The Abductors | |
---|---|
Directed by | Don Schain |
Written by | Don Schain |
Starring | Cheri Caffaro |
Production company | Derio |
Release date |
|
Running time | 90 mins |
Country | USA |
Language | English |
Box office | $2.1 million [1] |
The Abductors is a 1972 American sexploitation film directed by Don Schain [2] and starring Cheri Caffaro.
The second instalment in the "Ginger" trilogy, it is a sequel to Ginger, [3] and is sometimes referred to as Ginger 2. [4]
Ginger goes undercover to investigate a white slave ring.
The film made $2.1 million in the US and Canada. [1]
In a review for The New York Times , Vincent Canby wrote, "The movie, which could have been very funny, isn't, principally because the demands it makes upon our imaginations are too great. All of the women are idiots. The men look like the sort of people who pose in $42 suits in Sears Roebuck catalogues, and the main set, which is described in my synopsis as a baronial country estate, resembles a suburban garage without A/C. The only reason I bother to take note of it is that it opened yesterday at the DeMille Theater, which occasionally plays real movies." [5] According to Variety , the film "is a clumsy sexploitation" melodrama that "falls in a no-man’s-land of commerciality: too tame for hardcore situations, too raunchy for all others, except the occasional switch-hitter house. Film is accidentally funny to the point of professional embarrassment." [6] The Baltimore Sun also gave the film a negative review, quipping, "The Abductors is a sequel to Ginger, which prior to its release, was soporific champion of the year." [7]
Sight and Sound 's review said the film "boasts better production values and props (like a helicopter) [than Ginger,] while repeating the original's formula of grossly manhandled nudes, bondage/rape fantasies and cheap pseudo-Bondian accessories (gas-station road maps handled like top-secret documents; 'radar losenges' for tracking a planted abductee). But ... when the film indulges its star with yet another lengthy dance sequence (this time with a lamely swung maraca), one wonders how such an uninspiring woman could be the centre of her own world, much less everyone else's." [8] A review in Video Movie Guide described the film as follows: "The sequel to Ginger is even nastier as the blonde spy battles a white-slave ring". [9] Other reviews were also very mixed. [10] [11] The website Pulp International judged that "it's bad but interesting; it's surprisingly equal opportunity with its nudity; and it showcases a uniquely brave actress in Caffaro". [12] Reviewing the film's DVD release in 2003, the Winnipeg Free Press called the main character an "oft-naked sex sleuth". [13]
Robert Anthony Rodriguez is an American filmmaker, composer, and visual effects supervisor. He shoots, edits, produces, and scores many of his films in Mexico and in his home state of Texas. Rodriguez directed the 1992 action film El Mariachi, which was a commercial success after grossing $2.6 million against a budget of $7,000. The film spawned two sequels known collectively as the Mexico Trilogy: Desperado (1995) and Once Upon a Time in Mexico (2003).
Shogun Assassin is a 1980 jidaigeki film directed by Robert Houston. It was edited and compiled from the first two films in the Lone Wolf and Cub series, using 12 minutes of the first film, Lone Wolf and Cub: Sword of Vengeance, and most of Lone Wolf and Cub: Baby Cart at the River Styx, both released in 1972 and based on the long-running 1970s manga series Lone Wolf and Cub created by the writer Kazuo Koike and the artist Goseki Kojima.
A sexploitation film is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s.
Grindhouse is a 2007 American double feature films/trailers/mock commercials compilation package written and directed by Robert Rodriguez and Quentin Tarantino presenting back-to-back Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. The former stars Rose McGowan, Freddy Rodriguez, Michael Biehn, Jeff Fahey, Josh Brolin, and Marley Shelton; the latter stars Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell. Grindhouse pays homage to exploitation films of the 1970s, with its title deriving from the now-defunct theaters that would show such films. As part of its theatrical presentation, Grindhouse also features fictitious exploitation trailers directed by Rodriguez, Rob Zombie, Edgar Wright, Eli Roth, and Jason Eisener.
