| Take All of Me | |
|---|---|
 | |
| Directed by | Luigi Cozzi |
| Screenplay by |
|
| Story by | Sonia Molteni [1] |
| Produced by | Mario Cotone [1] |
| Starring |
|
| Cinematography | Roberto D'Ettore Piazzoli [1] |
| Edited by | Angelo Curti [1] |
| Music by | Stelvio Cipriani [1] |
Production company | A-Esse Cinematografica [1] |
Release date |
|
Running time | 91 minutes [1] |
| Country | Italy [1] |
Take All of Me (Italian : Dedicato a una stella/ Dedicated to a Star) is an Italian melodrama film written and directed by Luigi Cozzi. [2] [3]
A young woman named Stella is dying in a hospital of leukemia. A man named Richard Lansky who arrives at the hospital is mistaken for her relative and he is told of Stella's prognosis. The accidental occurrence results in the two forming a romantic relationship in the short period of time Stella has left to live.
David McGillvray reviewed the film in the Monthly Film Bulletin and stated that the film "pulled out all the stops to contrive a three-handkercheif weepie unsurpassed since the days of Love Story ." [1] McGillvray praised the film as "flawlessly photographed by Roberto D'Ettore Piazolli" but found that the film "all too often one's tears are stemmed by the usual doubts. Why, for instance, is Richard so callous to a girl he knows is dying of leukaemia? And why, in particular, does Stella have so much faith in a composer whose ability is clearly limited to writing bland scores of the type that accompanies this film?" [1]
Lucio Fulci was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and spaghetti Westerns, he garnered an international cult following for his giallo and horror films.
Aristide Massaccesi, known professionally as Joe D'Amato, was an Italian film director, producer, cinematographer, and screenwriter who worked in many genres but is best known for his horror, erotic and adult films.
Saturnino "Nino" Manfredi was an Italian actor, voice actor, director, screenwriter, playwright, comedian, singer, author, radio personality and television presenter.
Umberto Lenzi was an Italian film director, screenwriter, and novelist.
Starcrash is a 1978 space opera film directed and co-written by Luigi Cozzi, and starring Marjoe Gortner, Caroline Munro, David Hasselhoff, Joe Spinell and Christopher Plummer.
Bruno Mattei was an Italian film director, screenwriter, and editor who directed exploitation films in many genres, including women in prison, nunsploitation, zombie, mondo, cannibal, and Nazisploitation films. Mattei's films often followed popular genre trends of the era. Mattei continued work as a director primarily in the Philippines until his death in 2007, just before he was to enter production on his fifth Zombie film.
Werewolf Woman, also known as The Legend of the Wolf Woman, is a 1976 Italian horror film directed by Rino Di Silvestro.
Emanuelle's Revenge is an Italian film directed by Joe D'Amato. It is a remake of the Greek film The Wild Pussycat (1969). Unlike the French Emmanuelle series, to which it refers only in name, Emanuelle's Revenge has been described as being close to a sex-themed giallo, or as a combination of several genres: the rape and revenge film, the splatter film, the erotic film and the thriller. The film was written by Bruno Mattei and D'Amato. Bruno Mattei co-directed the film with D'Amato, but only D'Amato was credited.
Luigi Cozzi is an Italian film director and screenwriter. At a young age, Cozzi became a fan of science fiction and began his career as an overseas correspondent for Western film magazines. After directing his first film The Tunnel Under the World, Cozzi befriended director Dario Argento and began working with him in film and television as well as directing his own features including Hercules as well as continuing work with Argento. In the 2010s, he returned to directing with the film Blood on Méliès' Moon.
Alberto De Martino was an Italian film director and screenwriter. Born in Rome, De Martino started as a child actor and later returned to the cinema where worked as a screenwriter, director and dubbing supervisor. De Martino's films as a director specialised in well-crafted knock-offs of Hollywood hit films. These films were specifically created films in Western, horror and mythology genres which were developed for the international market. The Telegraph stated that his best known of these film was probably The Antichrist. The Antichrist capitalized on the box-office appeal of The Exorcist (1973) and in its first week in the United States earned a greater box office than Jaws.
Riccardo Cucciolla was an Italian actor and voice actor. He appeared in 60 films between 1953 and 1999. He won the Best Actor Award at the 1971 Cannes Film Festival for the film Sacco & Vanzetti.
Antonio Catania is an Italian actor.
The Golden Arrow is a 1962 Italian peplum film directed by Antonio Margheriti.
The Killer Is on the Phone is a 1972 giallo film directed by Alberto De Martino. It was released in the U.S. in July, 1975. The film is set in Bruges, Belgium, and stars Telly Savalas and Anne Heywood. The story follows an attractive actress who suffers from amnesia and paranoia triggered by a chance encounter with a professional assassin, who in turn begins to follow her with his knife.
Amuck! is a 1972 Italian giallo film written and directed by Silvio Amadio.
Frankenstein all'italiana – Prendimi, straziami, che brucio de passion! is a 1975 Italian comedy horror film, directed by Armando Crispino.
A Quiet Place to Kill is a 1970 giallo film directed by Umberto Lenzi.
The Fall of Rome is a 1963 Italian peplum film written and directed by Anthony Dawson.
The Magnificent Adventurer is a 1963 adventure film directed by Riccardo Freda. It is loosely based on real life events of Benvenuto Cellini.
Hercules vs. Moloch is a 1963 Italian/French international co-production peplum film written and directed by Giorgio Ferroni and starring Gordon Scott. The film reuses battle scenes from Ferroni's 1961 film The Trojan Horse.
 | This article related to an Italian film of the 1970s is a stub. You can help Wikipedia by expanding it. |
 | This 1970s drama film–related article is a stub. You can help Wikipedia by expanding it. |