The Battle Pavane (alternative spelling: Battle Pavan) is an instrumental piece by Tielman Susato which he published in 1551 in alderhande Danserye, a collection of Renaissance dance music.
In recent decades (as of 2007) Bob Margolis' arrangement of it has gained mass popularity [ citation needed ] among high school wind ensembles in the USA. The piece is often played by Renaissance-style bands and always features a large trumpet part. The piece begins with a melody based around repeated pitches, with the rhythm half-quarter-quarter in modern notation (minim, crotchet, crotchet). It ends with a fanfare of rapidly repeated sixteenth notes in modern notation (semiquavers). This piece is very typical of the mid-sixteenth century court music [ citation needed ] and would have been played by consorts of instruments of the same type, like sackbutts and cornetts, shawms, viols, recorders, and possible also by mixed consorts.
The song is most famous for being played by band students across America. 6-9th grade students that do band class have a high chance for you to see this song, or play it. It is played by many people, not just students. Across the world.
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music.
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period.
The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes, although this is an archaic term. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.
A time signature is an indication in music notation that specifies how many note values of a particular type are contained in each measure (bar). The time signature indicates the meter of a musical movement at the bar level.
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper. However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instruments.
A grace note is a kind of music notation denoting several kinds of musical ornaments. It is usually printed smaller to indicate that it is melodically and harmonically nonessential. When occurring by itself, a single grace note indicates either an acciaccatura when notated with an oblique stroke through the stem, or an appoggiatura when notated without. When they occur in groups, grace notes can be interpreted to indicate any of several different classes of ornamentation, depending on interpretation. For percussion, such as drums, a related concept are ghost notes — supportive snare-hits at a lower volume.
Jacobus Clemens non Papa was a Netherlandish composer of the Renaissance based for most of his life in Flanders. He was a prolific composer in many of the current styles, and was especially famous for his polyphonic settings of the psalms in Dutch known as the Souterliedekens.
In music notation, a tie is a curved line connecting the heads of two notes of the same pitch, indicating that they are to be played as a single note with a duration equal to the sum of the individual notes' values. A tie is similar in appearance to a slur; however, slurs join notes of different pitches which need to be played independently, but seamlessly (legato).
In Western musical notation, a dotted note is a note with a small dot written after it. In modern practice, the first dot increases the duration of the basic note by half of its original value. This means that a dotted note is equivalent to writing the basic note tied to a note of half the value – for instance, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right.
TielmanSusato was a Renaissance composer, instrumentalist and publisher of music in Antwerp.
Philip Pickett is an English musician. Pickett was director of early music ensembles including the New London Consort, and taught at the Guildhall School of Music and Drama. He played recorders, shawms and similar instruments. In February 2015, Pickett received an 11-year prison sentence for the rape and sexual assault of pupils at the school.
In Western music and music theory, augmentation is the lengthening of a note or the widening of an interval.
Mensural notation is the musical notation system used for polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions amongst note values. Its modern name is derived from the terminology of medieval theorists, who used terms like musica mensurata or cantus mensurabilis to refer to the rhythmically defined polyphonic music of their age, as opposed to musica plana or musica choralis, i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some solely instrumental music could be written in various forms of instrument-specific tablature notation.
An encore is an additional performance given by performers at the conclusion of a show or concert, usually in response to extended applause from the audience. They are regarded as the most complimentary kind of applause for performers. Multiple encores are not uncommon, and they initially originated spontaneously, when audiences continued to applaud and demand additional performance from the artists after they had left the stage. However, in modern times they are rarely spontaneous and are usually a pre-planned part of the show.
Giles Lewin is a British violinist and bagpiper. Currently a member of The Carnival Band, he was also a founding member of the folk band, Bellowhead.
Tablature is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches.
October is a contemporary piece for concert band approximately six minutes in duration that was written by Eric Whitacre in 2000.
New London Consort was a London-based Renaissance and Baroque music ensemble, which performed in most of Europe and various other parts of the world. Founded and directed by Philip Pickett, most of its repertoire was recorded and broadcast by BBC and regularly appeared at major venues and festivals. This repertoire included unpublished works and new interpretations of familiar ones, sometimes controversial. The group has been inactive since its director's conviction as a sex offender in 2015.
Jacob Bathen or Jacob Baethen, Latinised as Jacobus Bathius, Iacobus Batius and Jacobus Bathenius, was a Flemish bookseller, printer and publisher of the 16th century, mainly known now for music publications. He is sometimes confused with Johannes Baethen, a printer active in Leuven and Cologne between 1552 and 1562, who was likely his brother. Jacob was active in Leuven, Maastricht and Düsseldorf. He is mainly remembered for his publication of the so-called Maastricht songbook of 1554, which is one of only five surviving song books in the Dutch language from the 16th century.
La Danserye is a collection of 60 popular dances written for four instrumentalists composed by Belgian Renaissance composer Tielman Susato while living in Antwerp in 1551. Susato focused on capturing folk melodies, combining them with dances to create his settings. The collection was published using his own publishing company with the original title being "Het derde musyck boexken" in Dutch. There is no original score and instead part books exist which modern settings use as inspiration.