| The Arizona Kid | |
|---|---|
 | |
| Directed by | Luciano B. Carlos |
| Produced by | Cirio H. Santiago |
| Starring | Chiquito Gordon Mitchell Mamie Van Doren |
| Cinematography | Felipe Sacdalan |
| Edited by | Ben Barcelon |
| Music by | Restie Umali |
Release date |
|
Running time | 110 minutes |
| Country | Philippines |
| Language | English |
The Arizona Kid is a 1970 low-budgeted Philippine comedy western directed by Luciano B. Carlos and starring Chiquito, Gordon Mitchell, and Mamie Van Doren. [1]
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Mamie Van Doren is an American actress, singer, and sex symbol. She is perhaps best known for the rock 'n' roll, juvenile delinquency exploitation film Untamed Youth (1957).
The Beat Generation is a 1959 American crime film noir from Metro-Goldwyn-Mayer starring Steve Cochran and Mamie Van Doren, with Ray Danton, Fay Spain, Maggie Hayes, Jackie Coogan, Louis Armstrong, James Mitchum, Vampira, and Ray Anthony. It is a sensationalistic interpretation of the beatnik counterculture of the "Beat Generation" The movie was also shown under the title This Rebel Age. The movie is about a "beatnik" who is a serial rapist, who is pursued by a police detective. The director was Charles F. Haas. Richard Matheson and Lewis Meltzer are credited with the screenplay.
Augusto Valdes Pangan, Sr., professionally known as Chiquito, was a Filipino actor and comedian.
Ray Anthony is an American retired bandleader, trumpeter, songwriter and actor. He is the last surviving member of the Glenn Miller Orchestra.
An American in Buenos Aires is a 1961 Argentine film directed by George Cahan. The film was based on the story by Antonio de Lara. The film starred Mamie Van Doren and Jean-Pierre Aumont. It is also known by the alternative title of The Blonde from Buenos Aires.
Star in the Dust is a 1956 American Technicolor Western film directed by Charles F. Haas and starring John Agar, Mamie Van Doren and Richard Boone. It was based on the 1953 Lee Leighton novel Law Man.
The Las Vegas Hillbillys is a 1966 American country music comedy film directed by Arthur C. Pierce and starring Jayne Mansfield and Mamie Van Doren. The 1967 sequel film Hillbillys in a Haunted House soon followed with a similar cast.
Untamed Youth is a 1957 American teen film directed by Howard W. Koch, written by John C. Higgins and Stephen Longstreet, and starring Mamie Van Doren and Lori Nelson as two starstruck sisters who are sentenced to farm labor.
The Girl in Black Stockings is an American B-movie mystery film released by United Artists in 1957. Directed by Howard W. Koch, it stars Lex Barker, Anne Bancroft, and Mamie Van Doren.
3 Nuts in Search of a Bolt is a 1964 comedy film starring Mamie Van Doren and Tommy Noonan, who also directed and co-wrote the film.
Born Reckless is a 1958 American Western film starring Mamie Van Doren and released through Warner Bros. studios.
Guns, Girls and Gangsters is a 1959 American film noir crime film directed by Edward L. Cahn starring Mamie Van Doren, Gerald Mohr, Lee Van Cleef, and Grant Richards.
The Big Operator is a black and white 1959 American crime/drama film starring Mickey Rooney as a corrupt union boss, with Steve Cochran, Mel Torme and Mamie Van Doren as co-stars. The film is a remake of Joe Smith, American (1942) with labor union thugs replacing Axis spies.
Ain't Misbehavin' is a 1955 musical film released by Universal-International and starring Rory Calhoun, Piper Laurie, Jack Carson and Mamie Van Doren. A young, rich-dreaming club girl falls in love with and marries the rich man of her dreams. As she begins to try to change herself to fit in with the ladies of rich society, her husband feels she is misbehaving with another man. In the end, they divorce and Sarah goes to a remote lodge. Kenneth meets her there and another argument ensues. Sarah then overhears Kenneth talking to Piermont about his love for Sarah just the way she is, and she leaves for the club, leaving instructions for the lodge master to tell Kenneth where she is. At the club, they get back together and fall in love all over again.
Running Wild is a 1955 American film noir crime film directed by Abner Biberman and starring William Campbell, Mamie Van Doren, Keenan Wynn, and Kathleen Case. The film was often paired with Tarantula as part of a double feature.
You've Got to Be Smart is a 1967 low-budgeted drama film directed by Ellis Kadison and starring Tom Stern, Roger Perry, Gloria Castillo, and Mamie Van Doren. The film was released in few theaters in 1967.
The Beautiful Legs of Sabrina is a low-budget 1958 Italian-West German crime-drama-comedy film starring Mamie Van Doren, Antonio Cifariello, and Rossana Martini. The drama was directed by Camillo Mastrocinque and written by Edoardo Anton, Marcello Fondato, and Vittorio Metz.
The Candidate is a 1964 low-budgeted film that starred the 1950s sex symbol Mamie Van Doren. Co-starring in the film were June Wilkinson, Ted Knight and Eric Mason; Rachel Romen, Robin Raymond, William Long, Jr. and John Matthews played smaller less meaningful parts. The film had several different filming/release titles like: The Playmates for the Candidate, Party Girls for the Candidate and Kisses for the Candidate; however, it is mainly known as being titled, The Candidate.
Bettie Page Reveals All is a 2013 documentary film about the life history and cultural influence of Bettie Page. Directed by Mark Mori, much of its narration is from audiotape interviews with Page. Individuals offering commentary on Page and her significance include Dita Von Teese, Hugh Hefner, Rebecca Romijn, Tempest Storm, Bunny Yeager, Paula Klaw, Jessicka, Mamie Van Doren and Naomi Campbell.
Freddy in the Wild West is a 1964 West German/Italian musical Western film directed by Sobey Martin and starring Freddy Quinn, Rik Battaglia, and Beba Lončar. Playing the small role of Olivia is Mamie Van Doren, a 1950s Hollywood sex goddess. It was co-produced with and shot on location in SFR Yugoslavia. It was one of a crop of western-set German films made in the 1960s, many of them based on works of Karl May. It is also known by the alternative title of The Sheriff Was a Lady.
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