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Robert Wiene was a German film director, screenwriter and producer, active during the silent era. He is widely-known for directing the landmark 1920 film The Cabinet of Dr. Caligari and a succession of other expressionist films. Wiene also directed a variety of other films of varying styles and genres. Following the Nazi rise to power in Germany, Wiene, who was of Jewish descent, fled into exile.
The Wandering Light is a 1916 German silent drama film directed by Robert Wiene and starring Henny Porten, Bruno Decarli and Theodor Becker. It was based on a short story by Ernst von Wildenbruch. A Count marries a woman who come to wrongly believe that he is mad.
Rudolf Biebrach was a German actor and film director. He directed over 70 films between 1909 and 1930; and he appeared as an actor in nearly 110 films between 1909 and 1938. In his youth, Biebrach had worked for some years as an engraver. He got his first engagement as an actor in Gießen during 1890/1891. After a long career as a stage actor, Biebrach managed to become a successful director and character actor in the German film during the 1910s. He directed many films with Henny Porten and Lotte Neumann.
Her Sport is a 1919 German silent comedy film directed by Rudolf Biebrach and starring Henny Porten, Georg H. Schnell and Hermann Thimig. A man-hating young woman tries to break up her friend's new marriage, but while in the Alps she meets her own ideal man.
Life Is a Dream is a 1917 German silent drama film directed by Robert Wiene and starring Emil Jannings, Bruno Decarli and Maria Fein. A young aristocrat meets a man and marries him, but soon discovers he is a monster. After his death she grows increasingly mad, until a revolutionary new cure is attempted which makes her believe that the whole episode was simply a dream.
Playing with Fire is a 1921 German silent comedy-drama film directed by Georg Kroll and Robert Wiene and starring Diana Karenne, Vasilij Vronski, Ossip Runitsch, and Anton Edthofer. It was shot at the Babelsberg Studios in Berlin. The film received a generally positive reception from critics, although some were doubtful about the blending of farce and tragedy.
A Woman's Revenge is a 1921 German silent drama film directed by Robert Wiene and starring Vera Karalli, Franz Egenieff and Olga Engl. In order to punish her cold, brutal aristocratic husband for murdering her lover, a woman becomes a common prostitute to shame him. The film received largely negative reviews.
The Doll Maker of Kiang-Ning is a 1923 German silent fantasy film directed by Robert Wiene and starring Werner Krauss, Lia Eibenschütz, and Ossip Runitsch. A doll maker in Kiangning, China crafts a puppet which he is convinced is lifelike. He takes it to exhibit at a public event, but is outraged to find an even more convincing and beautiful doll there. It is in fact a real woman pretending to be a doll, but he becomes so obsessed he attempts to steal her and the film ends with her rescue and his tragic death.
Leontine's Husbands is a 1928 German silent comedy film directed by Robert Wiene and starring Claire Rommer, Georg Alexander and Carl Walther Meyer. It was based on a play by Alfred Capus. A French dancer works her way through a series of husbands, spending their money. The film received poor reviews from critics, who expected better from the director.
The Three Dances of Mary Wilford is a 1920 German silent drama film directed by Robert Wiene and starring Friedrich Feher, Erika Glässner and Ludwig Hartau. It is apparently a sequel to Director Léo Lasko's 1919 film, The Sinner .
The Night of Queen Isabeau is a 1920 German silent historical drama film directed by Robert Wiene and starring Fern Andra, Fritz Kortner, Hans Heinrich von Twardowski and Elsa Wagner. The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau. It was shot at the Babelsberg Studios in Berlin. The film is now considered a lost film, but contemporary reviews praised Wiene's direction. The story revolves around insanity, a common theme in his films.
Lotte Neumann was a German film actress, screenwriter, and film producer.
Hans Marr was a German actor.
I.N.R.I. is a 1923 German silent religious epic film directed by Robert Wiene and starring Gregori Chmara, Henny Porten, and Asta Nielsen. The film is a retelling of the events leading up to the crucifixion of Jesus Christ. It was based on a 1905 novel by Peter Rosegger. It was reissued in 1933 in the United States with an added music track and narration as Crown of Thorns.
Typhoon is a 1933 German drama film directed by Robert Wiene and starring Liane Haid, Viktor de Kowa and Valéry Inkijinoff. It was based on the 1911 play Typhoon by the Hungarian writer Melchior Lengyel. It was the last German film made by Wiene, who had been a leading director of German silent cinema.
Panic in Chicago is a 1931 German crime film directed by Robert Wiene and starring Olga Chekhova, Hans Rehmann and Ferdinand Hart. It was based on the novel Panic in Chicago by the German writer Robert Heymann. The film was shot at the Staaken Studios with sets designed by the art director Erwin Scharf. It premiered at the Palast-am-Zoo in Berlin on 23 June 1931.
A Night in Venice is a 1953 Austrian operetta film directed by Georg Wildhagen and starring Hans Olden, Jeanette Schultze and Peter Pasetti. It was adapted from the 1883 operetta Eine Nacht in Venedig by Johann Strauss, which had previously been turned into a 1934 film A Night in Venice directed by Robert Wiene.
The Blood of the Ancestors is a 1920 German silent film directed by Karl Gerhardt and starring Robert Scholz, Harald Paulsen, and Lil Dagover. It was shot at the Babelsberg Studios of Decla-Bioscop in Berlin. The film's art direction was by Hermann Warm.
Put to the Test is a 1918 German silent comedy film directed by Rudolf Biebrach and starring Henny Porten, Heinrich Schroth and Reinhold Schünzel.
Agnes Arnau and Her Three Suitors is a 1918 German silent comedy film directed by Rudolf Biebrach and starring Henny Porten, Hermann Thimig and Kurt Ehrle.
References
- 1 2 Jung & Schatzberg 1999, pp. 210–211.
