"We Wear the Mask" is an 1895 poem in the rondeau form by Paul Laurence Dunbar. It is generally considered one of his most famous works and has been cited by several scholars as his best poem. The poem appeared in Dunbar's second volume of poetry.
Paul Laurence Dunbar (1872 –1906) was an American poet. Born to formerly enslaved people, he became one of the most prominent African-American poets of his time in the 1890s. [1] "We Wear the Mask" was first published in Dunbar's 1895 Majors and Minors, which was his second volume of poems. [2]
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]
In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5] The poem is written from a "we" point of view, which represents the "black folk collective", according to Braxton. [5] Braxton considers "We Wear the Mask" to be a protest poem which showed "strong racial pride". [6] Across the three stanzas, the world is unaware of the struggle of black people. Martin and Hudson write that "Dunbar was persuaded that the world was an affair of masks, that he could reveal himself only by the way he concealed himself, that the truths of his being were masked" and conclude that similar sentiments were later expressed by poets such as Robert Frost and W. B. Yeats, [7] as well as civil rights activists such as W. E. B. Du Bois in his work The Souls of Black Folk . [8]
Peter Revell, Dunbar's biographer, described "We Wear the Mask" as "arguably the finest poem Dunbar produced" and drew parallels to the later Peau Noire Masques Blancs by Frantz Fanon. Dunbar was perhaps best known for writing poems in "African-American dialect", but abandoned that style in this poem. [9] The mask may refer to African Americans being forced to conform to stereotypes forced upon them by white society, such as Dunbar's dialect poems, [10] which he at times felt confined to writing. [11] Dunbar is saying that African Americans were only seen for their "mask", or through the mold that white society forced them to fill. Dunbar is expressing the idea of a "double consciousness", which civil rights activists would later adopt. The metaphor of a mask also says that African Americans are "preeminently commodities" and "marginally" citizens, according to the scholar Willie J. Harrell Jr. [12] The scholar Daniel P. Black considered "We Wear the Mask" Dunbar's magnum opus but described it as a risk that "could have cost him his life, and indeed ... undoubtedly would have—had nineteenth-century readers comprehended fully the poem's multiple meanings." [13]
The poem was included as a summary to The Electric Playground 's review of King's Quest: Mask of Eternity . [14]
Paul Laurence Dunbar was an American poet, novelist, and short story writer of the late 19th and early 20th centuries. Born in Dayton, Ohio, to parents who had been enslaved in Kentucky before the American Civil War, Dunbar began writing stories and verse when he was a child. He published his first poems at the age of 16 in a Dayton newspaper, and served as president of his high school's literary society.
Margaret Walker was an American poet and writer. She was part of the African-American literary movement in Chicago, known as the Chicago Black Renaissance. Her notable works include For My People (1942) which won the Yale Series of Younger Poets Competition, and the novel Jubilee (1966), set in the South during the American Civil War.
Robert Hayden was an American poet, essayist, and educator. He served as Consultant in Poetry to the Library of Congress from 1976 to 1978, a role today known as US Poet Laureate. He was the first African American writer to hold the office.
A rondeau is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of three formes fixes, and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of verse with a refrain. The rondeau is believed to have originated in dance songs involving singing of the refrain by a group alternating with the other lines by a soloist. The term "Rondeau" is used both in a wider sense, covering older styles of the form which are sometimes distinguished as the triolet and rondel, and in a narrower sense referring to a 15-line style which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated to the much later instrumental dance form that shares the same name in French baroque music, which is more commonly called the rondo form in classical music.
Nationality words link to articles with information on the nation's poetry or literature.
— closing lines of Rudyard Kipling's If—, first published this year
Nationality words link to articles with information on the nation's poetry or literature.
Alice Dunbar Nelson was an American poet, journalist, and political activist. Among the first generation of African Americans born free in the Southern United States after the end of the American Civil War, she was one of the prominent African Americans involved in the artistic flourishing of the Harlem Renaissance. Her first husband was the poet Paul Laurence Dunbar. After his death, she married physician Henry A. Callis; and, lastly, was married to Robert J. Nelson, a poet and civil rights activist. She achieved prominence as a poet, author of short stories and dramas, newspaper columnist, women's rights activist, and editor of two anthologies.
