Ten Nights in a Bar Room | |
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Produced by | Thanhouser Company |
Distributed by | Motion Picture Distributing and Sales Company |
Release date |
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Country | United States |
Languages | Silent film English inter-titles |
Ten Nights in a Bar Room is a 1910 American silent short drama produced by the Thanhouser Company. Adapted from the novel Ten Nights in a Bar-Room and What I Saw There by Timothy Shay Arthur, the production focuses on Joe Morgan after he has become a hopeless drunkard. Often Morgan's young daughter, Mary, comes to beg her father to return home. One day, she appears during a fight between the two men and is fatally struck by a bottle thrown by the saloon-keeper. Before Mary dies she asks her father to promise to swear off alcohol and he accepts. He is reformed and becomes successful, while the saloon-keeper is killed in a fight in an irony of fate. The film was released on November 4, 1910 and met with mixed reviews. The film is presumed lost. [1]
The work was an adaptation of Timothy Shay Arthur's novel Ten Nights in a Bar-Room and What I Saw There . The Moving Picture World synopsis states: "Despite the fact that he is a loving husband and father, Joe Morgan ruins his life by his fondness for drink and finally becomes a seemingly hopeless drunkard. He spends his time and money in the saloon kept by Slade, the man who took away Joe's mill and largely caused his financial ruin. Slade's saloon, when he first opened it, was well furnished, the landlord courteous and well groomed, and the customers happy and seemingly unaffected by their surroundings. But as time passed, a change for the worse was noted in everything. Probably this escaped Joe's notice, for a sharp shot, indeed, was needed to reform him. That shock came. Joe's only daughter, Mary, was in the habit of going to the saloon and piteously urging her father to come home. She knew that no matter how intoxicated he might be, he would never harm her. But one evening when she appeared her father and Slade had been quarreling, and the saloonkeeper threw a bottle at Morgan, who dodged. The missile struck the child, entering. The blow resulted fatally, but before Mary died, she extracted a promise from her grief-stricken father that he would never drink again, a promise which he ever-afterward kept. In later years Joe became wealthy and respected, and influenced by the thought of his daughter in heaven he kept in the straight and narrow path. The saloon keeper who killed Mary was never punished by the law - but through the irony of fate his taking off was much like that of Joe Morgan's helpless child." [2]
The production was based on Ten Nights in a Bar-Room and What I Saw There by Timothy Shay Arthur. The plot focused on the dangers of alcoholism and the downfall of those taken in by its effects. In the 1850s, sales of the novel were second only to Harriet Beecher Stowe's Uncle Tom's Cabin . [2] The production was adapted for the stage in 1858 and while it did not perform well on Broadway, it proved to be a lasting success. Dozens of productions would cross the United States for the next sixty years and the play proved to be a major influence on the Temperance movement, resulting in the passage of temperance laws. [3] It is likely that the writer of the scenario was Lloyd Lonergan. [4] The film director is unknown, but it may have been Barry O'Neil or Lucius J. Henderson. Cameramen employed by the company during this era included Blair Smith, Carl Louis Gregory, and Alfred H. Moses, Jr. though none are specifically credited. [5] The role of the cameraman was uncredited in 1910 productions. [6] Only the roles of Frank H. Crane and Marie Eline are known. [2] The other cast credits are unknown, but many 1910 Thanhouser productions are fragmentary. [5] In late 1910, the Thanhouser company released a list of the important personalities in their films. The list includes G.W. Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters. [5]
The single reel drama, approximately 1,000 feet long, was released on November 4, 1910. [2] The film was released outside of the planned order due to a scheduling conflict. Originally The American and the Queen was planned to be released on this date, but it was instead pushed back to November 11. [2] The film received mixed reviews from critics, H. Jeanval of The Moving Picture News stated that the costuming and lace curtains on the windows of the home betrayed the supposed poverty of the Morgan family. [2] Walton, also of The Moving Picture News, stated, "This title would be completely misunderstood by the majority of moving picture show attendants. Some sporadic 'reformer' who does not know the original and who has never seen the film will fill 'space' on the iniquity of moving pictures founded on this title. If he did see the film it has not the necessary power to grapple with the terrible reality of a too common incident in daily life." [2] The New York Dramatic Mirror was more picky in its wording and praise, stating: "It was to be supposed that some company would finally present this familiar drama in pictorial form, and a reviewer must feel glad that it is over, for the film doesn't materially exalt the level of film output." The review found the acting to be good, but found fault in the shadows of the actors fell towards a lamp instead of away from it. [2] The New York Dramatic Mirror was not a neutral party for reviews and took a shot at the Thanhouser Company by running an article that stated: "The Selig Company announces the production of Ten Nights in a Bar Room will not be confined to one reel, but will be given all the film that it requires for proper production. This departure from the restrictive limit of 1,000 feet gives promise that the drama will have adequate treatment." [2] Bowers states that the paper "was acting the role of a spoiler, for the Selig version was not released until a half year later, in June 1911, and, except for spite, there was no reason to mention it now." [2]
Thomas S. Hischak, author of American Literature on Stage and Screen: 525 Works and Their Adaptations, claims that the Thanhouser production is the earliest known film adaptation of the novel. [3] This is an error because Lubin would produce an adaptation, 700 feet in length, by October 1903. [7]
The Thanhouser Company was one of the first motion picture studios, founded in 1909 by Edwin Thanhouser, his wife Gertrude and his brother-in-law Lloyd Lonergan. It operated in New York City until 1920, producing over a thousand films.
