The Banishment of Cicero | |
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Written by | Richard Cumberland |
Original language | English |
Genre | tragedy |
The Banishment of Cicero is a 1761 tragedy play by the British writer Richard Cumberland. [1] It follows the downfall and death of the Roman orator Marcus Tullius Cicero. David Garrick declined to stage the play, so Cumberland instead had it published. After this Cumberland switched to writing generally much lighter works, mostly comedy.
Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
A play is form of literature written by a playwright, usually consisting of dialogue or singing between characters, intended for theatrical performance rather than just reading. Plays are performed at a variety of levels, from London’s West End and Broadway in New York – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance.
The Kingdom of Great Britain, officially called Great Britain, was a sovereign state in western Europe from 1 May 1707 to 1 January 1801. The state came into being following the Treaty of Union in 1706, ratified by the Acts of Union 1707, which united the kingdoms of England and Scotland to form a single kingdom encompassing the whole island of Great Britain and its outlying islands, with the exception of the Isle of Man and the Channel Islands. The unitary state was governed by a single parliament and government that was based in Westminster. The former kingdoms had been in personal union since James VI of Scotland became King of England and King of Ireland in 1603 following the death of Elizabeth I, bringing about the "Union of the Crowns". Since its inception the kingdom was in legislative and personal union with Ireland and after the accession of George I to the throne of Great Britain in 1714, the kingdom was in a personal union with the Electorate of Hanover.
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of Latin literature dates to 240 BC, when the first stage play was performed in Rome. Latin literature would flourish for the next six centuries. The classical era of Latin literature can be roughly divided into the following periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity.
Richard Cumberland was an English dramatist and civil servant. In 1771 his hit play The West Indian was first staged. During the American War of Independence he acted as a secret negotiator with Spain in an effort to secure a peace agreement between the two nations. He also edited a short-lived critical journal called The London Review (1809). His plays are often remembered for their sympathetic depiction of colonial characters and others generally considered to be on the margins of society.
N.b. Cambridgeshire Family History Society have transcribed his baptism record & quote his birth as 19th Feb 1731, Baptism date 5 Mar 1731.
The Oxford University and City Herald 18 May 1811 : Deaths : Richard Cumberland esq., author of the Observer Aged 80.
The Society of Genealogists have a burial record for Richard Cumberland 1731-1811 buried at Westminster Abbey.
This article presents lists of the literary events and publications in 1761.
George Chapman was an English dramatist, translator, and poet. He was a classical scholar whose work shows the influence of Stoicism. Chapman has been speculated to be the Rival Poet of Shakespeare's sonnets by William Minto, and as an anticipator of the metaphysical poets of the 17th century. Chapman is best remembered for his translations of Homer's Iliad and Odyssey, and the Homeric Batrachomyomachia.
Electra or Elektra is a Greek tragedy by Sophocles. Its date is not known, but various stylistic similarities with the Philoctetes and the Oedipus at Colonus lead scholars to suppose that it was written towards the end of Sophocles' career.
The Letter Writers Or, a New Way to Keep a Wife at Home is a play by Henry Fielding and was first performed on 24 March 1731 at Haymarket with its companion piece The Tragedy of Tragedies. It is about two merchants who strive to keep their wives faithful. Their efforts are unsuccessful, however, until they catch the man who their wives are cheating with.
The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.
The Fashionable Lover is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in January 1772. A sentimental comedy, it follows the adventures of Augusta Aubrey after she leaves her ward's house and is nearly seduced by the villainous Lord Abberville.
The Walloons is a comedy play by the British writer Richard Cumberland. It was first staged at the Covent Garden Theatre in April 1782. The character of Father O'Sullivan was widely believed to be based on Father Thomas Hussey an Irish-born Priest with whom Cumberland conducted secret talks in an attempt to secure a peace agreement between Britain and Spain during the American War of Independence.
The Impostors is a comedy play by Richard Cumberland. It was first performed at the Drury Lane Theatre in January 1789. The plot closely resembled that of The Beaux' Stratagem by George Farquhar.
The Battle of Hastings is a 1778 play by the English writer Richard Cumberland. It is a tragedy set around the Battle of Hastings in 1066. It was staged at the Drury Lane Theatre in October 1778 by Richard Brinsley Sheridan. Sheridan later mocked Cumberland's sensitivity to criticism by modelling the character Sir Fretful Plagiary, in his 1779 play The Critic, after him.
False Impressions is a 1797 melodramatic comedy play by the British playwright Richard Cumberland. It was first staged at the Covent Garden Theatre in November 1797. Much of the plot resembles Cumberland's 1795 novel Henry. Algernon has to pretend to be a servant to restore his good name.
The Note of Hand, or Trip to Newmarket is a 1774 comedy play by the British writer Richard Cumberland. A farce it was the final play performed by David Garrick at the Drury Lane Theatre before his retirement. The play mocked some of the leading Whig politicians of the era such as Charles Fox and the Duke of Devonshire. This may have been the cause of Cumberland's dispute with Richard Brinsley Sheridan who was a Whig. Sheridan went on to create a character closely based on Cumberland in the 1779 play The Critic.
Don Pedro is a tragic play by the British writer Richard Cumberland. It was first staged at the Haymarket Theatre in July 1796.
First Love is a 1795 sentimental comedy play by the British playwright Richard Cumberland. It was first performed at the Drury Lane Theatre in May 1795. Frederick Mowbray becomes the protector of Sabrina Rosny after her abandonment by Lord Sensitive.
The Box-Lobby Challenge is a comedy play by the British writer Richard Cumberland. It was first staged at the Haymarket Theatre in February 1794. It is a farcial comedy of manners set amongst the working class.
The Princess of Parma is a 1778 play by the British playwright Richard Cumberland. It was originally staged at Kelmarsh Hall in Northamptonshire. No copy of the work is known to survive.
The Mysterious Husband is a play by the British writer Richard Cumberland. It is a Domestic drama with a tragic ending, first performed in 1783. Along with several other Cumberland plays it was influenced by the 1768 gothic play The Mysterious Mother by Horace Walpole.
The Carmelite is a tragic play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre on 2 December 1784. The play's hero Saint-Valori disguises himself as a Carmelite. The play enjoyed some success, and was later staged a theatre in Belfast where Wolfe Tone saw it in 1791.
The Country Attorney is a 1787 comic play by the British writer Richard Cumberland. It was first performed at the Haymarket Theatre on 7 July 1787. The play was reworked and much of it used again by Cumberland for the 1789 play The School for Widows.
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