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Tamia Valmont also known as Tamia (born July 29, 1947) is a French composer and singer.
Tamia Valmont made her stage debut at the Châteauvallon Jazz Festival with Michel Portal, in France, in 1972. She took then part of various musical trends: improvised music, contemporary music, theater, and discovered affinity with extra-European music.
She was commissioned in 1980 to perform solo at the Paris Festival d'Automne. On this occasion, she started using recording her voice successively on a multi-track tape to create what she called a "solo polyphony", a genre she would keep exploring in her career. In 1979 Tom Johnson wrote an article about her in the Village Voice that lead to her first US tour. In 1990 she was invited to perform in Japan by composer Toru Takemitsu at the Tokyo Festival.
She collaborated with artists such as Pierre Favre with whom she recorded 3 CDs. In 2009, the writer Nancy Huston cited Tamia Valmont as her inspiration for the main character of her novel entitled Fault Lines.
She started teaching vocal technique and improvisation in 1973. She is currently teaching to professional singers and actors in Paris.
Solo Albums
Collaborations with Pierre Favre
Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
Marilyn Crispell is an American jazz pianist and composer. Scott Yanow described her as "a powerful player... who has her own way of using space... She is near the top of her field." Jon Pareles of The New York Times wrote: "Hearing Marilyn Crispell play solo piano is like monitoring an active volcano... She is one of a very few pianists who rise to the challenge of free jazz." In addition to her own extensive work as a soloist or bandleader, Crispell is also known as a longtime member of saxophonist Anthony Braxton's quartet in the 1980s and '90s.
Danielle Frida Hélène Boccara was a Moroccan-born French singer of Italian descent, who performed and recorded in a number of languages, including French, Spanish, English, Italian, German, Dutch and Russian.
Eleni Karaindrou is a Greek composer. She is best known for scoring the films of the Greek director Theo Angelopoulos.
Irène Schweizer is a Swiss jazz and free improvising pianist. She was born in Schaffhausen, Switzerland.
Louis Sclavis is a French jazz musician. He performs on clarinet, bass clarinet, and soprano saxophone in a variety of contexts, including avant-garde jazz, free jazz, free improvisation and contemporary classical.
David Darling was an American cellist and composer. In 2010, he won the Grammy Award for Best New Age Album. He performed and recorded with Bobby McFerrin, Paul Winter Consort, Ralph Towner and Spyro Gyra and released many solo albums. Among these were 15 recordings for ECM.
Pierre Favre is a Swiss jazz drummer and percussionist born in Le Locle, Switzerland.
Savina Yannatou is a Greek singer.
Paris Concert is a live solo piano album by American pianist Keith Jarrett, recorded on October 17, 1988 at the Salle Pleyel in Paris and released by ECM Records in April 1990.
Jean Wiener was a French pianist and composer.
Doudou Gouirand is a French jazz saxophonist and composer.
Graciane Finzi is a Morocco-born French composer.
Malika Zarra is a Moroccan singer, composer, and music producer, based in New York City. She is known for singing in Moroccan Arabic, Berber, French, and English. Her music has been on the JazzWeek Top 20 radio chart in world music.
Clotilde (Rullaud) is an artistic director, singer, vocalist, flutist, composer, filmmaker, producer and vocal coach.
Emmanuel Séjourné is a French composer and percussionist, and head of percussion at the Conservatoire de Strasbourg. His music is influenced by Western classical music and by popular music.
Fleuve is the second album by the Pierre Favre Ensemble, led by Swiss jazz percussionist Pierre Favre. The album was recorded in October 2005 in Switzerland and released in October 2006 by ECM. Produced by Manfred Eicher, it was Favre's first album for ECM in eleven years and marked the return of the ensemble since their 1984 debut Singing Drums, presenting a new line-up that departed from the previous incarnation's all-percussion sound. The new line-up included seven musicians and new instrumentation, including harp, double clarinet, double bass, tuba, guitar, bass guitar, soprano saxophone, and serpent. The latter instrument is rarely used in jazz.
Hélène Breschand is a French harpist, composer and improviser. Breschand leads a career both as a solo artist as well as in ensemble work, playing both a contemporary repertoire and premiering new works as much as she plays improvised music and musical theater. She is a musician who plays on the verge of several genres ranging from contemporary music to jazz. She plays both written and improvised music.
Franziska Baumann is a Swiss musician and composer, specializing in improvisation and composed music. Baumann studied at the Winterthur Conservatory, majoring in flute with a minor in singing. Following her conservatory studies, she completed improvisation classes with Fred Frith, Barre Phillips, and George Lewis. She also studied with vocal artists such as Phil Campanella, Lauren Newton, and Joan La Barbara. As a vocalist she makes use of extended and microtonal, with clicking and percussive sounds, tone changes and language-related techniques. Baumann performs solo and with musicians including Pierre Favre, Joëlle Léandre, Lê Quan Ninh, Jacques Demierre, Peter Schaerli, and Matthias Ziegler. She is also part of the improvisation trio, Potage du Jour, alongside Jürg Solothurnmann and Christoph Baumann. Her repertoire as a composer ranges from improvised works and electro-acoustic compositions to sound installations and large scale surround sound projects. As Artist in Residence at the Amsterdam Centre For Electro Instrumental Music (STEIM) Baumann programmed a data glove so that she could trigger voice and sound articulations in real time via gesture. Since 2006 Baumann has served as a lecturer in vocal performance and improvisation at the Hochschule der Künste in Bern, where she is also involved in research projects on topics such as sound without body and Gesture performance. Franziska Baumann lives and works in Bern, Switzerland.