Tales of Hemingway is a concerto for cello and orchestra composed in 2015 by the American composer Michael Daugherty. The music is inspired by the writings of the famous American writer Ernest Hemingway. [1]
The concerto was originally commissioned by the Nashville Symphony and a consortium including the Asheville Symphony, Detroit Symphony Orchestra, El Paso Symphony Orchestra, Erie Philharmonic, Redwood Symphony and Virginia Symphony Orchestra. The world premiere was given by the Nashville Symphony conducted by Giancarlo Guerrero, with cellist Zuill Bailey on April 17, 2015 at the Schermerhorn Symphony Center in downtown Nashville, Tennessee.
The world premiere performance was reviewed by Nashville music critic John Pitcher. His analysis was that the composer "approached his work as a kind of sonic landscape painter [...] Cellist Zuill Bailey played throughout with a sensuous tone and technical finesse. Music director Giancarlo Guerrero and the NSO provided colorful and dramatic accompaniment." [2] The Midwest premiere was given by the Detroit Symphony Orchestra. Detroit Free Press music writer Mark Stryker described the work as having a "more soulful emotional cast...a breadth of color, texture, dynamics and feeling in the virtuoso solo writing." [3]
The concerto was recorded in 2015 with the Nashville Symphony and released on the Naxos label. Many critics reviewed the recording very favorably, including a 10/10 for both categories of artistic quality and sound quality from music critic David Hurwitz. [4]
Donald Rosenberg of Gramophone wrote:
Tales of Hemingway for cello and orchestra (2015) portrays four of the novelist’s stories in music of sweeping drama and poetry. Daugherty sends the cello soaring and singing with the orchestra as he summons key moments in the Hemingway books. The solo writing calls for an artist of eloquent persuasion, and Zuill Bailey more than meets the score’s demands with playing that combines fervour and poetry. [5]
In February 2017 the piece won three Grammy Awards, for Best Classical Compendium, Best Classical Instrumental Solo and Best Contemporary Classical Composition. [6]
The concerto is composed in four movements, each drawn from a different work by Ernest Hemingway. The musical score includes extensive program notes written by the composer, explaining the inspiration for and design of each movement.
This movement is based on Hemingway's short story about a soldier home from World War I who travels to northern Michigan to work through his PTSD. The program notes in the musical score the composer explains that he created "a leitmotif [symbolizing the idea that] one can be healed by the power of nature through exploring isolated outdoor terrains." [7]
The cello represents the main character in this popular Hemingway novel, Robert Jordan. At the conclusion of the movement, the chimes are meant to represent the famous line from the novel: “And therefore never send to know for whom the bell tolls; it tolls for thee.” [7]
This movement is an elegy representing the struggle between man and nature [7] which is the main theme of the Hemingway novella.
This movement uses heavy Spanish musical influences to represent the running of the bulls in Pamplona, Spain which is the setting from the Hemingway novel from which this movement takes its name. [7]
Edward Elgar's Cello Concerto in E minor, Op. 85, his last major completed work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had already become out of fashion with the concert-going public. In contrast with Elgar's earlier Violin Concerto, which is lyrical and passionate, the Cello Concerto is for the most part contemplative and elegiac.
Michael Kevin Daugherty is a multiple Grammy Award-winning American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired Metropolis Symphony for Orchestra (1988–93), Dead Elvis for Solo Bassoon and Chamber Ensemble (1993), Jackie O (1997), Niagara Falls for Symphonic Band (1997), UFO for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), Bells for Stokowski from Philadelphia Stories for Orchestra (2001) and for Symphonic Band (2002), Fire and Blood for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, Time Machine for Three Conductors and Orchestra (2003), Ghost Ranch for Orchestra (2005), Deus ex Machina for Piano and Orchestra (2007), Labyrinth of Love for Soprano and Chamber Winds (2012), American Gothic for Orchestra (2013), and Tales of Hemingway for Cello and Orchestra (2015). Daugherty has been described by The Times (London) as "a master icon maker" with a "maverick imagination, fearless structural sense and meticulous ear."
The Cello Concerto in B minor, Op. 104, B. 191, is the last solo concerto by Antonín Dvořák. It was written in 1894 for his friend, the cellist Hanuš Wihan, but was premiered in London on March 19, 1896, by the English cellist Leo Stern.
