T-Ski Valley | |
---|---|
Birth name | Tyrone Cox |
Occupation(s) | Rapper, producer |
Instrument(s) | Guitar, voice |
Labels | Capo Records, Grand Groove Records, Dancefloor |
T-Ski Valley is an American rapper who had several hits during the 1980s. His song "Catch the Beat" was an early rap favorite in the US in 1981. He had a hit in the UK in 1983 with "Valley Style" which spent six weeks in the UK disco chart, and another hit the following year with "Catch the Beat (Scratch the Beat)" which spent more than two months on the UK disco chart.
T-Ski Valley is a rapper from the Bronx. His song "Catch the Beat", like Kurtis Blow's "The Breaks" is an early rap favorite. [1] It has been described as a huge hit in the black community. [2] The song was referred to as a groundbreaking rap song by Stuart Baker in Hot Stuff magazine issue #11. [3]
T-Ski Valley was born Tyrone Cox. He started his music career at the age of fourteen. He joined Kool Herc in 1978 as an M.C. He also joined up with A.J. & Busy Bee as a D.J. He later became a producer. Two of the acts he produced were Just Four and Chapter III. [4]
Along with Brad Osborne of Clocktower Records, Glen Adams and Sir Coxsone Dodd, T-Ski Valley had a part in the creation of the Grand Groove Records label. [5] The association started when T-Ski Valley, known as Tyrone in the early days was hired to set up the break beat section at the back of the store. Tyrone asked if he could also record some hip-hop songs. Osborne booked him some time with Blank Tape Studios which was run by Bob Blank. This is the studio where some early rap and disco artists made their recordings. This included Musique and the Salsoul Orchestra. The single that emerged from the recording session was "Catch the Beat" by T-Ski Valley and Brad Osborne. Osborne and Tyrone, now known as T-Ski Valley produced a total of eight singles for the Grand Groove label over two years. [6]
T-Ski Valley recorded "Catch the Beat!" which was released in the US on Grand Groove GG 7701. It was produced by Brad Osborne. [7] The song had a sample from "Heartbeat" by Taana Gardner. [8] "Catch the Beat" was in the East Coast Dance Music Top Ten for the week of 1 August 1981. [9] The song would become an underground hit. [10]
It was reported by Record World in the 12 December 1981 issue that the New York area hit "Catch the Beat" was continuing to sell well. [11]
T-Ski Valley's "Valley Style" was reviewed in the 30 July 1983 issue of Record Mirror . It was directly below the review of Lydia Murdock's song "Superstar". The reviewer referred to both recordings as answers to Michael Jackson's song "Billie Jean" with the exception of Valley's version being the rap one. It was referred to as a great out of club house. [12] [13]
It was reported by Record Mirror in the 6 August issue that "Valley Style" was a breaker and bubbling under the Disco 85 chart. [14] Barry Lazell commented on the song in the 13 August issue of Music Week. He said with the record being half rap and half instrumental, DJs could get inventive. [15] He would comment on the song again in a later issue. [16] Also that week, if the magazine was correct in the date, "Valley Style" debuted at no. 64 in the Record Mirror Disco chart. [17] It peaked at no. 38 on 27 August. [18] [19] On the week of September 10, the song had a surge and had moved up from no. 61 to no. 55. [20] The following week it fell back to no. 81 which. This was the last week of charting. [21] [22]
For the week of 30 June 1984 "Catch the Beat (Scratch the Beat)" debuted in the Record Mirror Disco 85 chart at no. 45. [23] For the week of 28 July, "Catch the Beat (Scatch the Beat)" reached its peak at no. 33 on the Record Mirror Disco 85 chart. [24]
Also in 1984, a record "Saturday Night" which was credited to Glen Adams Affair featuring T. Ski Valley was released on Nunk 1008. [25] In the UK it was released on Master Mix 12CHE 8409. It was reviewed by James Hamilton on the week of 24 November. Remixed in Belgium, the record contained the original mix on the flip side. Hamilton said "Still good enough fun to cross over here". [26]
On the week of 10 November "Saturday Night" debuted on the Record Mirror Disco chart at no. 79. [27] It peaked at no. 63 on 24 November. [28] [29]
It was reported by Euro Tip Sheet in the magazine's 5 November issue that "It's Just a Groove" had been added to the playlist of YLE Radio 1 in Henenski, Finland. [30]
"Billie Jean" is a song by the American singer Michael Jackson, released by Epic Records on January 3, 1983, as the second single from his sixth studio album, Thriller (1982). It was written and composed by Jackson, produced by Quincy Jones, and co-produced by Jackson. "Billie Jean" blends post-disco, R&B, funk, and dance-pop. The lyrics describe a woman, Billie Jean, who claims that the narrator is the father of her newborn son, which he denies. Jackson said the lyrics were based on groupies' claims about his older brothers when he toured with them as the Jackson 5.
