Symphonic organ

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The console of the Royce Hall pipe organ at UCLA; built by Skinner in 1930, it is an excellent example of the Symphonic Organ. Roycehallorgan.jpg
The console of the Royce Hall pipe organ at UCLA; built by Skinner in 1930, it is an excellent example of the Symphonic Organ.

The symphonic organ is a style of pipe organ that flourished during the first three decades of the 20th century in town halls and other secular public venues, particularly in the United States and the United Kingdom. It has roots in 19th-century Europe, and is a variation of the classical pipe organ. It features expanded capabilities, with many pipes imitative of orchestral instruments (e.g., strings, woodwinds, brass), and with multiple expressive divisions and organ console controls for seamlessly adjusting volume and tone, generally with electric organ actions and winding. These expansions let the organist approximate a conductor's power to shape the tonal textures of Romantic music and orchestral transcriptions. (These are classical orchestral works re-scored for a solo organist, a practice particularly popular before technology allowed orchestras to be widely recorded and broadcast.) These organs are generally concert instruments as opposed to church organs. The symphonic organ has seen a revival in the US, Europe and Japan, particularly since the 1980s. [1] [2]


The leading builders of symphonic organs were Henry Willis & Sons in the UK and Ernest M. Skinner in the US, following the pioneering 19th-century work of Eberhard Friedrich Walcker in Germany and Aristide Cavaillé-Coll in France, and inspiring the organ music of such figures as Edward Elgar, Edwin Lemare, Franz Liszt, and César Franck, respectively. [3] [4] [5] The largest example is the Wanamaker Organ, designed by George Ashdown Audsley for the 1904 St. Louis World's Fair, re-installed in a Philadelphia department store in 1911, and then greatly expanded over two decades. It currently has six manuals, eleven divisions, 464 ranks, and 28,750 pipes, all powered by 36 regulators and fans totaling 173 hp. [6] Other important examples around Philadelphia are the Skinner organ at Girard College Chapel (1931), [7] the Curtis Organ at Irvine Auditorium (University of Pennsylvania, 1926), [8] and the Aeolian Company organ at nearby Longwood Gardens (1929). [9] In New Haven, Connecticut, three organbuilders assembled one of the world's largest and finest symphonic organs for Yale University in Woolsey Hall (Newberry Memorial Organ, 1902/1915/1928). [10]

Another excellent example of a symphonic organ can be seen and heard at the Soldiers and Sailors Memorial Auditorium in Chattanooga, Tennessee. The magnificent Opus 1206 by Austin Organs, with 81 ranks and 5,261 pipes, was first played on February 12, 1925. Its first Civic Organist was the world-renowned Edwin Lemare. Led by the Chattanooga Music Club, the citizens of Chattanooga began the organ's restoration in 1987, and 20 years later, on July 2, 2007, it was re-dedicated at a concert performed by Wanamaker organist Peter Richard Conte. [11] Municipal symphonic organs are still in prominent use in San Diego, California (Spreckels Organ Pavilion, 1914) [12] and in Portland, Maine (Kotzschmar Memorial Organ, 1912), [13] and in 1999 a large 1920s-vintage Skinner organ was inaugurated in the Cincinnati Museum Center at Union Terminal. [14]

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<span class="mw-page-title-main">Organ (music)</span> Keyboard instrument

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<span class="mw-page-title-main">Aristide Cavaillé-Coll</span> French organ builder (1811–1899)

Aristide Cavaillé-Coll was a French organ builder. He has the reputation of being the most distinguished organ builder of the 19th century. He pioneered innovations in the art and science of organ building that permeated the profession and influenced the course of organ building, composing and improvising through the early 20th century. As the author of scientific journal articles about the organ construction details, he published the results of his research and experiments. He was the inventor of the symphonic organ being able to follow smooth and immediate dynamic changes like a symphonic orchestra. This goal was reached by: a) invention of harmonic flue and reed stops, such as the ''flûte harmonique'', ''trompette harmonique'', ''clairon harmonique'', b) invention of divided windchest with 2-3 different wind pressure sections, c) creation of groups of stops allowing for fast dynamics changes without taking hands out of the keyboards by the organist, d) organ specification planning on the base of ''orchestral quartet". His most famous organs were built in Paris in Saint-Denis Basilica (1841), Église de la Madeleine, Sainte-Clotilde Basilica (1859), Saint-Sulpice church, Notre-Dame Cathedral, baron Albert de L'Espée's residence in Biarritz, and many others. After Cavaillé-Coll's death, Charles Mutin maintained the business into the beginning of the 20th century. The organ reform movement in the 20th century sought to return organ building to a more Baroque style; but since then, Cavaillé-Coll's designs have come back into fashion.

