| Tambourin Chinois | |
|---|---|
| by Fritz Kreisler | |
 Picture of composer | |
| Key | B-flat major |
| Opus | 3 |
| Year | 1910 |
| Duration | 4 minutes |
| Scoring | Violin and Piano |
Tambourin Chinois, Op. 3, known in English as Chinese Tambourine or Chinese Drum, is a piece by composer Fritz Kreisler for Violin and Piano. It is one of his most well-known pieces behind his Old Viennese Melodies and Praeludium and Allegro. [1]
The piece is inspired from a performance of traditional Chinese music heard by the composer while they visited San Francisco. [2] As such, the piece is highly inspired by the pentatonic scale, though Kreisler said that he did not take any thematic information from his visit. [3]
According to Edition Zeza, the version for Violin and Orchestra is scored for the following instruments: 2 Flutes, Oboe, Cor anglais, 2 Clarinets, 2 Bassoons, 3 Horns, Timpani, Tambourine, Harp, Solo Violin, Violins (1st and 2nd), Violas, Cellos, Double basses. [4]
In music, a cadenza, is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in, or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello.
This is a list of notable events in music that took place in the year 1910.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos.
Eugène-Auguste Ysaÿe was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
The Violin Concerto in D major, Op. 77, was composed by Johannes Brahms in 1878 and dedicated to his friend, the violinist Joseph Joachim. It is Brahms's only violin concerto, and, according to Joachim, one of the four great German violin concerti:
The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's.
Friedrich "Fritz" Kreisler was an Austrian-born American violinist and composer. One of the most noted violin masters of his day, and regarded as one of the greatest violinists of all time, he was known for his sweet tone and expressive phrasing. Like many great violinists of his generation, he produced a characteristic sound which was immediately recognizable as his own. Although it derived in many respects from the Franco-Belgian school, his style is nonetheless reminiscent of the gemütlich (cozy) lifestyle of pre-war Vienna.
Edward Elgar's Violin Concerto in B minor, Op. 61, is one of his longest orchestral compositions, and the last of his works to gain immediate popular success.
Also sprach Zarathustra, Op. 30 is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. Strauss conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts roughly thirty-three minutes.
ZinoVinnikov is a Russian-Dutch violinist and one of the leading representatives of the St Petersburg violin tradition.
The International Fritz Kreisler Competition is a violin competition dedicated to the memory of violinist and composer Fritz Kreisler.
Kids' Classics is an album by classical musician Vanessa-Mae, released in 1991 on the Tritico record label. It was recorded in association with the New Belgian Chamber Orchestra, conducted by Nicholas Cleobury. The music was recorded in Ghent, Belgium. The album, as the title suggests, was geared towards younger listeners, but comprises primarily well-known and recognized compositions.
The Sonatina in G major for violin and piano, Op. 100, B. 183, was written by Antonín Dvořák between November 19 and December 3, 1893, in New York City. It was the last chamber composition he wrote during his sojourn in the United States. Dvořák catered the sonatina to the gradually developing musical abilities of his children, especially those of his 15-year-old daughter Otilie and 10-year-old son Toník, who played piano and violin respectively. In a letter to Fritz Simrock on January 2, 1894, Dvořák conceived the piece in the following terms: "It is intended for youths, but even grown-ups, adults, should be able to converse with it..." The sonatina was published by Simrock in Berlin in 1894. It also exists in a version for cello and piano.
Variations on a Theme of Corelli, Op. 42, is a set of variations for solo piano, written in 1931 by the Russian composer Sergei Rachmaninoff. He composed the variations at his holiday home in Switzerland.
Gerhard Taschner was a noted German violinist and teacher.
The Chamber Symphony No. 1 in E major, Op. 9 is a composition by Austrian composer Arnold Schoenberg.
The Minuet in G, Op. 14/1, is a short piano composition by Ignacy Jan Paderewski, which became world-famous, overshadowing his more major works such as the Symphony in B minor "Polonia", the Piano Concerto in A minor, and the opera Manru.
Ossy Renardy was an Austrian classical violinist, who made a major impression in Europe before migrating to the United States at age 17. There he made the first complete recording of any version of the 24 Paganini Caprices. He became an American citizen and served in the US Army in World War II, giving almost 500 concerts for the troops. He returned to the concert stage after the war, but only five years into his adult career he was killed in a car crash in New Mexico, at the age of 33. He left a number of recordings.
Manuel Quiroga Losada was a Spanish violinist and composer. He was described by music critics as "the finest successor of Pablo de Sarasate", and he is sometimes referred to as "Sarasate's spiritual heir". Enrique Granados, Eugène Ysaÿe and other composers dedicated compositions to him. Violinists Ysaÿe, Fritz Kreisler, George Enescu, Mischa Elman and Jascha Heifetz, as well as composers such as Igor Stravinsky and Jean Sibelius, held Quiroga's artistry in great regard. Portuguese cellist Guilhermina Suggia described his playing of Tartini's Devil's Trill Sonata as "marvellous and flawless".
Mela Tenenbaum was a classical violinist and violist, also playing viola d'amore. She performed with the Kyiv Philharmonic and other orchestras. She inspired composers such as Dmitri Klebanov to write pieces for her. She emigrated to the United States and was from the early 1990s concertmaster of the Philharmonia Virtuosi. She recorded works from Vivaldi to salon music, especially chamber music.
Mi-Young Park is a Korean-American violinist. At age five, she began studying violin. She soloed with the Seoul Philharmonic and the Korean Broadcasting Symphony Orchestra after winning First Prize in the Korean National Music Competition. For almost fifty years she concertized with her sister, Pong-Hi, in a violin-piano duo known as The Park Sisters.
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