Tana ware (also called Tana Tradition pottery or Triangular-Incised Ware) refers to a type of prehistoric pottery prominent in East Africa that features a variety of designs, including triangular incised lines and single rows of dots. [1] The presence of this pottery is largely regarded as one of the best indicators for early Swahili settlement. [2] This pottery tradition falls chronologically during the Iron Age in East Africa, during the late first millennium AD and spanning several hundred years. The name Tana ware was given because the early discoveries of these types of pottery were along the Tana River in present day Kenya. [3]
This pottery tradition has been referred to as Tana Ware/Tradition, Triangular-Incised Ware, and kitchen ware by different scholars. Although "Tana Ware" is the most commonly used name today, it has been subject to criticism, and so have the names "Triangular-Incised Ware" and "kitchen ware". The term "Tana Ware" has been criticized for only describing a narrow region of the overall geographic distribution of this pottery, the term "Triangular-Incised Ware" for only indicating one specific decorative motif of this pottery group, and the term "kitchen ware" for being derogatory and not functionally accurate. [2] [4] Currently in the archaeological literature, the term "Tana Ware" is the most frequently used, but "Triangular-Incised Ware" is still present in some publications.
Tana Ware has been found at many East African archaeological sites over the course of several decades. The geographic distribution of this pottery tradition is widespread, covering the East African coast from Kenya in the north to Mozambique in the south, as well as the central hinterland inland. [4] Archaeological sites that have procured Tana Ware include Kuumbi Cave, Zanzibar; Chibuene, Mozambique; Manda, Kenya; Dakawa, Tanzania; and many others. [4] [2]
There are different variants of Tana Ware evident from archaeological excavation. Formally, there are five main varieties: necked jars, globular jars, open bowls, closed bowls, and carinated bowls. [4] Across several sites studied, necked jars were found to be the most common form of Tana Ware. [4] In addition to form variety, there are over 30 decorative motifs found among Tana Ware pottery. These motifs include triangular incises, drawing back to one of the names of this pottery style (Triangle Incised Ware), fingernail pinches, parallel horizontal lines, shell edge punctuates, cross hatching on rim, and many others. [5] These decoration motifs vary among pottery found from site to site, with different sites having different popular motifs. At Dakawa, for example, filled standing triangles were the dominant motif, whereas Manda saw a larger variety in motifs with filled pending triangles being only slightly more dominant than the other motifs. [4] As a whole, the most common decorative motif featured below the neck of the vessel was a single row of punctuates. [4]
Tana Ware is widely accepted by scholars to primarily appear in the archaeological record from the late first millennium AD, with varying narrower time spans, such as one publication identifying the time frame 600 AD-900AD. [4] Within the field, there are debates about how Tana Ware came to be and evolved into the defined tradition as described above. One hypothesis is that Tana Ware evolved from Early Iron Ware pottery in a continuous fashion. [2] Another conflicting hypothesis is that Tana Ware did not evolve from Kwale nor Early Iron Age pottery, but it possibly evolved from Pastoral Neolithic peoples in the region. [6] Subsequent other hypotheses surrounding the development of Tana Ware suggest that Tana Ware began to replace Kwale ware in the 5th and 6th centuries AD in the Usambara region, or that the pottery tradition was manufactured by recent Northeast Coastal Bantu migrants to the Swahili coast. [7] [3]
The ruins of Gedi are a historical and archaeological site near the Indian Ocean coast of eastern Kenya. It was declared a World Heritage Site on the 29th of July 2024. The site is adjacent to the town of Gedi in the Kilifi District and within the Arabuko-Sokoke Forest.
Swahili architecture is a term used to designate a whole range of diverse building traditions practiced or once practiced along the eastern and southeastern coasts of Africa. Rather than simple derivatives of Islamic architecture from the Arabic world, Swahili stone architecture is a distinct local product as a result of evolving social and religious traditions, environmental changes, and urban development.
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Kansyore pottery is a type of ancient East African pottery.
Njoro River Cave is an archaeological site on the Mau Escarpment, Kenya, that was first excavated in 1938 by Mary Leakey and her husband Louis Leakey. Excavations revealed a mass cremation site created by Elmenteitan pastoralists during the Pastoral Neolithic roughly 3350-3050 BP. Excavations also uncovered pottery, beads, stone bowls, basket work, pestles and flakes. The Leakeys' excavation was one of the earliest to uncover ancient beads and tools in the area and a later investigation in 1950 was the first to use radiocarbon dating in East Africa.
People first began to be interested in Malawi's prehistoric past in the 1920s. Excavations of sites in nearby countries, Tanzania and Zambia, made archaeologists believe that they may find the same type of material culture in Malawi. In the 1920s, a series of lacustrine deposits was found at the northwest end of Lake Malawi. These beds contained fragmentary fossils and were mapped by Dr. F. Dixey. These findings sparked an interest to excavate more locations in Malawi.
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Adria Jean LaViolette is an American archaeologist at the University of Virginia. She is a specialist in Swahili archaeology and is the joint editor of The Swahili World.
Stephanie Wynne-Jones is an Africanist archaeologist, whose research focuses on East African material culture, society and urbanism. She is Professor and Deputy Head of the Department of Archaeology at the University of York. She previously worked as assistant director of the British Institute in Eastern Africa (2005-2008) and remains a Trustee and Member of the BIEA Governing Council. In 2016, Wynne-Jones was elected to Fellowship of the Society of Antiquaries of London. Wynne-Jones is one of the Core Group at the Danish National Research Foundation Centre of Excellence in Urban Network Evolutions (Urbnet), Aarhus University. Between 2015 and 2017 she was a Pro Futura Scientia Fellow at the Swedish Collegium for Advanced Study, Uppsala.
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Freda Nkirote M’Mbogori is a Kenyan archaeologist, who is Director of the British Institute in Eastern Africa (BIEA) and President of the Pan-African Archaeological Association.
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