The Barber is a 1916 short comedy film by William D. Foster. [1] [2] The silent film was shot in black and white. [3]
The film's story depicts a barber overhearing a customer who seeks a Spanish language teacher for his wife, imposters, and hijinks. [4]
The film was funded in part by Henry "Teenan" Jones, owner of The Elite Café. [5] [6] The film stars Anna Holt, Howard Kelly, and Edgar Lillison [7] [8]
Norman Studios, also known as Norman Film Manufacturing Company is a former American film studio in Jacksonville, Florida. Founded by Richard Edward Norman, the studio produced silent films featuring African-American casts from 1919 to 1928. The only surviving studio from the period of early filmmaking in Jacksonville, its facilities are now the Norman Studios Silent Film Museum.
Cinema of Ghana also known as the Ghana Film Industry nicknamed Ghallywood, began when early film making was first introduced to the British colony of Gold Coast in 1923. At the time only affluent people could see the films, especially the colonial master of Gold Coast. In the 1950s, film making in Ghana began to increase. Cinemas were the primary venue for watching films until home video became more popular. The movie industry has no official name as yet since consultations and engagements with stakeholders has been ongoing when a petition was sent to the Ministry of Tourism, Arts and Culture which suspended the use of the name Black Star Films.
The Broken Violin is an American silent film directed by Oscar Micheaux, released in 1928.
Elcors "Shingzie" Howard was an actress in the U.S. She appeared in several Oscar Michaux films. She also worked for the Colored Players Film Corporation.
Andrew S. Bishop (1894–1959) was an actor on stage and screen. He and Cleo Desmond drew adoring fans to their theatrical performances. He starred in several of Oscar Michaux's African American films.
All-American News was a film production company in the U.S. bringing war propaganda newsreels and entertainment films to African American audiences.
Sunday Sinners is a 1940 drama, comedy, musical and religious race film directed by and co-produced by Arthur Dreifuss and Jack Goldberg starring his wife Mamie Smith, Norman Astwood, Edna Mae Harris and Earl Sydnor.
One Dark Night is an American film released in 1939. Also known as Night Club Girl. It was directed by Leo C. Popkin. It was produced by Harry M. Popkin. The film features an African American cast including Mantan Moreland in a dramatic role.
Ten Nights in a Barroom is an American film released in 1926. Directed by Roy Calnek and starring Charles Gilpin, the film had a temperance theme and an African American cast. It followed on Timothy Shay Arthur's 1854 novel Ten Nights in a Bar-Room and What I Saw There and William W. Pratt's play, as well as earlier film adaptations albeit with white casts. A man's drinking causes him to lose money, his business, and his daughter.
Brown Gravy is a 1929 American comedy film with an African American cast. William Watson directed the Al Christie production. It was among the early "talkie" films released with African American casts. Octavus Roy Cohen wrote the story, part of a series he wrote for the Saturday Evening Post adapted to film in collaboration with Christie. The film's thin plot includes themes addressing religion, fraternal organizations, con men, and family life.
One Big Mistake is a 1940 American film starring Dewey "Pigmeat" Markham. The featurette film recreated one of Markham's stage routines for film. The story involves a straightman approaching three comedians and offering them advice on how to handle women. Markham wrote and produced the film. It was filmed in four days with an African American cast. Toddy Pictures rereleased the film in 1947 as part of a compilation of Markham films.
Tony Langston was best known as "a tastemaker," an unusually insightful and persuasive African American arts critic who could tip "his readers off to a new wave of emerging Black talent" while also effectively arguing against racist tropes. As entertainment editor for the Chicago Defender, the city's largest Black newspaper, Langston wrote on theater, film and music, reviewing everything from the rare talent of Bessie Smith to the outrageous racism of Birth of a Nation for as many as a million weekly readers.
When True Love Wins is a 1915 American film. It was produced by Birmingham, Alabama based Southern Motion Picture Company and adapted from Isaac Fisher's screenplay about prejudice based on pigmentation.
The Frederick Douglass Film Company was an early American film production company in Jersey City, New Jersey. It was established in 1916, soon after the pioneering Lincoln Motion Picture Company, by prominent African-American business and professional men from New Jersey. The intent of the founders was to counter anti-African-American films such as The Birth of a Nation (1915) and to improve race relations. It was named after the African-American abolitionist Frederick Douglass.
Harlem Hotshots is an American short film from 1940 produced by Sack Amusements. The 20 minute film is a musical. One poster for the film includes a skyline of buildings and street sign for Lenox Avenue and 125th Street. The film was reissued in 1986 as part of Jazz Classics, No. 110; Harlem Harmonies Volume 1, 1940–1945.
Damon Ireland Thomas (1875-1955) was an American stage performer, newspaper columnist, and theater manager. An influential film critic, he wrote for The Chicago Defender in 1920s, reviewing Black film and events at African American theaters.
Historical Feature Films was a film production company in the United States. It was established in 1915 and produced at least 4 films. The company's films featured African American casts and included bigoted tropes and stereotypes that demeaned the characters. The studio's films were re-released by Ebony Film Corporation.
Money Talks Downtown is a 1916 American short comedy film with an African American cast. It stars Jimmy Marshall and Florence McCain. It includes derogatory racial stereotypes and a storyline about a woman seeking money and a man lightening his skin color to try and make himself more appealing. It was produced by Historical Feature Films and distributed by Ebony Film Company.
The Midnight Ace is a 1928 American crime film. Abe DeComathiere, Mabel Kelly and Oscar Roy Dugas starred. The film was directed by John H. Wade for Swan Micheaux's Dunbar Film Company. Swan Micheaux was Oscar Micheaux's brother. Swan had worked for Oscar before a failling out over his management of finances. Swan left and formed the Dunbar film company but it only made this film.
Howard Kelly was a vaudeville and film actor in the United States. He was part of the Pekin Theatre’s stock company. He started in some of William D. Foster’s Foster Photoplay Company films including The Railroad Porter and The Barber.