The Adding Machine | |
---|---|
Directed by | Jerome Epstein |
Written by | Jerome Epstein |
Based on | The Adding Machine by Elmer Rice |
Produced by | Jerome Epstein |
Starring | Milo O'Shea Phyllis Diller Billie Whitelaw Sydney Chaplin Raymond Huntley |
Cinematography | Walter Lassally Ronnie Fox Rogers |
Edited by | Gerry Hambling |
Music by | Mike Leander Lambert Williamson |
Production company | Associated London Films |
Distributed by | Universal Pictures |
Release date |
|
Running time | 100 minutes |
Country | United Kingdom |
Language | English |
Budget | $500,000 [1] |
The Adding Machine is a 1969 British fantasy comedy drama film produced, written, and directed by Jerome Epstein and starring Milo O'Shea, Phyllis Diller, Billie Whitelaw, Sydney Chaplin, and Raymond Huntley. [2]
It was based on a stage production of the 1923 Elmer Rice play The Adding Machine directed by Epstein in Los Angeles in the 1940s. It was distributed in the United Kingdom by Universal Pictures.
The action of the film takes place on Earth, in 1930s Manhattan during the Great Depression, and in Heaven.
Mr Zero is an accountant of twenty-five years standing whose job is about to be taken over by an adding machine. He murders his boss and is executed. He arrives in heaven and is put in charge of the heavenly adding machine. Thirty years pass and Zero is due to be sent back to earth, for the cycle to repeat.
The movie was shot at Shepperton Studios outside London. The film's sets were designed by the art director Jack Shampan.
The Monthly Film Bulletin wrote: "This adaptation of Elmer Rice's 1923 play keeps fairly closely to the original text apart from two or three irrelevant additions. But though pleasant enough to watch, the film manages to miss most of the essential points of the play, which requires a much more stylised approach than the one Epstein has adopted. ... Though it is difficult to believe in Billie Whitelaw as a middleaged spinster who spends her time wondering what 'them kisses in the movies' are like, all five leading characters are well played, and the film is a charming one which its director has reportedly described as a 'labour of love'. But this love is also its weakness: a more compelling film could have been made from Rice's play if the theme, a sort of nightmare vision of mechanised robot man, had been treated less naturalistically and with far more satirical bite and savagery." [3]
Roger Greenspun wrote in the New York Times : "Virtually everything in this movie version is a bad idea poorly realized. Epstein's direction is straight pre-New Wave academic, with absolutely regular cross-cutting punctuated by occasional lyrical montage to indicate imagination. He has softened the play a bit, added a dumb discourse on violence, added a needless prison scene for Phyllis Diller, and moved the Elysian Fields to an amusement park. For frumpy Daisy Devore, Zero's long-lost office romance, he has miscast Billie Whitelaw, who would still look ravishing if she dressed in cast iron and took ugly pills for a year. Indeed, each member of the distinguished cast is in his own way unsuitable." [4]
Leslie Halliwell said: "Elmer Rice's satirical fantasy of the twenties is here robbed of its expressionist staging and presented naturalistically, a fatal error from which the film never for one moment recovers." [5]
Frederick John Westcott, best known by his stage name Fred Karno, was an English theatre impresario of the British music hall. As a comedian of slapstick he is credited with popularising the custard-pie-in-the-face gag. During the 1890s, in order to circumvent stage censorship, Karno developed a form of sketch comedy without dialogue.
Phyllis Ada Diller was an American stand-up comedian, actress, author, musician, and visual artist, best known for her eccentric stage persona, self-deprecating humor, wild hair and clothes, and exaggerated, cackling laugh.
Richard Lewis Deacon was an American television and motion picture actor, best known for playing supporting roles in television shows such as The Dick Van Dyke Show, Leave It to Beaver, and The Jack Benny Program, along with minor roles in films such as Invasion of the Body Snatchers (1956) and Alfred Hitchcock's The Birds (1963).
