The symphonic organ is a style of pipe organ that flourished during the first three decades of the 20th century in town halls and other secular public venues, particularly in the United States and the United Kingdom. It has roots in 19th-century Europe, and is a variation of the classical pipe organ. It features expanded capabilities, with many pipes imitative of orchestral instruments (e.g., strings, woodwinds, brass), and with multiple expressive divisions and organ console controls for seamlessly adjusting volume and tone, generally with electric organ actions and winding. These expansions let the organist approximate a conductor's power to shape the tonal textures of Romantic music and orchestral transcriptions. (These are classical orchestral works re-scored for a solo organist, a practice particularly popular before technology allowed orchestras to be widely recorded and broadcast.) These organs are generally concert instruments as opposed to church organs. The symphonic organ has seen a revival in the US, Europe and Japan, particularly since the 1980s. [1] [2]
The leading builders of symphonic organs were Henry Willis & Sons in the UK and Ernest M. Skinner in the US, following the pioneering 19th-century work of Eberhard Friedrich Walcker in Germany and Aristide Cavaillé-Coll in France, and inspiring the organ music of such figures as Edward Elgar, Edwin Lemare, Franz Liszt, and César Franck, respectively. [3] [4] [5] The largest example is the Wanamaker Organ, designed by George Ashdown Audsley for the 1904 St. Louis World's Fair, re-installed in a Philadelphia department store in 1911, and then greatly expanded over two decades. It currently has six manuals, eleven divisions, 464 ranks, and 28,750 pipes, all powered by 36 regulators and fans totaling 173 hp. [6] Other important examples around Philadelphia are the Skinner organ at Girard College Chapel (1931), [7] the Curtis Organ at Irvine Auditorium (University of Pennsylvania, 1926), [8] and the Aeolian Company organ at nearby Longwood Gardens (1929). [9] In New Haven, Connecticut, three organbuilders assembled one of the world's largest and finest symphonic organs for Yale University in Woolsey Hall (Newberry Memorial Organ, 1902/1915/1928). [10]
Another excellent example of a symphonic organ can be seen and heard at the Soldiers and Sailors Memorial Auditorium in Chattanooga, Tennessee. The magnificent Opus 1206 by Austin Organs, with 81 ranks and 5,261 pipes, was first played on February 12, 1925. Its first Civic Organist was the world-renowned Edwin Lemare. Led by the Chattanooga Music Club, the citizens of Chattanooga began the organ's restoration in 1987, and 20 years later, on July 2, 2007, it was re-dedicated at a concert performed by Wanamaker organist Peter Richard Conte. [11] Municipal symphonic organs are still in prominent use in San Diego, California (Spreckels Organ Pavilion, 1914) [12] and in Portland, Maine (Kotzschmar Memorial Organ, 1912), [13] and in 1999 a large 1920s-vintage Skinner organ was inaugurated in the Cincinnati Museum Center at Union Terminal. [14]
The pipe organ is a musical instrument that produces sound by driving pressurized air through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ranks, each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops.
In music, the organ is a keyboard instrument of one or more pipe divisions or other means for producing tones. The organs have usually two or three, up to five manuals, for playing with the hands, and pedalboard, with the feet. With the use of registers, several groups of pipes can be connected to one manual.
Aristide Cavaillé-Coll was a French organ builder. He has the reputation of being the most distinguished organ builder of the 19th century. He pioneered innovations in the art and science of organ building that permeated the profession and influenced the course of organ building, composing and improvising through the early 20th century. As the author of scientific journal articles about the organ construction details, he published the results of his research and experiments. He was the inventor of the symphonic organ being able to follow smooth and immediate dynamic changes like a symphonic orchestra. This goal was reached by: a) invention of harmonic flue and reed stops, such as the ''flûte harmonique'', ''trompette harmonique'', ''clairon harmonique'', b) invention of divided windchest with 2-3 different wind pressure sections, c) creation of groups of stops allowing for fast dynamics changes without taking hands out of the keyboards by the organist, d) organ specification planning on the base of ''orchestral quartet". His most famous organs were built in Paris in Saint-Denis Basilica (1841), Église de la Madeleine, Sainte-Clotilde Basilica (1859), Saint-Sulpice church, Notre-Dame Cathedral, baron Albert de L'Espée's residence in Biarritz, and many others. After Cavaillé-Coll's death, Charles Mutin maintained the business into the beginning of the 20th century. The organ reform movement in the 20th century sought to return organ building to a more Baroque style; but since then, Cavaillé-Coll's designs have come back into fashion.
Ernest Martin Skinner was an American pipe organ builder. His electro-pneumatic switching systems advanced the technology of organ building in the first part of the 20th century.
The Newberry Memorial Organ is among the largest and most notable symphonic organs in the world. Located in Woolsey Hall at Yale University, the organ contains 197 ranks and 166 stops comprising 12,617 pipes.
