The Amazons: A Farcical Romance is an 1893 play by Arthur Wing Pinero. [1] [2]
The play subsequently opened the Royal Court Theatre on 7 March 1893 and ran for 111 performances until 8 July 1893. It subsequently opened at the Lyceum Theatre on 19 February 1894. [3]
The plot involves three sisters (Noeline/Noel, Wilhelmina/Willis, and Thomasin/Tommie) raised by their aristocratic father as his male heirs. They have trouble adjusting to society. [4]
The play was revived (again with Billie Burke) and opened at the Empire Theatre on 28 April 1913. [5] The revival included the song "My Otaheitee lady" with music by Jerome Kern, using lyrics by the deceased Charles H. Taylor. [6]
In 1917 it was adapted as a film of the same name.
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
The Great Ziegfeld is a 1936 American musical drama film directed by Robert Z. Leonard and produced by Hunt Stromberg. It stars William Powell as the theatrical impresario Florenz "Flo" Ziegfeld Jr., Luise Rainer as Anna Held, and Myrna Loy as Billie Burke.
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Sir Arthur Wing Pinero was an English playwright and, early in his career, actor.
Walter Weedon Grossmith, better known as Weedon Grossmith, was an English writer, painter, actor, and playwright best known as co-author of The Diary of a Nobody (1892) with his brother, music hall comedian and Gilbert and Sullivan star George Grossmith. Weedon Grossmith also illustrated The Diary of a Nobody to much acclaim.
Mary William Ethelbert Appleton Burke was an American actress who was famous on Broadway and radio, and in silent and sound films. She is best known to modern audiences as Glinda the Good Witch of the North in the Metro-Goldwyn-Mayer movie musical The Wizard of Oz (1939).
Florenz Edward Ziegfeld Jr. was an American Broadway impresario, notable for his series of theatrical revues, the Ziegfeld Follies (1907–1931), inspired by the Folies Bergère of Paris. He also produced the musical Show Boat. He was known as the "glorifier of the American girl". Ziegfeld is a member of the American Theater Hall of Fame.
James Sidney Jones, usually credited as Sidney Jones, was an English conductor and composer, who was most famous for composing the musical scores for a series of musical comedy hits in the late Victorian and Edwardian periods. Jones's most famous musical was The Geisha, but several of his pieces were among the most popular shows of the era, enjoying long runs, international tours and revivals.
Marilyn Miller was one of the most popular Broadway musical stars of the 1920s and early 1930s. She was an accomplished tap dancer, singer and actress, and the combination of these talents endeared her to audiences. On stage, she usually played rags-to-riches Cinderella characters who lived happily ever after. Her enormous popularity and famed image were in distinct contrast to her personal life, which was marred by disappointment, tragedy, frequent illness, and ultimately her sudden death due to complications of nasal surgery at age 37.
The Princess Theatre was a joint venture between the Shubert Brothers, producer Ray Comstock, theatrical agent Elisabeth Marbury and actor-director Holbrook Blinn. Built on a narrow slice of land located at 104–106 West 39th Street, just off Sixth Avenue in New York City, and seating just 299 people, it was one of the smallest Broadway theatres when it opened in early 1913. The architect was William A. Swasey, who designed the Winter Garden Theatre two years earlier.
Mary Ellaline Terriss, Lady Hicks, known professionally as Ellaline Terriss, was a popular British actress and singer, best known for her performances in Edwardian musical comedies. She met and married the actor-producer Seymour Hicks in 1893, and the two collaborated on many projects for the stage and screen.
George Grossmith Jr. was an English actor, theatre producer and manager, director, playwright and songwriter, best remembered for his work in and with Edwardian musical comedies. Grossmith was also an important innovator in bringing "cabaret" and "revues" to the London stage. Born in London, he took his first role on the musical stage at the age of 18 in Haste to the Wedding (1892), a West End collaboration between his famous songwriter and actor father and W. S. Gilbert.
Terry's Theatre was a West End theatre in the Strand, in the City of Westminster, London. Built in 1887, it became a cinema in 1910 before being demolished in 1923.
Oh, Lady! Lady!! is a musical with music by Jerome Kern, a book by Guy Bolton and P. G. Wodehouse and lyrics by Wodehouse. It was written for the Princess Theatre on Broadway, where it played in 1918 and ran for 219 performances. The story concerns an engaged young man, Bill, whose ex-fiancée arrives unexpectedly on his wedding day. Bill works to convince his old flame that he was not worthy to marry her, but his clumsy efforts do not make him look good to his new fiancée, whose mother already dislikes Bill. A couple of crooks cause further complications.
The Essential Billie Holiday: Carnegie Hall Concert Recorded Live is a live album by jazz singer Billie Holiday that was recorded on November 10, 1956 at Carnegie Hall in New York City. The two concerts promoted Billie Holiday's autobiography, Lady Sings the Blues.
The Lyceum Theatre was a theatre in New York City located on Fourth Avenue between 23rd and 24th Streets in Manhattan. It was built in 1885 and operated until 1902, when it was torn down to make way for the Metropolitan Life Insurance Company Tower. It was replaced by a new Lyceum Theatre on 45th Street. For most of its existence, the theatre was home to Daniel Frohman's Lyceum Theatre Stock Company, which presented many important plays and actors of the day.
La Dame de chez Maxim is a three-act farce by Georges Feydeau, first produced in Paris in 1899. It depicts the complications ensuing when a respectable citizen becomes mixed up with a Moulin Rouge dancer after drinking too much champagne at Maxim's restaurant.
Shelley Vaughan Hull was an American stage actor who also appeared in two silent motion pictures. His Broadway popularity as a suave handsome leading man was continually on the rise until his early death at age 34 in the Influenza pandemic of 1918.
F. Ray Comstock was an American theatrical producer and theater operator. He pioneered the intimate musical comedy, staging several successful comedies at his Princess Theatre in Manhattan. He also produced spectacular musicals, variety shows and serious plays by authors such as Henrik Ibsen and Maxim Gorky.
The Red Petticoat is a 1912 musical-comedy in 3 acts with book and lyrics by Rida Johnson Young and Paul West, music by Jerome Kern, and directed by Joseph W. Herbert. The Western-genre musical starred Helen Lowell as tough lady barber Sophie Brush in the rough silver-mining town of Lost River, Nevada, who gets her man. Songs included "I Wonder", "My Peaches and Cream", "Oh You Beautiful Spring", "The Ragtime Restaurant", and "Since the Days of Grandmamma". The musical was based on a 1911 farcical melodrama by Young titled Next!. It was Kern's first complete score.
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