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The sitar is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India and flourished in the 16th and 17th centuries and arrived at its present form in 18th-century India.
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.
The nādasvaram, nāgasvaram, nātacuvaram, nāyanam, nāgasvara, or variously spelled as nadaswaram, nadhaswaram, nagaswaram, nataswaram and nathaswaram, is a double reed wind instrument from South India. It is used as a traditional classical instrument in Tamilnadu, Andhra Pradesh, Karnataka, and Kerala.
The shehnai is a musical instrument, originating from the Indian subcontinent. It is made out of wood, with a double reed at one end and a metal or wooden flared bell at the other end. Its sound is thought to create and maintain a sense of auspiciousness and sanctity and as a result, is widely used during marriages, processions and in temples although it is also played in concerts. It was a part of the Naubat or traditional ensemble of nine instruments found in the royal court. The shehnai is similar to South India's nadaswaram.
Pather Panchali is a 1955 Indian Bengali-language epic drama film written and directed by Satyajit Ray and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name, and marked Ray's directorial debut. Featuring Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, Chunibala Devi and being the first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amidst the harsh village life of their poor family.
Sharmila Tagore, also known as Begum Ayesha Sultana Khan, is a retired Indian actress. Primarily known for her work in Hindi and Bengali cinema, Tagore is the recipient of two National Film Awards, a Filmfare Award, and the Filmfare Lifetime Achievement Award for her contributions to Hindi cinema. In 2013, the Government of India, honoured her with Padma Bhushan, India's third highest civilian honour for her contributions to the Indian culture through performing arts.
Ritwik Kumar Ghatak was a noted Indian film director, screenwriter, and playwright. Along with prominent contemporary Bengali filmmakers Satyajit Ray, Tapan Sinha and Mrinal Sen, his cinema is primarily remembered for its meticulous depiction of social reality, partition and feminism. He won the National Film Award's Rajat Kamal Award for Best Story in 1974 for his Jukti Takko Aar Gappo and Best Director's Award from Bangladesh Cine Journalist's Association for Titash Ekti Nadir Naam. The Government of India honoured him with the Padma Shri for Arts in 1970.
Wonderwall Music is the debut solo album by English musician George Harrison and the soundtrack to the 1968 film Wonderwall, directed by Joe Massot. Released in November 1968, it was the first solo album by a member of the Beatles, and the first album issued on the band's Apple record label. The songs are all instrumental pieces, except for occasional non-English language vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai and santoor. The Indian pieces are contrasted by Western musical selections, in the psychedelic rock, experimental, country and ragtime styles.
Bismillah Khan, often referred to by the title Ustad, was an Indian musician credited with popularizing the shehnai, a reeded woodwind instrument. While the shehnai had long held importance as a folk instrument played primarily schooled in traditional ceremonies, Khan is credited with elevating its status and bringing it to the concert stage.
Apur Sansar, also known as The World of Apu, is a 1959 Indian Bengali-language epic drama film written and directed by Satyajit Ray. It is the third part of The Apu Trilogy, about the childhood and early adulthood of a young Bengali named Apu in the early twentieth century Indian subcontinent. The film is based on the last half of the Bengali novel, Aparajito, by Bibhutibhushan Bandopadhyay.
Charulata is a 1964 Indian drama film written and directed by Satyajit Ray. Based upon the novel Nastanirh by Rabindranath Tagore, it stars Soumitra Chatterjee, Madhabi Mukherjee and Sailen Mukherjee. The film is considered one of the finest works of Ray.
"The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of a poem from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire.
The works of Rabindranath Tagore consist of poems, novels, short stories, dramas, paintings, drawings, and music that Bengali poet and Brahmo philosopher Rabindranath Tagore created over his lifetime.
Rabindranath Tagore is a 1961 Indian documentary film written and directed by Satyajit Ray about the life and works of noted Bengali author Rabindranath Tagore. Ray started working on the documentary in early 1958. Shot in black-and-white, the finished film was released during the birth centenary year of Rabindranath Tagore, who was born on 7 May 1861. Ray avoided the controversial aspects of Tagore's life in order to make it as an official portrait of the poet. Though Tagore was known as a poet, Ray did not use any of Tagore's poetry as he was not happy with the English translation and believed that "it would not make the right impression if recited" and people would not consider Tagore "a very great poet," based on those translations. Satyajit Ray has been reported to have said about the documentary Rabindranath Tagore in his biography Satyajit Ray: The Inner Eye by W. Andrew Robinson that, "Ten or twelve minutes of it are among the most moving and powerful things that I have produced."
The Inner Eye is a 1972 short documentary film made by Satyajit Ray on Benode Behari Mukherjee, a blind artist and a teacher from Visva-Bharati University, a university founded by Rabindranath Tagore at Santiniketan. The twenty minutes documentary features the life and works of Mukherjee in the form of paintings and photographs, starring himself. The documentary covers his journey from childhood till his blindness along with much of his works and features his words, "Blindness is a new feeling, a new experience, a new state of being". The documentary was awarded as Best Information Film (Documentary) at 20th National Film Awards in 1972.
Bala is a 1976 documentary film made by Satyajit Ray, about a Bharatanatyam dancer, Balasaraswati, fondly known as "Bala". The film was jointly produced by National Centre for the Performing Arts and Government of Tamil Nadu. The thirty-three-minute documentary features the life and some of the works by Balasaraswati in the form of narration and dance, starring herself. At the age of fourteen, Ray had seen a performance of Balasaraswati in Kolkata, then known as "Calcutta", in 1935, when she was seventeen years old.
Rabindranath Tagore was a Indian polymath - poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali, he became in 1913 the first non-European to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He is sometimes referred to as "the Bard of Bengal". He was a fellow of the Royal Asiatic Society.
Parallel cinema, or New Indian Cinema, was a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema.
Satyajit Ray was an Indian filmmaker, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and music composer. Ray is widely considered one of the greatest filmmakers of all time. He is celebrated for works such as The Apu Trilogy (1955–1959), The Music Room (1958), The Big City (1963) and Charulata (1964). Ray was born in Calcutta to renowned writer Sukumar Ray who was prominent in the field of arts and literature. Starting his career as a commercial artist, he was drawn into independent filmmaking after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist film Bicycle Thieves (1948) during a visit to London.
The cinema of West Bengal, also known as Tollywood, refers to the Indian Bengali language film industry based in the Tollygunge region of Kolkata, West Bengal, India. The origins of the nickname Toollywood, a portmanteau of the words Tollygunge and Hollywood, dates back to 1932. It was a historically important film industry, at one time the centre of Indian film production. The Bengali film industry is known for producing many of Indian cinema's most critically acclaimed global Parallel Cinema and art films, with several of its filmmakers gaining prominence at the Indian National Film Awards as well as international acclaim.
References
- 1 2 Ray, Satyajit (1996). My Years with Apu. Penguin Books India. pp. 77–78. ISBN 978-0-14-024780-0.
- 1 2 David Courtney. "Tar Shehnai". chandrakantha.com. Retrieved 21 April 2014.
- 1 2 "Tar Shehnai". Krsna Kirtana Songs. Retrieved 21 April 2014.
- ↑ "The Tar Shehnai". Milapfest. Retrieved 21 April 2014.
- ↑ Robinson, Andrew (1989). Satyajit Ray: The Inner Eye . University of California Press. pp. 85, 88, 96. ISBN 978-0-520-06946-6.
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