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Tarik Sadouma | |
|---|---|
| Born | 1979 (age 45–46) Amsterdam, Netherlands |
| Nationality | Dutch, Egyptian |
| Occupation(s) | Artist, curator |
| Known for | KIRAC, co-founder of The Unsafe House |
Tarik Sadouma (born 1979 Amstersam) [1] is a Dutch-Egyptian conceptual artist, curator, and performer. He is a co-founder of the Amsterdam-based art collective The Unsafe House and a former member of the controversial art group Keeping It Real Art Critics (KIRAC). His work explores cultural identity, mythology, religion, power, and ritual through multimedia installations and performance.
Sadouma was born in Amsterdam and spent part of his youth in Egypt. [2] He studied at the Gerrit Rietveld Academy in Amsterdam, graduating with honors (cum laude). [3]
Sadouma was a key contributor to the Amsterdam-based video art collective *Keeping It Real Art Critics* (KIRAC). He appeared in films, paintings, and performance works, and helped shape its visual language. His artworks, such as Carnaball, Police Slate, and Soscrackn’alien, were featured in the collective's curated online gallery. [4]
He left KIRAC in 2021 following disagreements over a film involving French writer Michel Houellebecq. [5]
In 2006, Sadouma and Bastiaan Franken, working under the name TABA 79, staged the installation Albert Heijn wordt Allah ("Albert Heijn becomes Allah"). [6] The project temporarily converted a vacant Dutch supermarket into a mosque during Ramadan. The iconic AH logo was altered to resemble the Arabic script for "Allah". Critics and commentators debated whether the project was sincere, provocative, or both. *Tubelight* framed it as a commentary on commercial space, faith, and artistic provocation. [6]
A report in *de Volkskrant* quoted Sadouma describing the work as a "social experiment in branding, faith and surveillance." [7]
Sadouma's installation NikeTown 2, presented by Platform21, reimagined a sneaker transforming into a cityscape and back again, commenting on urban capitalism and brand architecture. [2]
Another noted work is Donkey Table Cairo 2007, a mixed-media sculpture made of wood, lacquer, donkey skin, and lace. [4]
In 2021, Sadouma co-founded The Unsafe House, a multidisciplinary collective based in Amsterdam. He is referred to within the group as its “spiritual leader”. [8] His artistic direction shapes the collective's work, which blends fairy-tale motifs, mythology, and political aesthetics.
In a 2025 interview in FeltenINK, Sadouma discussed his upbringing, personal philosophy, and the goals of The Unsafe House. [9]
Sadouma has appeared in The Unsafe Podcast, discussing topics ranging from personal history to political aesthetics. [10] A controversial 2023 interview on the Dutch site GeenStijl addressed his religious critiques, his relationship to Islam, and the symbolism of the AH/Allah project. [11]
Sadouma's work has been described as provocative and transgressive. Spike Art Magazine labeled him a “puckish painter” in the context of the 2026 Venice Biennale proposal with Curtis Yarvin and The Unsafe House. [12]
His involvement in politically charged art projects has also been noted in ARTnews and Artnet, which discussed his role in the rise of "dark enlightenment" aesthetics and right-wing counter-narratives in contemporary art. [13]
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