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Thomas Elrington (1688–1732), was an English actor.
The Northern Heiress is a 1716 comedy play by the Irish-born writer Mary Davys. Its fuller title is The Northern Heiress, or, The Humours of York.
The Fair Example, or the Modish Citizen is a 1703 comedy play by the English writer Richard Estcourt, originally staged at the Drury Lane Theatre. It was part of a growing trend of plays to feature a plot of an honest wife reforming her rakish husband along with Sir Harry Wildair, As You Find It, The Wife's Relief and The Modish Couple. It is a reworking of the 1693 French play Les Bourgeoises à la Mode by Florent Carton Dancourt. In 1705 a separate English adaptation of the French work John Vanbrugh's The Confederacy appeared at the rival Queen's Theatre in the Haymarket.
The Coquet, or the English Chevalier is a 1718 comedy play by the Irish writer Charles Molloy.
Woman Is a Riddle is a 1716 comedy play by the British actor Christopher Bullock. Sometimes its title is written as A Woman Is a Riddle.
'Tis Well if it Takes is a 1719 comedy play by the British writer William Taverner.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Fair Quaker of Deal is a 1710 comedy play by the British writer Charles Shadwell. A popular hit running for thirteen nights, it was revived a number of times.
The Man of Taste is a 1735 comedy play by the British writer James Miller. It was a success and was performed numerous times during the theatre season. It is also known by the longer title The Man Of Taste or, The Guardians.
The Masquerade is a 1719 comedy play by the British writer Charles Johnson.
The Rival Widows, or the Fair Libertine is a 1735 comedy play by the British writer Elizabeth Cooper. The plot is a re-gendered mashup of two popular eighteenth-century genres: the libertine comedy and the comedy of sentiment. The beautiful and brilliant libertine widow Lady Bellair battles the hypocritical friend and rival Lady Lurcher for the attentions of man of feeling Freelove. Bellair loves Freelove, but is exasperated by his rhetoric of feeling and his lack of interest in using witty exchanges or clever plotting to try to seduce her and win her love. In response, she creates various strategems to essentially manipulate him into tricking her into agreeing never to love him, knowing that she will desperately want anything that is forbidden to her. Her character is well summarized early in the play with her own comment that "my pleasures are my principles" and Freelove's summary of her character: "she has wit enough to supply the present dearth of it on the stage, and good nature to make that wit agreeable, even at court. In short, she's gay without levity, libertine without scandal, generous without design, and well-bred without affectation" (1.6). Her comments on marriage convey her recognition that power is at the core of all pleasure for a libertine:
The Bath; or, The Western Lass is a 1701 comedy play by the English writer Thomas d'Urfey.
Vice Reclaimed is a 1703 comedy play by Richard Wilkinson. It is also known by the longer title Vice Reclaim'd: Or, the Passionate Mistress.
The Fine Lady's Airs is a 1708 comedy play by the British writer Thomas Baker.
The Female Advocates is a 1713 comedy play by the British writer William Taverner. The longer title is The Female Advocates: or, the Frantic Stock-jobber.
The Ladies Visiting Day is a 1701 comedy play by the English writer William Burnaby.
The Perplexed Couple is a 1715 comedy play by the Irish writer Charles Molloy.
The Doating Lovers: Or, the Libertine Tam'd is a 1715 comedy play by the Irish writer Newburgh Hamilton.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
The Double Gallant is a 1707 comedy play by the British writer Colley Cibber.
References
- ↑ Burling p.64