If.... is a 1968 British satirical drama film produced and directed by Lindsay Anderson, and starring Malcolm McDowell as the character Mick Travis who appeared in two further Anderson films. Other actors include Richard Warwick, Christine Noonan, David Wood, and Robert Swann. A satire of English public school life, the film follows a group of pupils who stage a savage insurrection at a boys' boarding school. The film was the subject of controversy at the time of its release, receiving an X certificate for its depictions of violence.
The Adding Machine is a 1923 play by Elmer Rice; it has been called "... a landmark of American Expressionism, reflecting the growing interest in this highly subjective and nonrealistic form of modern drama."
Elmer Rice was an American playwright. He is best known for his plays The Adding Machine (1923) and his Pulitzer Prize-winning drama of New York tenement life, Street Scene (1929).
Billie Honor Whitelaw was an English actress. She worked in close collaboration with Irish playwright Samuel Beckett for 25 years and was regarded as one of the foremost interpreters of his works. She was also known for her portrayal of Mrs. Baylock, the demonic nanny in the 1976 horror film The Omen.
Stuart Erwin was an American actor of stage, film, and television.
Billie Jenkins is a fictional character who appeared in the American television supernatural drama Charmed, which aired on The WB from 1998 to 2006. The character was created by executive producer Brad Kern and was portrayed by Kaley Cuoco. Billie was developed in response to The WB's request for a new character, and was intended to expand the show in a new direction for a possible ninth season or a spin-off series, leading to mixed opinions of media outlets.
Michael George Farr, known professionally as Mike Leander, was a British arranger, songwriter and record producer.
Charlie Bubbles is a 1968 British comedy-drama film directed by Albert Finney and starring Finney, Billie Whitelaw and Liza Minnelli. The screenplay was by Shelagh Delaney.
Barbara Gillian Ferris is an English actress and former fashion model.
Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world. Similar to the broader movement of Expressionism in the arts, Expressionist theatre utilized theatrical elements and scenery with exaggeration and distortion to deliver strong feelings and ideas to audiences.
Adding Machine is a musical with music by Joshua Schmidt, and book and lyrics by Schmidt and Jason Loewith. It is an adaptation of Elmer Rice's 1923 play of the same name.
Cuba is a 1979 American adventure thriller film directed by Richard Lester and starring Sean Connery, portraying the build-up to the 1958 Cuban Revolution, filmed in Panavision. Neil Sinyard in his The Films of Richard Lester wrote that the film, "developed originally out of an idea of Lester's own, inspired by a conversation with a friend about great modern leaders. From there, Lester's thoughts began to formulate in complex ways around Castro and Casablanca (1942), and out of that audaciously bizarre combination comes Cuba.
Broken Journey is a 1948 British drama film directed by Ken Annakin and featuring Phyllis Calvert, James Donald, Margot Grahame, Raymond Huntley and Guy Rolfe. Passengers and crew strugge to survive after their airliner crashes on top of a mountain; based on a true-life accident in the Swiss Alps.
Loot is a 1970 British comedy film directed by Silvio Narizzano starring Richard Attenborough, Lee Remick, Hywel Bennett, Milo O'Shea and Roy Holder. The screenplay was by Ray Galton and Alan Simpson based on the 1965 play Loot by Joe Orton. It was entered into the 1971 Cannes Film Festival.
Work Is a Four-Letter Word is a 1968 British satirical comedy film directed by Peter Hall and starring David Warner and Cilla Black.. It was written by Jeremy Brooks based on the 1966 award-winning play Eh? by Henry Livings.
The Comedy Man is a 1964 British kitchen sink realism drama film directed by Alvin Rakoff and starring Kenneth More, Cecil Parker, Dennis Price and Billie Whitelaw. It depicts the life of a struggling actor in Swinging London.
Jerome Leonard Epstein was an American director, screenwriter and producer known for his nearly 30-year professional collaboration and friendship with Charlie Chaplin and his son Sydney Chaplin.