Ten Nights in a Bar-Room is a 1931 American Pre-Code film directed by William A. O'Connor. The film is a remake of a 1910 movie and follows the storyline in the 1854 novel, Ten Nights in a Bar-Room and What I Saw There by Timothy Shay Arthur.
Ten Nights in a Bar-room and What I Saw There is an 1854 novel written by American author Timothy Shay Arthur. The book is a temperance novel, written expressly to discourage readers from drinking alcohol. It was a commercial and popular success upon its release and was later adapted into other media.
Jane Eyre is a 1910 American silent short classic drama produced by the Thanhouser Film Corporation. Adapted from Charlotte Brontë's 1847 novel, Jane Eyre, the film mirrors the events and plot of the original book. The writer of the scenario is unknown, but Lloyd Lonergan probably adapted the work. The film's director is often and erroneously claimed to be Theodore Marston, but Barry O'Neil or Lloyd B. Carleton are possible candidates. The cast of the film was credited, an act rare and unusual in the era.
The Two Roses is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on the young Tony Prolo who goes to deliver lunch to his father of the same name. After arriving and giving him his lunch, the young Tony is hit by a passing vehicle and the father rushes his son home. Mr. Sears, whose car hit the child, receives a demand for $10,000 by the "Black Hand". The Sears go to the police and set a trap for the Black Hand, but end up wrongly arresting the child's father. Tony convinces the police to investigate further and the confusion is cleared up when the real culprit is caught. Mr. Sears compensates the family by purchasing them a house in the countryside. The film features Marie Eline, cast in the role of an Italian boy, along with the leading players Frank H. Crane and Anna Rosemond as the parents. The film was released on June 7, 1910. The film survives with new inter-titles that were created to replace the lost materials.
The Little Hero of Holland is a 1910 American silent short drama produced by the Thanhouser Company. It is an adaptation of the short fictional story popularized in Hans Brinker, or The Silver Skates, about a boy who plugs a leaking dike with his finger to prevent it from bursting. The role of the boy was played by Marie Eline, but little else is known about the production and cast of the film. The director may have been Barry O'Neil and the writer may have been Lloyd Lonergan. Parts of the film were shot on Glen Park Island in New Rochelle, New York. The film was released on June 17, 1910 and saw a wide release, including the United Kingdom. The film is presumed lost.
Uncle Tom's Cabin is a 1910 American silent short drama produced by the Thanhouser Company. The film was adapted by from the 1852 novel Uncle Tom's Cabin by Harriet Beecher Stowe. The plot of the Thanhouser production streamlined the actual story to portray the film over the course of a single reel. The film was released on July 26, 1910, on the same day that Vitagraph released the first reel of their own three reel version of Uncle Tom's Cabin. This prompted the Thanhouser Company to advertise against the Vitagraph film by referring to the other as being overly drawn out. The film garnered mixed, but mostly positive reception in trade publications. The film is presumed lost.
Delightful Dolly is a 1910 American silent short comedy produced by the Thanhouser Company. The film follows Marie Allen, an orphan girl who lives with her grandfather, who sees a large doll in the window of the shop. At night, she sneaks out to visit the shop with the doll, but finds it gone. She sneaks into the shop and ends up hiding in the box, to prevent from being discovered by the store clerk. She is taken to the home of the rich little girl, Daisy. After taking the doll's clothes, Marie hides in the box as Daisy approaches. When Daisy opens the box, Marie acts like a doll. When Daisy takes a break for food, Marie secretly takes the food and drink much to Daisy's bewilderment. Marie's grandfather arrives at the home and explains the situation and Marie receives the doll from the family. Little is known about the production or cast of the film, but Marie Eline played the role of Marie. The film was released on October 14, 1910 and was met with some praise in trade publications. The film is presumed lost.
