"Sympathy" is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem while working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans. Maya Angelou titled her autobiography I Know Why the Caged Bird Sings from a line in the poem and referenced its themes throughout her autobiographies.
Paul Laurence Dunbar (1872–1906) was an American poet. Born to freed slaves, he became one of the most prominent African-American poets of his time in the 1890s. [1] Dunbar, who was twenty-seven when he wrote "Sympathy", [2] : xxi had already published several poetry collections which had sold well. [1] He was hired to work as an attendant at the Library of Congress on September 30, 1897, but the experience was unpleasant and strained his declining health. He wrote "Sympathy" at least in part because he was feeling "like he was trapped in a cage" while working there. [3] [4] [5] Alice Dunbar Nelson, Dunbar's wife, later wrote in a 1914 article that: [2] : xxii [3]
The iron grating of the book stacks in the Library of Congress suggested to him the bars of the bird’s cage. June and July days are hot. All out of doors called and the trees of the shaded streets of Washington were tantalizingly suggestive of his beloved streams and fields. The torrid sun poured its rays down into the courtyard of the library and heated the iron grilling of the book stacks until they were like prison bars in more senses than one. The dry dust of the dry books (ironic incongruity!–a poet shut up with medical works), rasped sharply in his hot throat, and he understood how the bird felt when it beats its wings against its cage.
— Alice Dunbar Nelson, A.M.E. Church Review (1914)
"Sympathy" was first published in 1899 in Dunbar's poetry collection Lyrics of the Hearthside. [6] He had previously published a poem also titled "Sympathy" in 1893. [2] : xxii
I know what the caged bird feels, alas!
When the sun is bright on the upland slopes;
When the wind stirs soft through the springing grass,
And the river flows like a stream of glass;
When the first bird sings and the first bud opes,
And the faint perfume from its chalice steals –
I know what the caged bird feels!
I know why the caged bird beats his wing
Till its blood is red on the cruel bars;
For he must fly back to his perch and cling
When he fain would be on the bough a-swing;
And a pain still throbs in the old, old scars
And they pulse again with a keener sting –
I know why he beats his wing!
I know why the caged bird sings, ah me,
When his wing is bruised and his bosom sore, –
When he beats his bars and he would be free;
It is not a carol of joy or glee,
But a prayer that he sends from his heart's deep core,
But a plea, that upward to Heaven he flings –
I know why the caged bird sings!
The literary critic Joanne M. Braxton [7] considers "Sympathy" to represent Dunbar as a "mature" poet who is finding his own voice as a poet and distancing himself from "the imitation of European models". [2] : xxi The poet Carol Rumens described the poem as "an almost unbearably painful lyric." She concludes her analysis by saying that "Dunbar's parents had known the agony of being slaves; Dunbar understands that there are other kinds of cages for their children." [6] In The Cambridge History of African American Literature, the scholar Keith Leonard described "Sympathy" as following Standard English norms and felt that its "celebration of nature" was "common to Romantic poets" but that it also "betrays Dunbar's social anxieties." [8]
"Sympathy" is about "the frustration of perceiving a better life that one cannot obtain", according to the scholar Alan Burns. He notes that the imagery of a bird in a cage references enslaved black Americans. [9] : 37 The scholar Christine A. Wooley feels that Dunbar personally identified with the bird, but notes that the final stanza "subtly shifts the reader away from the bird's experience toward what the experience produces: the song." [10]
The poem and "We Wear The Mask" are two of Dunbar's most widely anthologized poems, [11] and "Sympathy" has been cited as one of his more popular works. [10] Although Dunbar was only twenty seven when he wrote the poem, he died six years later. [2] : xxii
The poem itself is divided into three stanzas. The first stanza revolved around the "caged bird" longing for freedom as spring and freedom exist around it. In stanza two, the bird is described as fighting to be free and escape the cage. Finally, the third stanza is about, as Burns notes, "the nature of the bird's song", as a "prayer for freedom." Every stanza begins and ends with a similar refrain. [9] : 37 "Sympathy" uses an abaabcc rhyming scheme. [12]
Maya Angelou titled her first autobiography, I Know Why the Caged Bird Sings (1969), from a line in "Sympathy", at the suggestion of jazz musician and activist Abbey Lincoln. [13] Angelou said that Dunbar's works had inspired her "writing ambition." [14] She returns to his symbol of a caged bird as a chained slave in some of her writing, [15] referencing the metaphor throughout all of her autobiographies. [16] Angelou wrote the poem "Caged Bird" in 1983 as a "sequel" to "Sympathy" [9] : 40 and the title of her sixth autobiography, A Song Flung Up to Heaven , was also inspired by the poem. [17]
Scholars have also drawn parallels between Dunbar's poem and a scene in Ralph Ellison's Invisible Man (1952). [18]
In 2014, Craig Hella Johnson and Cincinnati's Vocal Arts Ensemble commissioned Minneapolis-based composer Jake Runestad to set Dunbar's poem for choir as 'Why the Caged Bird Sings' [19] .
