TAO: The Martial Art of Drumming is a Japanese drum and dance ensemble formed in 1993. This performing group combines music and dance to reflect Japanese tradition, but also incorporates Korean, Maori, and Indonesian influences. [1] While some songs are traditional, most are modern compositions created by members of the troupe.
Tao’s performers train in their own center in the Kujū Highlands on Kyushu called Grandioso. The strenuous physical demands of their performance style demands that all performers also train as athletes. Their daily workouts, which start at 5 a.m. and end at 10 p.m., including a 20 kilometer run, calisthenics, martial arts training, and hours of dance, drum, and music practice. During the first ten years, 400 trainees ran away, after which the founder and "boss", Ikuo Fujitaka, adjusted the training regimen. Only 40 people dropped out between 2003 and 2008. [2]
Many of their performance pieces include only percussion instruments, and in some cases only taiko drums, but other pieces include the shinobue, or Japanese flute, bamboo marimba, gongs, and the koto, a horizontal harp. [3]
After more than a decade touring Japan, the group performed at the Edinburgh Festival Fringe, where they sold out of tickets for 25 straight days and outsold every other performance group. [4] They have been touring internationally ever since.
Taiko are a broad range of Japanese percussion instruments. In Japanese, the term taiko refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called wadaiko and to the form of ensemble taiko drumming more specifically called kumi-daiko. The process of constructing taiko varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method.
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Indonesian, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
Traditional Chinese opera, or Xiqu, is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand years, reaching its mature form in the 13th century, during the Song dynasty. Early forms of Chinese theater are simple; however, over time, various art forms such as music, song and dance, martial arts, acrobatics, costume and make-up art, as well as literary art forms were incorporated to form traditional Chinese opera. Performers had to practice for many years to gain an understanding of the roles. Exaggerated features and colors made it easier for the audience to identify the roles portrayed.
Butoh is a form of Japanese dance theatre that encompasses a diverse range of activities, techniques and motivations for dance, performance, or movement. Following World War II, butoh arose in 1959 through collaborations between its two key founders, Tatsumi Hijikata and Kazuo Ohno. The art form is known to "resist fixity" and is difficult to define; notably, founder Hijikata Tatsumi viewed the formalisation of butoh with "distress". Common features of the art form include playful and grotesque imagery, taboo topics, and extreme or absurd environments. It is traditionally performed in white body makeup with slow hyper-controlled motion. However, with time butoh groups are increasingly being formed around the world, with their various aesthetic ideals and intentions.
Noh is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is the oldest major theater art that is still regularly performed today. Noh is often based on tales from traditional literature featuring a supernatural being transformed into a human hero who narrates the story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent specific roles such as ghosts, women, deities, and demons. Having a strong emphasis on tradition rather than innovation, Noh is highly codified and regulated by the iemoto system.
Lion dance is a form of traditional dance in Chinese culture and other Asian countries in which performers mimic a lion's movements in a lion costume to bring good luck and fortune. The lion dance is usually performed during the Chinese New Year and other traditional, cultural and religious festivals. It may also be performed at important occasions such as business opening events, special celebrations or wedding ceremonies, or may be used to honour special guests by the Chinese communities.
Peking opera, or Beijing opera, is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù. It has also spread to other regions such as the United States and Japan.
Bunraku is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a bunraku performance: the Ningyōtsukai or Ningyōzukai (puppeteers), the tayū (chanters), and shamisen musicians. Occasionally other instruments such as taiko drums will be used. The combination of chanting and shamisen playing is called jōruri and the Japanese word for puppet is ningyō. It is used in many plays.
Yakshagana is a traditional theatre, developed in Dakshina Kannada, Udupi, Uttara Kannada, Shimoga and western parts of Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Kerala that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form. It is believed to have evolved from pre-classical music and theatre during the period of the Bhakti movement. It is sometimes simply called "Aata" or āṭa. This theatre style is mainly found in coastal regions of Karnataka in various forms. Towards the south from Dakshina Kannada to Kasaragod of Tulu Nadu region, the form of Yakshagana is called Thenku thittu and towards the north from Udupi up to Uttara Kannada it is called Badaga thittu. Both of these forms are equally played all over the region. Yakshagana is traditionally presented from dusk to dawn. Its stories are drawn from Ramayana, Mahabharata, Bhagavata and other epics from both Hindu and Jain and other ancient Indic traditions.
Festál is a free series of annual ethnically-related festivals that take place on the grounds of Seattle Center in Seattle, Washington. A major cultural program of Seattle, these festivals aim to celebrate and connect the city to its varied ethnic and international community. Most festivals contain various arts performances, dances, marketplace and other programs. These have also come to be the annual gathering place for ethnic groups of the community. Both older and younger people attend, especially the dances and musical concerts.
Kodō (鼓童) is a professional taiko drumming troupe. Based on Sado Island, Japan, they have had a role in popularizing taiko drumming, both in Japan and abroad. They regularly tour Japan, Europe, and the United States. In Japanese the word "Kodō" conveys two meanings: "heartbeat" the primal source of all rhythm and, read in a different way, the word can mean "children of the drum".
Ondekoza (鬼太鼓座), sometimes referred to as "Za Ondekoza", is a Japanese troupe specializing in taiko drumming.
Austin Dafora Horton, also known as Asadata Dafora, was a Sierra Leonean multidisciplinary musician. He was one of the first Africans to introduce African drumming music to the United States, beginning in the early 1930s. His artistic endeavours spanned multiple disciplines, but he is best remembered for his work in dance and music.
Sankai Juku (山海塾) is an internationally known butoh dance troupe. Co-founded by Amagatsu Ushio in 1975, they are touring worldwide, performing and teaching. As of 2010, Sankai Juku had performed in 43 countries and visited more than 700 cities.
Karnataka has a variety of traditional arts, including folk dance and puppetry.
The Formosa Aboriginal Song and Dance Troupe is an ensemble that performs Taiwanese folk music. The group consists of younger musicians and performers who learn dances and music from elder experts and ethnologists. The group has toured internationally in North America, Europe, and Asia.
Drumstruck, billed as the world's first interactive drum theater experience, is an interactive play created by South African entrepreneur Warren Lieberman and Kathy-Jo Ross. The play is based on the corporate team building performance group Drum Cafe which brought companies together through playing the djembe. Drumstruck originated in South Africa, and toured China and Australia before coming to New York City in 2005.
Lucent Dossier Experience is a Los Angeles cirque style interactive, avant-garde circus, electronic rock band, performance troupe and entertainment company performing worldwide. The company's performances combine live original music and vocals with circus arts, dance, aerial arts and fire performance.
Masako Ono is a Japanese Odissi dancer. She has lived in India since 1996.
Din Tao: Leader of the Parade is a 2012 Taiwanese drama film starring Alan Ko, Alien Huang, Crystal Lin, Chen Po-cheng, Samantha Ko, and Liao Jun. It is directed by Feng Kai, and produced by the Taiwan branch of 20th Century Fox.
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