Their Child is a 1910 American silent short drama produced by the Thanhouser Company. The film begins with Ellen Stokes whose extravagant lifestyle is outside the means of the family. While their only son is hosting a birthday party, the husband informs Ellen that they are financially ruined because of her. Ellen attempts to get money from her uncle, who refuses, and a friend of the family soon comes to her aid with a loan. Ellen is deceptive in telling who provided the money and her jealous husband soon learns the truth. In anger, he takes the child and leaves. The child soon returns to Ellen and she whisks him away to a new home where she fails to obtain gainful employment. The son decides to sell newspapers for some money and in this job is recognized by his father, soon the family is reunited. Marie Eline played the role of "their child" and was likely so well disguised that the reviewer for The Nickelodeon believed her to be a boy. The film was released on October 21, 1910, and was met with positive reviews. The film is presumed lost.
The Little Fire Chief is a 1910 American silent short comedy produced by the Thanhouser Company. The film focuses on a young boy, Willie Stone, who follows a parade of firemen and attempts to join them as their leader. The firemen find it humorous and allow him to play with them. The fire alarm sounds and Willie attempts to join them, but is too slow. On their way back, Willie holds them up and his sister appears. A fireman named Jack, who has affections for the woman, convinces Willie to be relieved of his "command" by promising to call him later. Marie Eline played the role of Willie Stone, but the other two credits are claimed to have been William Garwood and Mignon Anderson. The rest of the cast and credits are unknown. The film was released on November 8, 1910 and does not appear to have had any reviews in the usual trade publications. The film was advertised nationally and was claimed to have been popular in Vancouver, British Columbia, Canada. The film is presumed lost.
Paul and Virginia is a 1910 American silent short drama produced by the Thanhouser Company. The film was adapted from Jacques-Henri Bernardin de Saint-Pierre' novel Paul et Virginie and features Frank H. Crane and Violet Heming as the title characters. The film follows two young lovers who grew up living on an island in the Indies. When Virginia is 16, her wealthy aunt in Paris offers to make Virginia her heir and educate her. With her mother's pleading, Virginia accepts and goes to France. Her aunt insists that she marry a rich nobleman, but Virginia refuses, is disowned and sent back home. The ship returns home in a hurricane and she drowns, with Paul nearly dying in a vain attempt to save her. Released on November 15, 1910, the film received mixed reviews in trade publications. The film was advertised with Pierre Auguste Cot's The Storm painting, said to have been inspired by the original novel. The title characters' costumes also appear to be based on Cot's painting. The film is presumed lost.
The City of Her Dreams is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Ella Brown, who is sent to live with her aunt who living in a boarding house when her father heads to Alaska to prospect for gold. Ella's life at her aunt's home is miserable and she dreams of going to New York City. She dreams that she is in the city and has all money to buy anything which she fancies. Then she receives word that her father has returned from Alaska with a fortune and wants to give her everything she wants. The cast and staff credits are unknown, but the film includes scenes of New York City. The film was released on November 18, 1910 and saw a wide national release. The film is presumed lost.
The Girls He Left Behind Him and The Iron Clad Lover are two 1910 American silent short comedies produced by the Thanhouser Company. Both films were originally released together on a single reel and are two distinct and separate subjects. The Girls He Left Behind Him focuses on a young man, Jack Redfern, who receives a letter from an old sweetheart of his. This prompts him to reminiscence about all the girls he has had affections for on the eve of his wedding. All the old sweethearts of his life then appear at his wedding to wish him well. The Iron Clad Lover concerns two suitors who are vying for the affections of Bessie. Tom, who plays a game of chess with her father, ends up quarreling with him and he is thrown out of the house. The next day, Tom attempts to bring flowers and candy for Bessie's birthday, but is dismissed by the angry father. Tom decides to dress up in a suit of armor and ends up breaking a vase when trying to announce himself. The suit of armor is thrown out and Bessie and the other suitor chase down the junk dealer to free Tom from the suit of armor. Both films were released on December 9, 1910, and were met with positive reviews by The Moving Picture World and the New York Dramatic Mirror. Both films are presumed lost.
Young Lord Stanley, possibly re-issued as His Only Son, is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Jack Stanley who is disinherited by this father, Lord Stanley, for refusing to marry his cousin. Jack heads to America and takes a job as a groom. He is dismissed from his position after his employer learns of Jack's affections for his daughter, Ann. Meanwhile, Lord Stanley decides to reinstate Jack in his will and then promptly dies, giving him his entire fortune. Jack reads of his father's death in the newspaper and learns of his father's will. The film concludes with the lawyer bringing Jack to a dinner party as "Lord Stanley". Ann's father wishes for her to earn his affections, but she is defiant and does not even look at him. Once she learns it his Jack, they kiss. The scenario was written by Lloyd Lonergan and the only known actor is Justus D. Barnes as Ann's father. A surviving print of the film exists in the Library of Congress and it shows the improvement of the Thanhouser interior sets over films from months prior. The film was released on October 25, 1910, and was met with mixed reviews.