Paul Laurence Dunbar was an American poet, novelist, and short story writer of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began writing stories and verse when he was a child. He published his first poems at the age of 16 in a Dayton newspaper, and served as president of his high school's literary society.
Maya Angelou was an American memoirist, poet, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou's series of seven autobiographies focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.
I Know Why the Caged Bird Sings is a 1969 autobiography describing the young and early years of American writer and poet Maya Angelou. The first in a seven-volume series, it is a coming-of-age story that illustrates how strength of character and a love of literature can help overcome racism and trauma. The book begins when three-year-old Maya and her older brother are sent to Stamps, Arkansas, to live with their grandmother and ends when Maya becomes a mother at the age of 16. In the course of Caged Bird, Maya transforms from a victim of racism with an inferiority complex into a self-possessed, dignified young woman capable of responding to prejudice.
The Heart of a Woman (1981) is an autobiography by American writer Maya Angelou. The book is the fourth installment in Angelou's series of seven autobiographies. The Heart of a Woman recounts events in Angelou's life between 1957 and 1962 and follows her travels to California, New York City, Cairo, and Ghana as she raises her teenage son, becomes a published author, becomes active in the civil rights movement, and becomes romantically involved with a South African anti-apartheid fighter. One of the most important themes of The Heart of a Woman is motherhood, as Angelou continues to raise her son. The book ends with her son leaving for college and Angelou looking forward to newfound independence and freedom.
Gather Together in My Name is a 1974 memoir by American writer and poet Maya Angelou. It is the second book in Angelou's series of seven autobiographies. Written three years after the publication of and beginning immediately following the events described in I Know Why the Caged Bird Sings, it follows Angelou, called Rita, from the ages of 17 to 19. The title is taken from the Bible, but also conveys how one Black female lived in the white-dominated society of the U.S. following World War II.
And Still I Rise is author Maya Angelou's third volume of poetry, published by Random House in 1978. It was published during one of the most productive periods in Angelou's career; she had written three autobiographies and published two other volumes of poetry up to that point. Angelou considered herself a poet and a playwright, but was best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings, although her poetry has also been successful. She began, early in her writing career, alternating the publication of an autobiography and a volume of poetry.
Just Give Me a Cool Drink of Water 'fore I Diiie (1971) is the first collection of poems by African-American writer and poet Maya Angelou. Many of the poems in Diiie were originally song lyrics, written during Angelou's career as a night club performer, and recorded on two albums before the publication of Angelou's first autobiography I Know Why the Caged Bird Sings (1969). Angelou considered herself a poet and a playwright, but is best known for her seven autobiographies. Early in her writing career she began a practice of alternating the publication of an autobiography and a volume of poetry. Although her poetry collections have been best-sellers, they have not received serious critical attention and are more interesting when read aloud.
A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings.
Wouldn't Take Nothing for My Journey Now, published in 1993, is African-American writer and poet Maya Angelou's first book of essays. It was published shortly after she recited her poem "On the Pulse of Morning" at President Bill Clinton's 1993 inauguration. Journey consists of a series of short essays, often autobiographical, along with two poems, and has been called one of Angelou's "wisdom books". It is titled after a lyric in the African American spiritual, "On My Journey Now." At the time of its publication, Angelou was already well respected and popular as a writer and poet. Like her previous works, Journey received generally positive reviews.
The themes encompassed in African-American writer Maya Angelou's seven autobiographies include racism, identity, family, and travel. Angelou (1928–2014) is best known for her first autobiography, I Know Why the Caged Bird Sings (1969). The rest of the books in her series are Gather Together in My Name (1974), Singin' and Swingin' and Gettin' Merry Like Christmas (1976), The Heart of a Woman (1981), All God's Children Need Traveling Shoes (1986), A Song Flung Up to Heaven (2002), and Mom & Me & Mom (2013).