James Zuill Bailey, better known as Zuill Bailey is an American Grammy Award-winning cello soloist, chamber musician, and artistic director. A graduate of the Peabody Institute of the Johns Hopkins University and the Juilliard School, he has appeared in recital and with major orchestras internationally. He is a professor of cello and Director of the Center for Entrepreneurship at the University of Texas at El Paso. Bailey’s extensive recording catalogue are released on TELARC, Avie, Steinway and Sons, Octave, Delos, Albany, Sono Luminus, Naxos, Azica, Concord, EuroArts, ASV, Oxingale and Zenph Studios.
Paul Jacobs is an American organist. He is the first organist to receive a Grammy Award. Jacobs is currently the chair of the Juilliard School's organ department and is considered "America’s premier organ performer…."
Saint-Saëns' Cello Concerto No. 2 in D minor, Op. 119, is written in two movements, like his Fourth Piano Concerto. It was composed in 1902 and is dedicated to the Dutch cellist, Joseph Hollman, who gave the first performance on February 5, 1905 in Paris. The Second Concerto is much more virtuosic than the First, but does not possess the thematic inventiveness and harmonic intricacy of the First.
William Walton's Cello Concerto (1957) is the third and last of the composer's concertos for string instruments, following his Viola Concerto (1929) and Violin Concerto (1939). It was written between February and October 1956, commissioned by and dedicated to the cellist Gregor Piatigorsky, the soloist at the premiere in Boston on 25 January 1957.
Deus ex Machina is a piano concerto by the American composer Michael Daugherty. The 33-minute work was jointly commissioned by the Charlotte, Nashville, New Jersey, Rochester and Syracuse Symphony Orchestras. It won the 2011 Grammy for Best Classical Contemporary Composition for a recording by soloist Terrance Wilson and the Nashville Symphony Orchestra under the baton of Giancarlo Guerrero.
Giancarlo Guerrero is a Costa Rican orchestra conductor, born in Nicaragua. He is currently music director of the Nashville Symphony and music director-designate of the Sarasota Orchestra, and artistic director and principal conductor of the Grant Park Music Festival. Guerrero was formerly music director of the Wrocław Philharmonic at the National Forum of Music in Wrocław, Poland and principal guest conductor of the Gulbenkian Orchestra.
The Cello Concerto is a concerto for cello and orchestra by the American composer Stephen Albert. The work was commissioned by the Baltimore Symphony Orchestra for the cellist Yo-Yo Ma. It was given its world premiere by Yo-Yo Ma and the Baltimore Symphony Orchestra under the direction of David Zinman in Baltimore, May 1990. It was one of Albert's last completed compositions before his death in December 1992. The piece was later awarded the 1995 Grammy Award for Best Classical Contemporary Composition.
The Cello Concerto is a concerto for solo cello and orchestra by the American composer Nico Muhly. The work was commissioned by the Barbican Centre for the Britten Sinfonia and cellist Oliver Coates, to whom Muhly dedicated the piece. It was first performed on March 16, 2012 at the Barbican Centre by Coates and the Britten Sinfonia under conductor André de Ridder.
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The Flute Concerto is a composition for flute and orchestra by the American composer Aaron Jay Kernis. The work was jointly commissioned for the flautist Marina Piccinini by the Detroit Symphony Orchestra, the Rochester Philharmonic Orchestra, the Chautauqua Institution, and the Peabody Conservatory of Music. It was first performed in Detroit on January 21, 2016, by Piccinini and the Detroit Symphony Orchestra conducted by Leonard Slatkin. The piece is dedicated to Marina Piccinini "with warmth and admiration."
The Cello Concerto is a concerto for solo cello and orchestra by the American composer Ned Rorem. The work was commissioned by the Residentie Orchestra and the Kansas City Symphony for the cellist David Geringas. Its world premiere was given by Geringas and the Kansas City Symphony under the direction of Michael Stern on March 28, 2003.
The Double Concerto is a composition for violin, cello, and orchestra by the American composer Ned Rorem. The work was commissioned by the Indianapolis Symphony Orchestra and composed between July 27, 1997, and April 1998. It was composed for the violinist Jaime Laredo and the cellist Sharon Robinson, who first performed the piece with the Indianapolis Symphony Orchestra conducted by Raymond Leppard in Indianapolis on October 15, 1998.
Once Upon a Castle is a symphonie concertante for organ and orchestra composed in 2003 and revised in 2015 by American composer Michael Daugherty. The music is inspired by both the life and times of American media mogul William Randolph Hearst, Hearst Castle, and the Hollywood lore of Charles Foster Kane, a fictional character based on Hearst in the movie Citizen Kane.
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