotyping". The Ottawa Citizen: 87. 29 September 1979. Retrieved 26 October 2018.
  8. 1 2 El Akkad, Omar (24 November 2005). "A new generation of powerful women". The Globe and Mail. Toronto. Retrieved 26 October 2018.
  9. 1 2 "Previous Winners". Top 100 Women. Archived from the original on 15 January 2013. Retrieved 27 October 2018.
  10. ↑ "SPRING DANIEL R AT CAMBRIDGE MEMORIA". Life News. Retrieved 26 October 2018.
  11. ↑ "Sylvia Spring, Writing/Filmmaking" (PDF). Galt Collegiate Institute. Retrieved 23 October 2018.
  12. ↑ "airwaves". The Gazette (Montreal, Canada): 34. 18 February 1966. Retrieved 24 October 2018.
  13. ↑ "CBC weekly radio highlights". The Ottawa Citizen: 80. 2 July 1966. Retrieved 24 October 2018.
  14. 1 2 "This Land Is People". History of Canadian Broadcasting. Canadian Communications Forum. Retrieved 25 October 2018.
  15. ↑ Fuglem, Terri (2015). "Manitoba Mod". In Keshavjee, Serena (ed.). Winnipeg modern architecture, 1945 to 1975. issuu. p. 202. Retrieved 25 October 2018.
  16. 1 2 Elder, R. Bruce (1989). Image and Identity: Reflections on Canadian Film and Culture. Wilfrid Laurier University Press. p. 448. ISBN   978-0889209565 . Retrieved 25 October 2018.
  17. 1 2 "Archive / Know Place". Ruins in Process: Vancouver Art in the Sixties. Retrieved 25 October 2018.
  18. 1 2 "Film-makers get $125,000". The Gazette (Montreal, Canada): 21. 4 Jul 1969. Retrieved 24 October 2018.
  19. 1 2 "Vancouver has film boom". The Ottawa Citizen: 23. 8 June 1970. Retrieved 24 October 2018.
  20. ↑ Lanken, Dane (1 May 1971). "Madeleine Is ... Finally, she decided to make her own movie". The Gazette (Montreal, Canada): 44. Retrieved 24 October 2018.
  21. ↑ Stanton, Victor (11 May 1971). "Backers hard to find". The Ottawa Citizen: 25. Retrieved 24 October 2018.
  22. ↑ Killas, Harry (2015). "The Image Before Us: A History Of Film In British Columbia - Madeleine Is…". The Cinematheque. Retrieved 27 October 2018.
  23. 1 2 Armatage, Kay (3 June 1971). "Madeleine Is...." Review of Madeleine Is....". Take One (Montreal). 2 (11). Retrieved 24 October 2018. Viewed on Canadian Women Film Directors Database.{{cite journal}}: CS1 maint: postscript (link)
  24. 1 2 Stanton, Victor (23 April 1971). "First movie by woman film-maker". The Ottawa Citizen: 27. Retrieved 24 October 2018.
  25. ↑ Kostash, Myrna (1973). "Women as filmmakers: hey, it's happening!". Miss Chatelaine (Winter): 69. Retrieved 24 October 2018. Viewed on Canadian Women Film Directors Database.{{cite journal}}: CS1 maint: postscript (link)
  26. ↑ Robinson, David (29 August 1974). "Edinburgh, a festival that gets the films". Times [London, England]. The Times Digital Archive: 10. Retrieved 24 October 2018.
  27. ↑ Edwards, N (1973). "Women & Film Festival". Cinema Canada: 18. Retrieved 23 October 2018.
  28. ↑ Zwarun, Suzanne (29 August 1983). "If ethnic jokes are out, why is rape still funny?". Calgary Herald. Calgary, Alberta, Canada: 14. Retrieved 26 October 2018.
  29. ↑ Coutts, Jane (17 June 1984). "'If women's ad image wrong, complain'". The Ottawa Citizen. Ottawa, Ontario, Canada: 62. Retrieved 26 October 2018.
  30. ↑ Trimble, Linda (1990). "Coming Soon to a Station near You?: The CRTC Policy on Sex-Role Stereotyping". Canadian Public Policy. 16 (3): 326–338. doi:10.2307/3551086. JSTOR   3551086.
