Author | Sarah Dunant |
---|---|
Language | English |
Publisher | Random House |
Publication date | February 1, 2004 |
Publication place | United States |
Media type | Print (Hardcover) |
Pages | 416 pp |
ISBN | 1-4000-6073-7 |
OCLC | 52268659 |
823/.914 21 | |
LC Class | PR6054.U45756 B58 2003b |
The Birth of Venus: A Novel is a 2003 novel by Sarah Dunant, a bestselling British author. [1] [2] [3] The story is set in the late 15th century in Florence, Italy. It was first published by Little, Brown in 2003 with the title The Birth of Venus: Love and Death in Florence. [4]
A young Florentine girl, Alessandra Cecchi, is drawn to a young painter commissioned to paint the family's chapel walls. The painter is brought to her home by her father, a rich textile merchant whose business would be negatively affected by the rise of Girolamo Savonarola in Florence over the next few years. The book follows Alessandra's daily life, and is written in the first person, as a memoir written by Alessandra late in her life. Her passion for painting and learning serve her well, but her family does not approve. Her mother tries her hardest to shape Alessandra into a woman who will be desired by a successful and powerful man. Eventually, after Alessandra has met the painter, but before her feelings for him and his talent have made themselves known to her, her hateful brother Tomaso suggests strong but quiet Cristoforo Langella as a potential husband for her. She marries him shortly afterward.
Meanwhile, her attraction to the painter grows, as does her affection for her husband Cristoforo. Alessandra's observations of the political turbulence in Florence are key to the storyline. Dunant captures the personal conflict felt by Alessandra – she feels torn between Savonarola's fiery message and her own ideas. She believes she knows what is right, but does not know what she will do about it.
Alessandra realizes that her duty to her family and to her spouse cannot take over her life, and eventually realizes her passion for the painter. Her romance, it seems, is necessary, because she is the only one who can save him.
Lucrezia Borgia was an Italian noblewoman of the House of Borgia who was the illegitimate daughter of Pope Alexander VI and Vannozza dei Cattanei. She reigned as the governor of Spoleto, in her own right, a position usually held by Cardinals.
Girolamo Savonarola, OP or Jerome Savonarola was an ascetic Dominican friar from Ferrara and a preacher active in Renaissance Florence. He became known for his prophecies of civic glory, his advocacy of the destruction of secular art and culture, and his calls for Christian renewal. He denounced clerical corruption, despotic rule, and the exploitation of the poor.
Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.
The Birth of Venus is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown. The painting is in the Uffizi Gallery in Florence, