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Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by Second Wave Feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism incorporates the position that society prioritizes the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and establishing educational, professional, and interpersonal opportunities and outcomes for women that are equal to those for men.
Feminist science fiction is a subgenre of science fiction focused on theories that include feminist themes including but not limited to gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Joanna Russ was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny. She is best known for The Female Man, a novel combining utopian fiction and satire, and the story "When It Changed".
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths.
Gender studies is an interdisciplinary academic field devoted to analysing gender identity and gendered representation. Gender studies originated in the field of women's studies, concerning women, feminism, gender, and politics. The field now overlaps with queer studies and men's studies. Its rise to prominence, especially in Western universities after 1990, coincided with the rise of deconstruction.
Postcolonial feminism is a form of feminism that developed as a response to feminism focusing solely on the experiences of women in Western cultures and former colonies. Postcolonial feminism seeks to account for the way that racism and the long-lasting political, economic, and cultural effects of colonialism affect non-white, non-Western women in the postcolonial world. Postcolonial feminism originated in the 1980s as a critique of feminist theorists in developed countries pointing out the universalizing tendencies of mainstream feminist ideas and argues that women living in non-Western countries are misrepresented.
Cultural feminism, the view that there is a "female nature" or "female essence", attempts to revalue and redefine attributes ascribed to femaleness. It is also used to describe theories that commend innate differences between women and men. Cultural feminism diverged from radical feminism, when some radical feminists rejected the previous feminist and patriarchal notion that feminine traits are undesirable and returned to an essentialist view of gender differences in which they regard female traits as superior.
Pro-feminism refers to support of the cause of feminism without implying that the supporter is a member of the feminist movement. The term is most often used in reference to men who actively support feminism and its efforts to bring about the political, economic, cultural, personal, and social equality of women with men. A number of pro-feminist men are involved in political activism, most often in the areas of gender equality, women's rights, and ending violence against women.
Nancy Julia Chodorow is an American sociologist and professor. She began her career as a professor of Women's studies at Wellesley College in 1973, and from 1974 on taught at the University of California, Santa Cruz, until 1986. She then was a professor in the departments of sociology and clinical psychology at the University of California, Berkeley until she resigned in 1986, after which she taught psychiatry at Harvard Medical School/Cambridge Health Alliance. Chodorow is often described as a leader in feminist thought, especially in the realms of psychoanalysis and psychology.
Feminist anthropology is a four-field approach to anthropology that seeks to transform research findings, anthropological hiring practices, and the scholarly production of knowledge, using insights from feminist theory. Simultaneously, feminist anthropology challenges essentialist feminist theories developed in Europe and America. While feminists practiced cultural anthropology since its inception, it was not until the 1970s that feminist anthropology was formally recognized as a subdiscipline of anthropology. Since then, it has developed its own subsection of the American Anthropological Association – the Association for Feminist Anthropology – and its own publication, Feminist Anthropology. Their former journal Voices is now defunct.
Feminism is a broad term given to works of those scholars who have sought to bring gender concerns into the academic study of international politics and who have used feminist theory and sometimes queer theory to better understand global politics and international relations..
Since the 19th century, men have taken part in significant cultural and political responses to feminism within each "wave" of the movement. This includes seeking to establish equal opportunities for women in a range of social relations, generally done through a "strategic leveraging" of male privilege. Feminist men have also argued alongside writers like bell hooks, however, that men's liberation from the socio-cultural constraints of sexism and gender roles is a necessary part of feminist activism and scholarship.
Griselda Frances Sinclair Pollock is an art historian and cultural analyst of international, postcolonial feminist studies in visual arts and visual culture. Since 1977, Pollock has been an influential scholar of modern art, avant-garde art, postmodern art, and contemporary art. She is a major influence in feminist theory, feminist art history, and gender studies. She is renowned for her innovative feminist approaches to art history which aim to deconstruct the lack of appreciation and importance of women in art as other than objects for the male gaze.
Feminist theory in composition studies is the application of feminist theory to composition studies. It considers the influence of gender, language, and cultural studies on composition in order to challenge preexisting conventions.
Feminism has affected culture in many ways, and has famously been theorized in relation to culture by Angela McRobbie, Laura Mulvey and others. Timothy Laurie and Jessica Kean have argued that "one of [feminism's] most important innovations has been to seriously examine the ways women receive popular culture, given that so much pop culture is made by and for men." This is reflected in a variety of forms, including literature, music, film and other screen cultures.
Feminist ethics is an approach to ethics that builds on the belief that traditionally ethical theorizing has undervalued and/or underappreciated women's moral experience, which is largely male-dominated, and it therefore chooses to reimagine ethics through a holistic feminist approach to transform it.
Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women. It continues to be a major field of art criticism.
In feminist theory, the male gaze is the act of depicting women and the world in the visual arts and in literature from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the heterosexual male viewer. In the visual and aesthetic presentations of narrative cinema, the male gaze has three perspectives: (i) that of the man behind the camera, (ii) that of the male characters within the film's cinematic representations; and (iii) that of the spectator gazing at the image.
Ann Luja Cvetkovich is a Professor and the Director of the Pauline Jewett Institute of Women's and Gender Studies at Carleton University in Ottawa. Until 2019, she was the Ellen Clayton Garwood Centennial Professor of English and Professor of Women's and Gender Studies at the University of Texas at Austin, where she had been the founding director of the LGBTQ Studies Program, launched in 2017. She has published three books: Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (1992); An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (2003); and Depression: A Public Feeling (2012). She has also co-edited Articulating the Global and Local: Globalization and Cultural Studies (1996) with Douglas Kellner, as well as Political Emotions: New Agendas in Communication (2010) with Janet Staiger and Ann Reynolds. Furthermore, Cvetkovich has co-edited a special issue of Scholar and Feminist Online, entitled "Public Sentiments" with Ann Pellegrini. She is also a former co-editor of GLQ: A Journal of Lesbian and Gay Studies with Annamarie Jagose.
References
- ↑ Clancy, Kim (2003). "Tania Modleski, Loving with a Vengeance: Mass-Produced Fantasies for Women". In Barker, Martin; Beezer, Anne (eds.). Reading Into Cultural Studies. Routledge. pp. 122–136. ISBN 978-1-134-92285-7.
- 1 2 Draper, Ellen (2009). "Modleski, Tania". In Kowaleski-Wallace, Elizabeth (ed.). Encyclopedia of Feminist Literary Theory. Routledge. pp. 377–8. ISBN 978-1-135-22129-4.