Even the Stars Look Lonesome (1997) is African-American writer and poet Maya Angelou's second book of essays, published during the long period between her fifth and sixth autobiographies, All God's Children Need Traveling Shoes (1986) and A Song Flung Up to Heaven (2002). Stars, like her first book of essays, Wouldn't Take Nothing for My Journey Now (1993), has been called one of Angelou's "wisdom books". By the time it was published, Angelou was well-respected and popular as a writer and poet. She discusses a wide range of topics in the book's twenty short personal essays, including Africa, aging and the young's misconceptions of it, sex and sensuality, self-reflection, independence, and violence. Most of the essays are autobiographical and had previously appeared in other publications. One essay defends Angelou's support of Supreme Court justice Clarence Thomas, and another one centers on her friend Oprah Winfrey.
Mom & Me & Mom (2013) is the seventh and final book in author Maya Angelou's series of autobiographies. The book was published shortly before Mother's Day and Angelou's 85th birthday. It focuses, for the first time in her books, on Angelou's relationship with her mother, Vivian Baxter. The book explains Baxter's behavior, especially Baxter's abandonment of Angelou and Angelou's older brother when they were young children, and fills in "what are possibly the final blanks in Angelou's eventful life". The book also chronicles Angelou's reunion and reconciliation with Baxter.
Letter to My Daughter (2009) is the third book of essays by African-American writer and poet Maya Angelou. By the time it was published, Angelou had written two other books of essays, several volumes of poetry, and six autobiographies. She was recognized and highly respected as a spokesperson for black people and women, and had become "a major autobiographical voice of the time". Angelou had no daughters herself, but was inspired to write Letter as she was going through 20 years of notes and essay ideas, some of which were written for her friend Oprah Winfrey. Angelou wrote the book for the thousands of women who saw her as a mother figure, and to share the wisdom gained throughout her long life.
Oh Pray My Wings Are Gonna Fit Me Well is a book of poems by American author Maya Angelou, published by Random House in 1975. It is Angelou's second volume of poetry, written after her first two autobiographies and first volume of poetry were published. Angelou considers herself a poet and a playwright, but is best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings, although her poetry has also been successful. She began, early in her writing career, alternating the publication of an autobiography and a volume of poetry. Although her poetry collections have been best-sellers, they have not received serious critical attention.
Shaker, Why Don't You Sing? is author and poet Maya Angelou's fourth volume of poetry, published by Random House in 1983. It was published during one of the most productive periods in Angelou's career; she had written four autobiographies and published three other volumes of poetry up to that point. Angelou considered herself a poet and a playwright, but was best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings, although her poetry has also been successful. She began, early in her writing career, alternating the publication of an autobiography and a volume of poetry. Many of the poems in Shaker focus on survival despite threatened freedom, lost love, and defeated dreams. Over half of them are love poems, and emphasize the inevitable loss of love. "Caged Bird", which refers to Angelou's first autobiography, is contained in this volume.
I Shall Not Be Moved is author and poet Maya Angelou's fifth collection of poetry, published by Random House in 1990. Angelou had written four autobiographies and published four other volumes of poetry up to that point. Angelou considered herself a poet and a playwright and her poetry has also been successful, but she is best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings. She began, early in her writing career, of alternating the publication of an autobiography and a volume of poetry. Most critics agree that Angelou's poems are more interesting when she recites them.
The Complete Collected Poems of Maya Angelou is author and poet Maya Angelou's collection of poetry, published by Random House in 1994. It is Angelou's first collection of poetry published after she read her poem "On the Pulse of Morning" at President Bill Clinton's inauguration in 1993. It contains her previous five books of poetry, published between 1971—1990. Her prose works have been more successful than her poetry, which has received little serious attention by critics.
Maya Angelou, an African-American writer who is best known for her seven autobiographies, was also a prolific and successful poet. She has been called "the black woman's poet laureate", and her poems have been called the anthems of African Americans. Angelou studied and began writing poetry at a young age, and used poetry and other great literature to cope with trauma, as she described in her first and most well-known autobiography, I Know Why the Caged Bird Sings. She became a poet after a series of occupations as a young adult, including as a cast member of a European tour of Porgy and Bess, and a performer of calypso music in nightclubs in the 1950s. Many of the songs she wrote during that period later found their way to her later poetry collections. She eventually gave up performing for a writing career.
Joanne Margaret Braxton is an American author, teacher, and literary critic, an ordained minister, and CEO and President of the Board of the Braxton Institute. She has written about topics including Maya Angelou and the book Black Women Writing Autobiography. Braxton has also edited works such as Wild Women in the Whirlwind: Afra-American Culture and the Contemporary Literary Renaissance and a collection of Paul Laurence Dunbar's poetry. She is an emeritus Frances L. and Edwin L. Cummings Professor of the Humanities at the College of William & Mary.