A flue pipe is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle. Air under pressure is driven through a flue and against a sharp lip called a labium, causing the column of air in the pipe to resonate at a frequency determined by the pipe length. Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet. Flue pipes are common components of pipe organs.
The organ repertoire is considered to be the largest and oldest repertory of all musical instruments. Because of the organ's prominence in worship in Western Europe from the Middle Ages on, a significant portion of organ repertoire is sacred in nature. The organ's suitability for improvisation by a single performer is well adapted to this liturgical role and has allowed many blind organists to achieve fame; it also accounts for the relatively late emergence of written compositions for the instrument in the Renaissance. Although instruments are still disallowed in most Eastern churches, organs have found their way into a few synagogues as well as secular venues where organ recitals take place.
The Wanamaker Grand Court Organ, located in Philadelphia, Pennsylvania is the largest fully-functioning pipe organ in the world, based on the number of playing pipes, the number of ranks and its weight. The Wanamaker Organ is located within a spacious 7-story Grand Court at Macy's Center City and is played twice a day Monday through Saturday. The organ is featured at several special concerts held throughout the year, including events featuring the Friends of the Wanamaker Organ Festival Chorus and Brass Ensemble.
George Donald Harrison was responsible for the design of some of the finest and largest pipe organs in the United States. Born in Huddersfield, England, he first worked as a patent attorney in 1914 but after military service he began to pursue an interest in pipe organ building, working with Henry Willis & Sons of London.
Austin Organs, Inc., is a manufacturer of pipe organs based in Hartford, Connecticut. The company is one of the oldest continuously-operating organ manufacturers in the United States. The first instruments were built in 1893 with the Austin Patent Airchest, and many remain in fine playing condition to this day.
Spreckels Organ Pavilion houses the open-air Spreckels Organ in Balboa Park, San Diego, California. The Spreckels Organ is the world's largest pipe organ in a fully outdoor venue. Constructed for the 1915 Panama-California Exposition, it is located at the corner of President's Way and Pan American Road East in the park.
The Hollywood High School E. M. Skinner Organ Opus 481-A is a pipe organ in Hollywood High School, in Hollywood, Los Angeles, California. The contract for Opus 481 was made in June 1924, shortly after Skinner returned from his second trip to England and France. It took two years to build the organ. The organ was expanded in 1929 by Skinner. When the 1929 Memorial auditorium was built, the organ was moved and also registered as Opus 481-A. Then in 1954 it was placed into storage when the auditorium was refurbished, torn down to its foundation and rebuilt in its present form. Opus 481 is considered to be of musical value, built by the "Cadillac" of symphonic organ builders of the 20th century. The historic organ is an E. M. Skinner Opus 481 of 3-manuals, 39 ranks with chimes and has over 2,600 pipes.
Gordon Turk is an American concert organist. He has played throughout the United States, made two concert tours in Japan, and performed frequently in Europe, including Ukraine and Russia, both as solo organist and with orchestra.
Carol Anne Williams D.M.A., ARAM, FRCO, FTCL, ARCM is a British-born international concert organist and composer, now residing in America. She served from October 2001 and resigned her post in October 2016 as Civic Organist for the city of San Diego, California, performing regularly at the Spreckels Organ Pavilion. She was concurrently serving as the artistic director of the Spreckels Organ Society; producing the largest organ festival in North America since 2001. She was formerly the Artist in Residence at St. Paul's Cathedral San Diego.
Edwin Henry Lemare was an English organist and composer who lived the latter part of his life in the United States. He was one of the most highly regarded and highly paid organists of his generation, as well as the greatest performer and one of the most important composers of the late Romantic English-American Organ School.
Thomas Mantle Murray is an American organist, known as an interpreter of Romantic organ music. He was a Professor of Music and university organist at the Yale School of Music from 1981 until his retirement in 2019. He is also Principal Organist and Artist in Residence at Christ Church in New Haven, Connecticut.
Kalevi Ilmari Kiviniemi is a Finnish concert organist. He has given over 2000 concerts, and his discography includes nearly 200 titles, many of them featuring significant and unique organs across the US, Japan, the Philippines, Australia, Italy, France, Switzerland and Germany. Kiviniemi is also considered to be a distinguished improviser, especially in the tradition of a French line that runs from Charles Tournemire through to Pierre Cochereau.
The Kotzschmar Memorial Organ, usually referred to as the Kotzschmar Organ, is a pipe organ located at Merrill Auditorium in the City Hall of Portland, Maine, United States.
Johann Carl Hermann Kotzschmar was a German-American musician, conductor, and composer.
Diane Meredith Belcher is an American concert organist, teacher, and church musician. She has given a large number of solo recitals throughout the United States and abroad, is a teacher, and serves as Music Director at Saint Thomas Episcopal Church, and Lecturer in Music Theory & Organ at Dartmouth College, both in Hanover, New Hampshire. Her concert career is managed by Karen McFarlane Artists, Inc.