<span class="mw-page-title-main">Ernest M. Skinner</span> American organ builder (1866–1960)

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The organ repertoire is considered to be the largest and oldest repertory of all musical instruments. Because of the organ's prominence in worship in Western Europe from the Middle Ages on, a significant portion of organ repertoire is sacred in nature. The organ's suitability for improvisation by a single performer is well adapted to this liturgical role and has allowed many blind organists to achieve fame; it also accounts for the relatively late emergence of written compositions for the instrument in the Renaissance. Although instruments are still disallowed in most Eastern churches, organs have found their way into a few synagogues as well as secular venues where organ recitals take place.

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George Donald Harrison was responsible for the design of some of the finest and largest pipe organs in the United States. Born in Huddersfield, England, he first worked as a patent attorney in 1914 but after military service he began to pursue an interest in pipe organ building, working with Henry Willis & Sons of London.

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<span class="mw-page-title-main">Spreckels Organ Pavilion</span> Pipe organ in San Diego, California

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<span class="mw-page-title-main">Hollywood High Organ Opus 481</span>

The Hollywood High School E. M. Skinner Organ Opus 481-A is a pipe organ in Hollywood High School, in Hollywood, Los Angeles, California. The contract for Opus 481 was made in June 1924, shortly after Skinner returned from his second trip to England and France. It took two years to build the organ. The organ was expanded in 1929 by Skinner. When the 1929 Memorial auditorium was built, the organ was moved and also registered as Opus 481-A. Then in 1954 it was placed into storage when the auditorium was refurbished, torn down to its foundation and rebuilt in its present form. Opus 481 is considered to be of musical value, built by the "Cadillac" of symphonic organ builders of the 20th century. The historic organ is an E. M. Skinner Opus 481 of 3-manuals, 39 ranks with chimes and has over 2,600 pipes.

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<span class="mw-page-title-main">Carol Williams (organist)</span> Musical artist

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<span class="mw-page-title-main">Edwin Lemare</span> English organist and composer

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<span class="mw-page-title-main">Kalevi Kiviniemi</span> Finnish organist

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The Kotzschmar Memorial Organ, usually referred to as the Kotzschmar Organ, is a pipe organ located at Merrill Auditorium in the City Hall of Portland, Maine, United States.

Johann Carl Hermann Kotzschmar was a German-American musician, conductor, and composer.

Diane Meredith Belcher is an American concert organist, teacher, and church musician. She has given a large number of solo recitals throughout the United States and abroad, is a teacher, and serves as Music Director at Saint Thomas Episcopal Church, and Lecturer in Music Theory & Organ at Dartmouth College, both in Hanover, New Hampshire. Her concert career is managed by Karen McFarlane Artists, Inc.

References

  1. Whitney, Craig R., All the Stops: The Glorious Pipe Organ and Its American Masters, PublicAffairs, 2004.
  2. Bethards, Jack M., A Brief for the Symphonic Organ, Journal of the British Institute of Organ Studies, 2002.
  3. Sumner, W. L., Father Henry Willis, Organ Builder, and His Successors, Musical Opinion, 1955.
  4. Gerber, James, Ernest M. Skinner and the American Symphonic Organ, Arizona State University, 2012.
  5. Douglass, Fenner, Cavaillé-Coll and the French Romantic Tradition, Yale University Press, 1999.
  6. The Stoplist, Friends of the Wanamaker Organ, retrieved April 25, 2015.
  7. Ambrosino, Jonathan, The Girard College Recordings: About the Organ and the Chapel, Organ Arts, retrieved April 25, 2015.
  8. Davis, Heather A., Piping Up for the Curtis Organ, Penn Current, May 13, 2004.
  9. The Longwood Organ, Longwood Gardens, retrieved April 25, 2015.
  10. Weiss, Anthony, The Behemoth of Woolsey Hall, Yale Alumni Magazine, July–August 2009.
  11. Austin Pipe Organ, Chattanooga Music Club, retrieved April 25, 2015.
  12. Amero, Richard, The Spreckels Organ Pavilion in Balboa Park, San Diego History Center, retrieved January 1, 2017.
  13. Parkinson-Tucker, Janice, Behind the Pipes: The Story of the Kotzschmar Organ, Casco House, 2005.
  14. Cincinnati Museum Center, Organ Historical Society, retrieved January 15, 2019.