A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.
A cartoonist is a visual artist who specializes in both drawing and writing cartoons or comics. Cartoonists differ from comics writers or comics illustrators/artists in that they produce both the literary and graphic components of the work as part of their practice.
A political cartoon, also known as an editorial cartoon, is a cartoon graphic with caricatures of public figures, expressing the artist's opinion. An artist who writes and draws such images is known as an editorial cartoonist. They typically combine artistic skill, hyperbole and satire in order to either question authority or draw attention to corruption, political violence and other social ills.
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings. Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in newspapers and news magazines as political cartoons, while caricatures of movie stars are often found in entertainment magazines.
James Gillray was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
Henry William Bunbury was an English caricaturist. The second son of Sir William Bunbury, 5th Baronet, of Mildenhall, Suffolk, he came of an old Norman family. He was educated at Westminster School and St Catharine's College, Cambridge, and soon showed a talent for drawing, especially for humorous subjects. He temporarily left Cambridge to embark on a tour of Europe, during which time he may have studied in Rome; he returned to school in 1771 but is not known to have completed a degree. His European travels inspired a series of caricatures mocking foreigners, notably his La Cuisine de la Poste, exhibited at the Royal Academy in 1770.
Thomas Rowlandson was an English artist and caricaturist of the Georgian Era, noted for his political satire and social observation. A prolific artist and printmaker, Rowlandson produced both individual social and political satires, as well as a large number of illustrations for novels, humorous books, and topographical works. Like other caricaturists of his age such as James Gillray, his caricatures are often robust or bawdy. Rowlandson also produced highly explicit erotica for a private clientele; this was never published publicly at the time and is now only found in a small number of collections. His caricatures included those of people in power such as the Duchess of Devonshire, William Pitt the Younger and Napoleon Bonaparte.
John Bull is a national personification of the United Kingdom, especially in political cartoons and similar graphic works. He is usually depicted as a stout, middle-aged, country-dwelling, jolly and matter-of-fact man. He originated in satirical works of the early 18th century and would come to stand for "English liberty" in opposition to revolutionaries. He was popular through the 18th and 19th centuries until the time of the First World War, when he generally stopped being seen as representative of the "common man".
Rattlesnakes are venomous snakes that form the genera Crotalus and Sistrurus of the subfamily Crotalinae. All rattlesnakes are vipers. Rattlesnakes are predators that live in a wide array of habitats, hunting small animals such as birds and rodents.
Crotalus is a genus of venomous pit vipers, commonly known as rattlesnakes or rattlers, in the family Viperidae. The genus is found only in the Americas from southern Canada to northern Argentina. The generic name Crotalus is derived from the Greek word κρόταλονkrótalοn, which means "rattle" or "castanet", and refers to the rattle on the end of the tail, which makes this group so distinctive. As of July 2023, 44 to 53 species are recognized as valid.
The Gadsden flag is a historical American flag with a yellow field depicting a timber rattlesnake coiled and ready to strike. Beneath the rattlesnake are the words "DONT TREAD ON ME". Some modern versions of the flag include an apostrophe.
Crotalus helleri or Crotalus oreganus helleri, also known commonly as the Southern Pacific rattlesnake, the black diamond rattlesnake, and by several other common names, is a pit viper species or subspecies found in southwestern California and south into Baja California, Mexico, that is known for its regional variety of dangerous venom types. It is sometimes considered a subspecies of Crotalus oreganus.
Sistrurus miliarius, commonly called the pygmy rattlesnake, is a species of venomous snake in the subfamily Crotalinae of the family Viperidae. The species is endemic to the Southeastern United States. Three subspecies are currently recognized.
Join, or Die. is a political cartoon showing the disunity in the American colonies. Attributed to Benjamin Franklin, the original publication by The Pennsylvania Gazette on May 9, 1754, is the earliest known pictorial representation of colonial union produced by an American colonist in Colonial America.
Isaac Cruikshank was a Scottish painter and caricaturist, known for his social and political satire.
Hannah Humphrey was a leading London print seller of the 18th century, significant in particular for being the publisher of much of James Gillray's output.
Samuel William Fores, normally credited on his publications as S. W. Fores was an English publisher and printseller with a renowned print shop at No 3 Piccadilly, London during the 'Golden Age' of Georgian satirical prints. Fores faced prosecution several times for the allegedly libellous nature of his satires. His sons George Thomas Fores (1806-58) and Arthur Blücher Fores (1814-83) succeeded him in the business, publishing predominantly sporting prints,and the family firm continued as printsellers and publishers for over 200 years.
George Washington, also entitled George Washington and William Lee, is a full-length portrait in oil painted in 1780 by the American artist John Trumbull during the American Revolutionary War. General George Washington stands near his enslaved servant William Lee, overlooking the Hudson River in New York, with West Point and ships in the background. Trumbull, who once served as an aide-de-camp to Washington, painted the picture from memory while studying under Benjamin West in London. He finished it before his arrest for high treason in November. The portrait, measuring 36 in × 28 in, is on view in Gallery 753 at the Metropolitan Museum of Art in New York City. Originally in the possession of the de Neufville family of the Netherlands, it was bequeathed to the museum by Charles Allen Munn in 1924.
The Plumb-pudding in danger, or, State Epicures taking un Petit Souper is an 1805 editorial cartoon by the English artist James Gillray. The popular print depicts caricatures of the British Prime Minister William Pitt the Younger and the newly-crowned Emperor of France Napoleon, both wearing military uniforms, carving up a terrestrial globe into spheres of influence. It was published as a hand-coloured print and has been described by the National Portrait Gallery as "probably Gillray's most famous print" and by the British Library as "one of Gillray's most famous satires dealing with the Napoleonic wars".
British Tars Towing the Danish Fleet into Harbour is an 1807 cartoon by the British caricaturist James Gillray. Like much of his work the image portrays a contemporary event, the bombardment of Copenhagen and seizure of the Danish fleet by the Royal Navy to prevent it from falling into the hands of the French Empire with which Britain was at war.