Electro is a genre of electronic dance music directly influenced by the use of the Roland TR-808 drum machines, with an immediate origin in early hip hop and funk genres. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
The Fat Boys were an American hip hop trio from Brooklyn, New York, who emerged in the early 1980s. The group was briefly known originally as the Disco 3, originally composed of Mark "Prince Markie Dee" Morales, Damon "Kool Rock-Ski" Wimbley, and Darren "Buff Love" Robinson.
Glen Adams was a Jamaican musician, composer, arranger, engineer, producer, based since the mid-1970s in Brooklyn, New York City.
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Lydia Murdock is an American singer who had at least two dance hits. Her best known one was "Superstar" which was a hit in the UK and Canada. She also charted in the UK with "Love on the Line".
Colin Young is an English singer who led Joe E. Young & The Toniks in the 1960s. He is mainly known for being a member of the British soul band the Foundations. He also led a progressive rock band and was part of a hit making dance band of the 1980s.
Bobby Eli was an American musician, arranger, composer and record producer from Philadelphia. He was a founding member and lead guitarist of Philadelphia studio band MFSB.
"Nunk" (also known as "Nunk (New Wave Funk)") the first single by the group Warp 9, released on Prism Records in 1982, was written and produced by Lotti Golden and Richard Scher. The song appeared as a vocal and instrumental version on the group's 1983 debut album It's a Beat Wave on Prism Records and 4th & Broadway records in the UK.
Eddy and the Soul Band was a Dutch-based musical ensemble who were active during the 1980s. Led by Eddy Conard they had hits with their versions of Soul Cha Cha", and "Theme from Shaft".
"It Must Be Heaven" was a 1984 single for the UK r&b dance group Mercy, Mercy. It became a chart hit for them that year.
Superstar was a 1983 single for US pop singer Lydia Murdock. It was a hit for her in the UK and Canada. It also charted in the United States.
"Love on the Line" was a 1984 single for pop singer Lydia Murdock. It was chart hit for her on the UK disco charts. It was also a radio hit in Montreal, Canada.
Brother to Brother was an American musical group fronted by Michael Burton who had three hits during the 1970s. They had a hit on the Billboard Hot 100 with their version of Gil Scott-Heron's song "The Bottle".
"Catch the Beat" was an early song for rapper T-Ski Valley. It was a hit for him in 1981. Over the years it has been sampled by many artists as well as charting with remixing and new titles.
"Valley Style" is a 1983 single for American rapper T-Ski Valley. It became a hit for him that year. Registering on the UK disco chart, it stayed in the chart for six weeks.
"Catch the Beat (Scratch the Beat)" was a 1984 single for T-Ski Valley. It became a hit for him that year on the UK Disco Top 85 chart. It stayed in the chart more than two months during its run.
Bob Blank is an American music producer and prolific sound engineer who ran Blank Tape Studios which opened in New York in 1976. Artists he has worked with include, James Chance, Kid Creole, Cristina, Lizzy Mercier-Descloux, Sandra Feva, Instant Funk, Lydia Lunch, Nelson Ned, Jimmy Sabater, Sun Ra and more.
"Saturday Night" was a 1984 single for the Glen Adams Affair featuring T-Ski Valley. It was a chart hit in England, spending four weeks on the Disco 85 chart.
"Just a Groove" was a 1980 single for the Glen Adams Affair. It was a hit for the ensemble in the United States, but in the UK where it was released as "Just a Groove (Remix)" was where it had its best success.