The Last Remake of Beau Geste is a 1977 British historical comedy film directed, co-written and starring Marty Feldman. It is a satire loosely based on the 1924 novel Beau Geste, a frequently-filmed story of brothers and their adventures in the French Foreign Legion. The humor is based heavily upon wordplay and absurdity. Feldman plays Digby Geste, the awkward and clumsy "identical twin" brother of Michael York's Beau, the dignified, aristocratic swashbuckler.
The Return of Swamp Thing is a 1989 American superhero film based on the DC Comics' character of the same name. Directed by Jim Wynorski, it is a sequel to the 1982 film Swamp Thing, having a lighter tone than its predecessor. The film has a main title montage consisting of comic book covers set to Creedence Clearwater Revival's "Born on the Bayou", and features Dick Durock and Louis Jourdan reprising their roles as Swamp Thing and Anton Arcane respectively, along with Sarah Douglas and Heather Locklear.
Darby Lloyd Rains is a former adult film performer who was prolific during the 1970s. She is a member of the XRCO Hall of Fame as a "film pioneer".
The Bite a.k.a. Bait (1966) is a Japanese pink film directed by Hiroshi Mukai, credited as "Kan Mukai" in the international English-dubbed version, and starring Senjo Ichiriki and Michiko Shiroyami.
I Drink Your Blood is a 1971 American hippie exploitation horror film written and directed by David E. Durston, produced by Jerry Gross, and starring Bhaskar Roy Chowdhury, Jadine Wong, and Lynn Lowry. The film centers on a small town that is overrun by rabies-infected members of a Satanic hippie cult after a revenge plot goes horribly wrong.
Death Proof is a 2007 American action slasher film written and directed by Quentin Tarantino. It stars Kurt Russell as a stuntman who murders young women with modified cars he purports to be "death-proof". Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Tamiia Poitier, Tracie Thoms, Mary Elizabeth Winstead, and Zoë Bell co-star as the women he targets.
Murder a la Mod is a 1968 American film directed by Brian De Palma in his first feature film as a director and writer. An experimental, low-budget murder-mystery, it was shot on black-and-white 16mm film. Following its limited theatrical release, the film was rarely seen until its reissue on DVD in 2006.
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios. As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films. The demise of the Motion Picture Production Code in 1968, coupled with the success of the exploitation film Easy Rider the following year fueled the trend throughout the subsequent decade. The success of the B-studio exploitation movement had a significant effect on the strategies of the major studios during the 1970s.
Cheri Caffaro is an American actress who appeared mainly in low-budget exploitation films in the 1970s.
Henri Pachard, Jackson St. Louis and Crystal Blue were the pseudonyms of the American film director Ron Sullivan .
Slaves is a 1969 American drama film co-written and directed by Herbert Biberman. The film stars Dionne Warwick, Ossie Davis, and Stephen Boyd.
The Maltese Bippy is a 1969 comedy horror film, directed by Norman Panama and released by Metro-Goldwyn-Mayer. The film is a vehicle for comedy team Dan Rowan and Dick Martin, who had recently found fame in their television show Rowan & Martin's Laugh-In. "Bippy" is a catchphrase from their show.
Savage Sisters is a 1974 women in prison film made in the Philippines and directed by Eddie Romero.
Lee Frost was a film director, producer, cinematographer, editor and occasional actor. Frost directed a string of exploitation films including Hot Spur (1968), The Scavengers (1969), Love Camp 7 (1969), Chain Gang Women (1971), Chrome and Hot Leather (1971), The Thing with Two Heads (1972), Policewomen (1974), The Black Gestapo (1975), Dixie Dynamite (1976) and Private Obsession (1995).
A Place Called Today is a 1972 American drama film written and directed by Don Schain. The film stars J. Herbert Kerr Jr., Lana Wood, Cheri Caffaro, Richard Smedley, Timothy Brown and Peter Carew. The film was released on June 7, 1972, by Embassy Pictures. The film is also known as City in Fear.
Ginger is a 1971 film starring Cheri Caffaro. It was the first in the "Ginger" trilogy. It was written and directed by Don Schain. The lead character was described as a female James Bond. The Abductors, a sequel to Ginger, was released in 1972.