  31. ↑ Reynolds, Margaret (1988-10-14), Opening address to the public forum on the portrayal of women in advertising , retrieved 26 October 2018
  32. ↑ Jacka, Liz (1 December 1988). "Unfortunately, these women live in a society with advertising". Filmnews . Vol. 18, no. 11. New South Wales, Australia. p. 3. Retrieved 26 October 2018– via National Library of Australia.
  33. ↑ Wyndham, Diana (1989). "The Portrayal of Women in Advertising: Surveys and Forum". Media Information Australia. 51 (1): 58–61. doi:10.1177/1329878X8905100115. S2CID   155897283.
  34. ↑ McLeod, Marion (10 Dec 1988). "Keeping watch". Listener. 122 (2545). Wellington, New Zealand: 26–27. Retrieved 26 October 2018.
  35. ↑ Bowman, Lisa; Rosier, Pat (December 1988). "Television turn-offs". Broadsheet (164). Auckland, New Zealand: 24–27. Retrieved 24 October 2018.
  36. ↑ Dharmaraj, Glory E. (9 March 2015). "IWD Special: The Global Media Monitoring Project Journey, 1994-2015". Who Makes the News?. Retrieved 26 October 2018.
  37. ↑ Women and the Media: Access to Expression and Decision-Making. Report of the International Symposium of UNESCO (PDF). Toronto, Canada: United Nations Educational, Scientific and Cultural Organization. 1995. Retrieved 26 October 2018.
  38. ↑ Diamond, Bonnie (2000). "NAWL Shares Communications Skills with Women in China". Jurisfemme Publications. 19 (2). Retrieved 25 October 2018.
  39. ↑ "Filmpeople, filmpeople, filmpeople". Cinema Canada (6): 16. February–March 1973. Retrieved 27 October 2018.
  40. ↑ MacDonald, Shana (March 2016). "Modes of Intersubjective Address in The Central Character (1977) and Our Marilyn (1987)". Canadian Journal of Film Studies. 25 (1): 111–134. doi:10.3138/cjfs.25.1.111. JSTOR   90008149. S2CID   151629145.
  41. 1 2 Needham, D. (1997-03-15). "Breaking the Silence: Stories from AIDS Activists in Southern Africa (Video)". CMAJ. 156 (6): 896. PMC   1227069 . ProQuest   204811597.
  42. ↑ "Local TV, film industry honors its top talents". The Ottawa Citizen: 22. 3 December 1996. Retrieved 27 October 2018.
  43. 1 2 Spring, Sylvia, & National Film Board of Canada (firm). (2001). 20th century gals: According to Babe. Montreal, QC: National Film Board of Canada.
  44. 1 2 Atherton, Tony (25 November 2001). "Media octopus Corus swallows WTN". The Ottawa Citizen: 12. Retrieved 24 October 2018.
  45. ↑ "This Millennium has 45 minutes" (PDF). Herizons. 15 (3): 12. 2002.
  46. 1 2 3 UN Office for the Coordination of Humanitarian Affairs (25 May 2005). "IRIN documentary takes top honors at film festival". reliefweb. Retrieved 26 October 2018.
  47. ↑ Spring, Sylvia. "Who is Sylvia" . Retrieved 25 October 2018.
  48. ↑ Page, Shelley (16 April 2006). "That McAskie woman". The Ottawa Citizen's Weekly: 1, 7. Retrieved 25 October 2018.
  49. ↑ Spring, Sylvia (1971-04-22), Madeleine Is..., Nicola Lipman, John Juliani, Wayne Specht, retrieved 2018-08-17
  50. ↑ Chesley, Stephen (1974). "Filmpeople / Random notes". Canadian Film News. Cinema Canada: 9. Retrieved 25 October 2018.
  51. ↑ Goble, Alan. "Point of View Dog". The Complete Index to World Film. Retrieved 25 October 2018.
  52. ↑ "Some Of My Best Friends Are Men". History of Canadian Broadcasting. Canadian Communications Forum. Retrieved 25 October 2018.
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