A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
Night of the Living Dead is a 1968 American independent horror film directed, photographed, and edited by George A. Romero, written by Romero and John Russo, produced by Russell Streiner and Karl Hardman, and starring Duane Jones and Judith O'Dea. The story follows seven people trapped in a farmhouse in rural Pennsylvania, under assault by reanimated corpses. Although the flesh-eating monsters that appear in the film are referred to as "ghouls", they are credited with popularizing the modern portrayal of zombies in popular culture.
The Abyss is a 1989 American science fiction film written and directed by James Cameron and starring Ed Harris, Mary Elizabeth Mastrantonio, and Michael Biehn. When an American submarine sinks in the Caribbean, a US search and recovery team works with an oil platform crew, racing against Soviet vessels to recover the boat. Deep in the ocean, they encounter something unexpected.
A B movie, or B film, is a type of low-budget commercial motion picture. Originally, during the Golden Age of Hollywood, this term specifically referred to films meant to be shown as the lesser-known second half of a double feature, somewhat similar to B-sides in the world of recorded music. However, the production of such films as "second features" in the United States largely declined by the end of the 1950s. This shift was due to the rise of commercial television, which prompted film studio B movie production departments to transition into television film production divisions. These divisions continued to create content similar to B movies, albeit in the form of low-budget films and series.
John Irving Bloom, known by the stage name Joe Bob Briggs, is an American syndicated film critic, writer, actor, comic performer, and horror host. He is known for having hosted Joe Bob's Drive-in Theater on The Movie Channel from 1986 to 1996, the TNT television series MonsterVision from 1996 to 2000, and The Last Drive-in with Joe Bob Briggs on Shudder beginning in 2018. In 2019, he was named the Rondo Hatton Classic Horror Awards' Monster Kid of the Year, and in 2023 was inducted into the Rondo Hatton Awards' Monster Kid Hall of Fame.
The Creeping Terror is a 1964 horror–science fiction film directed and produced by, and starring, Vic Savage. The plot is centered upon an extraterrestrial, slug-like creature that attacks and eats people whole in a small American town. Widely considered to be one of the worst films of all time, The Creeping Terror has become a cult film.
The Exterminator is a 1980 American vigilante action film written and directed by James Glickenhaus. It stars Robert Ginty as Vietnam War veteran John Eastland, also known as "The Exterminator". When a group of thugs paralyze his friend, Eastland becomes a vigilante, embarking on a mission to cleanse New York of organized crime. The film also stars Samantha Eggar, Christopher George and Steve James. It has gained a cult following since its release.
Tom Atkins is an American actor. He is known for his work in the horror and thriller film genres, having worked with writers and directors such as Shane Black, William Peter Blatty, John Carpenter, Fred Dekker, Richard Donner, Stephen King, and George A. Romero. He is also a familiar face to mainstream viewers, often playing police officers and tough authority figures and is perhaps best known for his role as Lt. Alex Diel in The Rockford Files (1974–1977).
The Incredible Melting Man is a 1977 American science fiction horror film directed and written by William Sachs. The plot concerns an astronaut whose body begins to melt after he is exposed to radiation during a space flight to Saturn, driving him to commit murders and consume human flesh to survive. During post-production, the producers reshot scenes without Sachs' participation. The film starred Alex Rebar as the main character, alongside Burr DeBenning as a scientist trying to help him and Myron Healey as a United States Air Force general seeking to capture him. While writing and shooting, Sachs was influenced by Night of the Living Dead. With the changes by the producers, the final film has been described as a remake of First Man into Space (1959), which in turn was directly influenced by The Quatermass Xperiment, even though Sachs had never seen either of those films.
Luigi Pistilli was an Italian actor of stage, screen, and television.
James Glickenhaus is an American film producer, financier, director and automotive entrepreneur.
I Drink Your Blood is a 1971 American hippie exploitation horror film written and directed by David E. Durston, produced by Jerry Gross, and starring Bhaskar Roy Chowdhury, Jadine Wong, and Lynn Lowry. The film centers on a small town that is overrun by rabies-infected members of a Satanic hippie cult after a revenge plot goes horribly wrong.
The Phantom of the Movies' Videoscope is an American movie magazine devoted to cult cinema and genre movies and exploitation films that was released four times a year through end its end with issue #115, after the death of its primary founder and editor, Joe Kane. Sometimes, though not on the cover, the last word in the magazine's title is spelled VideoScope.
The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios. As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films. The demise of the Motion Picture Production Code in 1968, coupled with the success of the exploitation film Easy Rider the following year fueled the trend throughout the subsequent decade. The success of the B-studio exploitation movement had a significant effect on the strategies of the major studios during the 1970s.
I Eat Your Skin is a 1971 American horror film written, produced and directed by Del Tenney. It stars William Joyce, Heather Hewitt and Walter Coy. The film was shot entirely in Florida in 1964 under the title Caribbean Adventure to disguise from potential investors the fact that it was a zombie film.
Halloween is a 1978 American independent slasher film directed, co-written, and scored by John Carpenter. Starring Donald Pleasence and Jamie Lee Curtis, with P. J. Soles and Nancy Loomis in supporting roles, the film is set mostly in the fictional town of Haddonfield, Illinois. The plot centers on a mental patient, Michael Myers, who was committed to a sanitarium for murdering his teenage sister on Halloween night when he was a child. Fifteen years later, having escaped and returned to his hometown, he stalks teenage babysitter Laurie Strode and her friends while under pursuit by his psychiatrist Dr. Samuel Loomis.
Art horror or arthouse horror is a sub-genre of both horror films and art-films. It explores and experiments with the artistic uses of horror.