The Wild Flower and the Rose is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on Frank Wilson, the son of an inventor who has constructed a new airplane model. After failing to secure financing, his father suggests that he marry Rose, the daughter of his wealthy employer, to get the money they need. Jack rejects this idea because he is engaged to another woman, but he soon learns she does not love him. He heads out West to seek a fortune and is quickly successful. He returns to the aviation field and meets Rose again, after a successful flight she confesses to loving him. The cast and staff credits are unknown, but the film may have included scenes from the 1910 International Aviation Meet at Belmont Park. One reviewer claimed that a Wright brothers flyer was also shown in full flight. The film was released on November 25, 1910, but is now presumed lost.
Value—Beyond Price is a 1910 American silent short drama produced by the Thanhouser Company. The film focuses on a family beset by tragedy when the father is presumed dead after his ship is lost at sea. The mother struggles to support her child and sells her possessions to a pawnbroker. When she has nothing left, save her wedding ring, the pawnbroker asks to take care of the child and the mother consents. The pawn broker gives her a pawn ticket for the girl stating "a precious jewel, a value beyond price" and tells her she can redeem it at any time. Before her death, she entrusts the ticket to a friend. Ten years pass, the shipwrecked father has discovered a great fortune on the island and is rescued by a passing steamship. The father soon realizes his wife is dead and his child is missing, but he receives the pawn ticket and decides to claim this jewel his wife had left for him. He redeems it at the pawn shop and finds it is his lost daughter. The film was released on November 29, 1910 and it was met with positive reviews. The film survives in the Library of Congress archives.
John Halifax, Gentleman is a 1910 American silent short drama produced by the Thanhouser Company. The film is the first film adaptation of Dinah Maria Mulock Craik's popular novel John Halifax, Gentleman and stars Martin Faust as John Halifax. The film focuses on John Halifax, an orphan who is taken in by a rich Quaker, Abel Fletcher. After a period of five years, John has becomes a foreman and he and Fletcher's invalid son, Phineas, have become good friends. Despite Fletcher's objections, John takes Phineas to the theatre. The trip is too much for Phineas and John carries him home, Fletcher becomes irate and drives John out of the house. Fletcher is soon confronts a mob of workers after closing the mill and throws the bags of grain into the river. John saves the life of Fletcher and his son and marries Ursula, the daughter of the richest man in town. The production credits are unknown, but the film was not directed by Theodore Marston. The film was released on December 2, 1910 and was met with mixed reviews. The film is presumed lost.
Rip Van Winkle is a 1910 American silent short drama produced by the Thanhouser Company. The film is an adaptation of Washington Irving's 1819 short story "Rip Van Winkle" with some differences in the plot. The film focuses on the title character whose idle life is made difficult by his cantankerous wife. Winkle heads into the mountains and encounters spirits of Henry Hudson's men. Upon partaking of their alcohol, Winkle falls into a slumber for twenty years. He returns home and has difficulty proving his identity and must save his property from an unlawful accusation by his rival. After he proves his identity, he is reunited with his family. The title character was played by Frank H. Crane, but the production credits are largely unknown. The film was released on December 6, 1910, and met with positive reviews. The film is presumed lost.
The Childhood Of Jack Harkaway is a 1910 American silent short drama produced by the Thanhouser Company. Adapted from Bracebridge Hemyng's Jack Harkaway story series by Lloyd Lonergan, the film depicts the life of the title character. Given to the care of strangers after his birth, Jack grows up and is sent to a school at age 12. After being severely and unjustly punished by the schoolmaster, Jack runs away and comes across two thieves plotting a robbery. Jack hurries to the house and warns the mistress of the planned robbery. The robbery is foiled and the lady of the house is very grateful, but Jack's schoolmaster and his guardian arrive to take him back. She recognizes the guardian as the man who forced her to turn over Jack and turns them out of the house. The film's cast and production credits are unknown. The film was released on December 23, 1910, it was met with favorable reviews and saw a wide national release. In 1988, a severely deteriorated nitrate print of the film was known to exist and it was likely transferred to the Library of Congress archives in 1997.
Ten Nights in a Bar Room is a 1921 melodrama film directed by Oscar Apfel. The film is based on the novel of the same name by Timothy Shay Arthur.
Ten Nights in a Bar-Room 1901 film.