The Paul Laurence Dunbar House was the 1904–1906 home of poet Paul Laurence Dunbar in Dayton, Ohio. It is a historic house museum owned by the state of Ohio and operated by Dayton History on behalf of the Ohio Historical Society; it is also part of Dayton Aviation Heritage National Historical Park. It is located at 219 Paul Laurence Dunbar Street in Dayton.
Fenton Johnson was an American poet, essayist, author of short stories, editor, and educator. Johnson came from a middle-class African-American family in Chicago, where he spent most of his career. His work is often included in anthologies of 20th-century poetry, and he is noted for early prose poetry. Author James Weldon Johnson called Fenton, "one of the first Negro revolutionary poets”. He is also considered a forerunner of the Harlem Renaissance.
Aldon Lynn Nielsen is an American poet, and literary critic.
James David Corrothers was an African-American poet, journalist, and minister whom editor Timothy Thomas Fortune called "the coming poet of the race." When Corrothers died, W. E. B. Du Bois eulogized him as "a serious loss to the race and to literature."
A Song Flung Up to Heaven is the sixth book in author Maya Angelou's series of autobiographies. Set between 1965 and 1968, it begins where Angelou's previous book All God's Children Need Traveling Shoes ends, with Angelou's trip from Accra, Ghana, where she had lived for the past four years, back to the United States. Two "calamitous events" frame the beginning and end of the book—the assassinations of Malcolm X and Martin Luther King Jr. Angelou describes how she dealt with these events and the sweeping changes in both the country and in her personal life, and how she coped with her return home to the U.S. The book ends with Angelou at "the threshold of her literary career", writing the opening lines to her first autobiography, I Know Why the Caged Bird Sings.
Albery Allson Whitman (May 30, 1851 – June 29, 1901 was an African-American poet, minister and orator. Born into slavery, Whitman became a writer. During his lifetime he was acclaimed as the "Poet Laureate of the Negro Race". He worked as a manual laborer, school teacher, financial agent, fundraiser and pastor. He died in Atlanta in 1901 of pneumonia.
"Sympathy" is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem while working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans. Maya Angelou titled her autobiography I Know Why the Caged Bird Sings from a line in the poem and referenced its themes throughout her autobiographies.
Joanne Margaret Braxton is an American author, teacher, and literary critic, an ordained minister, and CEO and President of the Board of the Braxton Institute. She has written about topics including Maya Angelou and the book Black Women Writing Autobiography. Braxton has also edited works such as Wild Women in the Whirlwind: Afra-American Culture and the Contemporary Literary Renaissance and a collection of Paul Laurence Dunbar's poetry. She is an emeritus Frances L. and Edwin L. Cummings Professor of the Humanities at the College of William & Mary.
Caroling Dusk: An Anthology of Verse by Black Poets of the Twenties: Anthology of Black Verse is a 1927 poetry anthology that was edited by Countee Cullen. It has been republished at least three times, in 1955, 1974, and 1995 and included works by thirty-eight African-American poets, including Paul Laurence Dunbar, Langston Hughes, Georgia Douglas Johnson, James Weldon Johnson, and Claude McKay. The anthology also includes biographical sketches of the poets whose work is included in the book.
The Book of American Negro Poetry is a 1922 poetry anthology that was compiled by James Weldon Johnson. The first edition, published in 1922, was "the first of its kind ever published" and included the works of thirty-one poets. A second edition was released in 1931 with works by nine additional poets.
An Anthology of Verse by American Negroes is a 1924 poetry anthology compiled by Newman Ivey White and Walter Clinton Jackson. The anthology is considered one of the major anthologies of black poetry to be published during the Harlem Renaissance, and was republished in 1969. In reviews, the anthology has been positively received for the effort it made to compile poetry, but criticized for ambiguous criticism and poor selection of poems.
Daniel Webster Davis was an American educator, minister, and poet. He taught and ministered in Richmond, Virginia, and became a popular author and speaker, going on several speaking tours around the United States and Canada. He also published two volumes of poetry that have received mixed critical assessment; some scholars have criticized him for perpetrating stereotypes of African Americans while others have argued that he was as radical as he could have been in his era.
Works related to We Wear the Mask at Wikisource