| Teenage Shutdown! "Move It!" | ||||
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| Compilation album | ||||
| Released | October 10, 2000 | |||
| Genre | ||||
| Length | 44:59 | |||
| Label | Crypt | |||
| chronology | ||||
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Teenage Shutdown! "Move It!", sometimes referred to as "Volume 11," is the eleventhth installment in the Teenage Shutdown! series of garage rock compilations put out by Tim Warren of Crypt Records, which is available on both LP and compact disc formats. [1] [2] [3] [4] This volume was released on October 10, 2000 and consists of primarily raucous up-tempo numbers and frat rock as indicated by the subheadings which read "Frantic Frat-Stomp Fracas" and "Revved-up & Rowdy Rockers." [1] Like all of the entries in the series, the collection was compiled and mastered by Warren, using original 45 rpm records selected from the collection of noted garage rock archivist, Mike Markesich (colloquially known as "Mop Top Mike"). [1]
Teenage Shutdown! is a series of garage rock compilation albums assembled by Tim Warren of Crypt Records, best known for his Back from the Grave series. Most of the volumes in the Teenage Shutdown! series, gravitate towards the more raw and aggressive examples of the genre, but some volumes also reflect different aspects of garage rock, such as frat rock, soul-influenced rock, as well as folk rock and psychedelic. The series currently consists of fifteen LP's and CD's, which unlike the Back from the Grave series, are identical in both formats. The first ten installments were released in 1998 and the remainder in 1999 and 2000. The first volume Jump, Jive and Harmonize, was culled from the collection of 45-rpm singles owned by Mike Markesich. The series tends to follow the packaging format employed by other garage compilation series such as Pebbles and Back from the Grave: each volume includes detailed liner notes, for this series written by Mike Markesich, which include basic information about each song and group, such as origin and recording date. The information that they present reflects thorough research, including information about the circumstances of the recordings and brief biographical sketches of the groups. The various albums in the series occasionally include photographs of groups not actually included on the track listings, sometimes even going as far as to have such bands pictured on the front sleeves. Currently, there are fifteen volumes in the series.
Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced various revivals since then. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
Crypt Records is an independent record label founded by American-born Tim Warren in 1983. The label has been headquartered variously in Hamburg, Germany and in several locations in the United States. Crypt is perhaps best known for issuing the ten-volume Back From The Grave Series of 1960s garage punk compilations, although its other reissues and releases include surf, rockabilly, punk rock, exotica, garage punk, original rhythm and blues, and soul music.
Contents
The set begins with Peck's Bad Boys from New York City who sing "Crazy World," offering up a spirited tonic for life's unavoidable problems. [1] The set features several raucous cover versions of other artists' songs. [1] The Deadlys from Columbus, Ohio do a rendition of Bob Dylan's "On the Road Again" and the Retreds from Acton, Massachusetts try their hand at Chuck Berry's oft-covered "Johnny B. Goode," while the Buccaneers perform Jesse Hill's R&B classic "Oop Poo Pah Doo," which includes a passage lifted from the Isley Brothers' "Nobody but You." [1] The compilation also includes originally-written songs. [1] "One More Time," is performed by the Reason Why, from Ocala, Florida. [1] The last two songs, "Let's Go in '69" by the Customs Five and "Lollipop" by the Royal Coachmen, are each performed by bands of unknown origin and both feature titles which jokingly toy with hinted-at forms of forbidden self-gratification. [1]
The City of New York, usually called either New York City (NYC) or simply New York (NY), is the most populous city in the United States and thus also in the state of New York. With an estimated 2017 population of 8,622,698 distributed over a land area of about 302.6 square miles (784 km2), New York is also the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, the largest metropolitan area in the world by urban landmass and one of the world's most populous megacities, with an estimated 20,320,876 people in its 2017 Metropolitan Statistical Area and 23,876,155 residents in its Combined Statistical Area. A global power city, New York City has been described as the cultural, financial, and media capital of the world, and exerts a significant impact upon commerce, entertainment, research, technology, education, politics, tourism, art, fashion, and sports. The city's fast pace has inspired the term New York minute. Home to the headquarters of the United Nations, New York is an important center for international diplomacy.
Columbus is the state capital of and the most populous city in the U.S. state of Ohio. With a population of 879,170 as of 2017 estimates, it is the 14th-most populous city in the United States and one of the fastest growing large cities in the nation. This makes Columbus the third-most populous state capital in the US and the second-most populous city in the Midwest. It is the core city of the Columbus, OH Metropolitan Statistical Area, which encompasses ten counties. With a population of 2,078,725, it is Ohio's second-largest metropolitan area.
Bob Dylan is an American singer-songwriter, author, and visual artist who has been a major figure in popular culture for six decades. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the Civil Rights Movement and anti-war movement. His lyrics incorporated a wide range of political, social, philosophical, and literary influences, defied existing conventions of popular music, and appealed to the burgeoning counterculture, such as on the six-minute single "Like a Rolling Stone" (1965).
