Clara Calamai was an Italian actress.
Nothing New Tonight is a 1942 Italian drama film directed by Mario Mattoli and starring Alida Valli, Carlo Ninchi and Antonio Gandusio. It was shot at the Safa Palatino Studios in Rome. The film's sets were designed by the art directors Piero Filippone and Mario Rappini.
The Lion of Amalfi is a 1950 Italian historical adventure film directed by Pietro Francisci and starring Vittorio Gassman, Milly Vitale and Carlo Ninchi. After making his 1949 biopic Anthony of Padua, Francisci switched to making historical adventures. Gassman had attracted notice for his performance in the melodrama Bitter Rice leading to his casting in this film.
In Olden Days is a 1952 Italian comedy drama anthology film directed by Alessandro Blasetti and featuring an ensemble cast that included Gina Lollobrigida, Amedeo Nazzari, Vittorio De Sica, Elisa Cegani, Barbara Florian, Aldo Fabrizi, Andrea Checchi and Alba Arnova. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Dario Cecchi and Veniero Colasanti. It is also known as Times Gone By and Infidelity.
Sicilian Uprising or Sicilian Vespers is a 1949 Italian historical drama film directed by Giorgio Pastina and starring Marina Berti, Clara Calamai and Roldano Lupi. The film is set in 1282, showing the events leading up to the War of the Sicilian Vespers. It is based on the libretto of the Verdi opera I vespri siciliani, which was itself based on an earlier play written by Eugène Scribe and Charles Duveyrier.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
Mother Earth is a 1931 Italian drama film directed by Alessandro Blasetti and starring Leda Gloria, Sandro Salvini and Isa Pola. It was made at the Cines Studios in Rome. Along with Blasetti's other early films, it shows a strong influence of Soviet-style realism. A country landowner decides to sell up and move to the city, but later has a change of heart. It was part of Fascist Italy's promotion of rural over urban values.
The Tyrant of Padua is a 1946 Italian historical film directed by Max Neufeld and starring Clara Calamai, Carlo Lombardi and Elsa De Giorgi. It is an adaptation of the 1835 play Angelo, Tyrant of Padua by Victor Hugo. It is set in Padua in the 1540s.
Last Love is a 1947 Italian melodrama film directed by Luigi Chiarini and starring Clara Calamai, Andrea Checchi and Carlo Ninchi. It set during the Second World War with Italy close to defeat and increasingly occupied by German troops. Three Italian soldiers are enjoying some leave when they become involved with an enigmatic female singer!.
Pietro Micca is a 1938 Italian historical war film directed by Aldo Vergano and starring Guido Celano, Renato Cialente and Camillo Pilotto. It was shot at the Fert Studios in Turin. The film marked the screen debut of Clara Calamai, who went on to be a leading Italian star of the next decade.
The Courier of Moncenisio is a 1954 Italian historical melodrama film directed by Guido Brignone and starring Roldano Lupi, Virna Lisi and Arnoldo Foà. It is the last of three film adaptation of the 1852 novel Jean le Coucher by Jean Bouchardy.
Goodbye Youth is a 1940 Italian "white-telephones" drama film directed by Ferdinando Maria Poggioli and starring María Denis, Adriano Rimoldi and Clara Calamai. The film was adapted from the 1911 play of the same name by Nino Oxilia and Sandro Camasio, which had been adapted into films on three previous occasions. The film was a breakthrough role for Calamai who emerged as a leading star of Italian cinema during the 1940s. It was made at the Cinecittà studios in Rome and the Fert Studios in Turin.
The Testimony is 1946 Italian crime film directed by Pietro Germi and starring Roldano Lupi, Marina Berti and Ernesto Almirante. It is one of several films regarded as an antecedent of the later giallo thrillers. The film was made at the Farnesina Studios of Titanus in Rome. The sets were designed by the art director Salvo D'Angelo.
Cesare Polacco was an Italian actor and voice actor.
The Song of Life is a 1945 Italian melodrama film directed by Carmine Gallone and starring Alida Valli, Carlo Ninchi and María Mercader. It is set during the German occupation of Rome in the Second World War before the Liberation of the city in 1944. It was shot at the Scalera Studios in Rome. The film's sets were designed by the art director Gastone Medin.
My Sun is a 1946 Italian war drama film directed by Giacomo Gentilomo. It is considered one of the earliest films belonging to the genre of Italian neorealism, due to its use of exterior scenes and the inclusion of non-professional actors. It was shot at the Scalera Studios in Rome and on location around Naples. The film's sets were designed by the art director Alberto Boccianti. The film is set during the Four days of Naples in September 1943. Its title refers to the Neapolitan song "’O sole mio".
I, His Father is a 1939 Italian sports drama film directed by Mario Bonnard and starring Erminio Spalla, Mariella Lotti and Clara Calamai.
Giallo is a 1933 Italian comedy thriller film directed by Mario Camerini and starring Assia Noris, Sandro Ruffini and Elio Steiner. It is based on the 1928 play The Man Who Changed His Name by Edgar Wallace in which a young wife begins to fear that her husband may in fact be an escaped murderer.
Prelude to Madness or Loveless Lovers is a 1948 Italian drama film directed by Gianni Franciolini and starring Clara Calamai, Roldano Lupi and Jean Servais. It is inspired by the 1889 novella The Kreutzer Sonata by Leo Tolstoy.
Farewell Love! is a 1943 Italian historical drama film directed by Gianni Franciolini and starring Jacqueline Laurent, Clara Calamai and Roldano Lupi. It is based on the 1890 novel of the same title by Matilde Serao.
