Cory Arcangel is an American post-conceptual artist who makes work in many different media, including drawing, music, video, performance art, and video game modifications, for which he is best known.
Artforum is an international monthly magazine specializing in contemporary art. The magazine is distinguished from other magazines by its unique 10½ × 10½ inch square format, with each cover often devoted to the work of an artist. Notably, the Artforum logo is a bold and condensed iteration of the Akzidenz-Grotesk font, a feat for an American publication to have considering how challenging it was to obtain fonts favored by the Swiss school via local European foundries in the 1960s. Artforum is published by Artforum Media, LLC, a subsidiary of Penske Media Corporation.
Georgina Starr is an English artist and one of the Young British Artists. She is best known for her video, sound, performance and installation works. Starr's work has been described in Artforum magazine as exploring "the imaginative self’s ability to make something magically complex, layered and densely referential out of virtually nothing but its own 'stuff'”
Amy Sillman is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation. Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice. Profiles in The New York Times, ARTnews, Frieze, and Interview, characterize Sillman as championing "the relevance of painting" and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures." Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."
Carol Bove is an American artist based in New York City. She lives and works in Brooklyn.
L. Franklin Gilliam is an American filmmaker and media artist. Her work explores issues of race, gender, and sexual orientation. Gilliam was the director of projects and community catalyst at gamelab's Institute of Play and a visiting faculty member at the Vermont College of Fine Arts. They are currently vice president of strategy and innovation at Girls Who Code.
Aaron Flint Jamison is an American conceptual artist and associate professor in the University of Washington School of Art + Art History + Design. He works with various media including sculpture, publication, video, and performance.
Dona Nelson is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership. A 2014 New Yorker review observed, "Nelson gives notice that she will do anything, short of burning down her house to bully painting into freshly spluttering eloquence." Since 2002, long before it became a more common practice, Nelson has produced free-standing, double-sided paintings that create a more complex, conscious viewing experience. According to New York Times critic Roberta Smith, Nelson has dodged the burden of a "superficially consistent style," sustained by "an adventuresome emphasis on materials" and an athletic approach to process that builds on the work of Jackson Pollock. Writers in Art in America and Artforum credit her experimentation with influencing a younger generation of painters exploring unconventional techniques with renewed interest. Discussing one of Nelson's visceral, process-driven works, curator Klaus Kertess wrote, the paint-soaked "muslin is at once the tool, the medium, and the made."
Surveillance capitalism is a concept in political economics which denotes the widespread collection and commodification of personal data by corporations. This phenomenon is distinct from government surveillance, though the two can reinforce each other. The concept of surveillance capitalism, as described by Shoshana Zuboff, is driven by a profit-making incentive, and arose as advertising companies, led by Google's AdWords, saw the possibilities of using personal data to target consumers more precisely.
Laura Larson is an American photographer.
Aria Dean is an American artist, critic, and curator. Until 2021, Dean served as Curator and Editor of Rhizome. Her writings have appeared in various art publications including Artforum, e-flux, The New Inquiry, Art in America, and Topical Cream. Dean has exhibited internationally at venues such as Foxy Production and American Medium in New York, Chateau Shatto in Los Angeles, and Arcadia Missa in London. Dean also co-directs As It Stands LA, an artists project space that opened in 2015. Dean lives and works in New York City and Los Angeles. She is represented by Greene Naftali.
Henriette Huldisch is a German-born American curator of contemporary art. She is currently the Chief Curator and Director of Curatorial Affairs at the Walker Art Center in Minneapolis, Minnesota. Prior to that, she was the Director of Exhibitions at the MIT List Visual Arts Center in Boston, Massachusetts.
Gina Beavers is an American artist based in the New York area. She first gained attention in the early 2010s for thickly painted, relief-like acrylic images of food, cosmetics techniques and bodybuilders appropriated from Instagram snapshots and selfies found using hashtags such as #foodporn, #sixpack and #makeuptutorial. Her later work has continued to recombine these recurrent subjects, as well as explore memes, irreverent conflations of genres or art history and kitsch, identity, fandom and celebrity-worship. In 2019, New York Times critic Martha Schwendener described her paintings as "canny statements on contemporary bodies, beauty and culture … [that] tackle the weirdness of immaterial images floating through the ether, building them up into something monumental, rather than dismissing them."
Adrienne Edwards is a New York-based art curator, scholar, and writer. Edwards is currently the Engell Speyer Family Curator and Director of Curatorial Affairs at the Whitney Museum of American Art.
Sam Lavigne is an artist and educator based in New York. His work deals with technology, data, surveillance, natural language processing, and automation.
Legacy Russell is an American curator, writer, and author of Glitch Feminism: A Manifesto, published by Verso Books in 2020. In 2021, the performance and experimental art institution The Kitchen announced Russell as the organization's next executive director and chief curator. From 2018 to 2021, she was the associate curator of exhibitions at the Studio Museum in Harlem.
Shalom Gorewitz is an American visual artist. Gorewitz was among the first generation of artists who used early video technology as an expressive medium. Since the late 1960s, he has created videos that "transform recorded reality through an expressionistic manipulation of images and sound". His artworks often "confront the political conflicts, personal losses, and spiritual rituals of contemporary life". Gorewitz has also made documentary videos.
Barbara Strasen is an American artist who works with painting, photography, digital technologies and installations. She is known for her use of layers and layering techniques. She has exhibited widely in galleries and museums, nationally and internationally. In 2015 she had a major retrospective at the Long Beach Museum of Art.
Ian Cooper is an American visual artist film producer, and academic, best known for his collaborations with Jordan Peele; he currently serves as creative director of Peele's Monkeypaw Productions.
Malik Gaines is an artist, writer, and professor who is one of three members of the artist collective My Barbarian. The group formed in 2000 and includes Jade Gordon and Alexandro Segade as they perform musical/theatrical and critical techniques to act out social difficulties. They have exhibited internationally, including at the Whitney Museum, New York in 2021. Gaines's practice includes events and exhibitions, music composition, video work, scholarly research and collaboration. He is the author of the book Black Performance on the Outskirts of the Left: A History of the Impossible and is the co-artistic director of The Industry opera company in Los Angeles.
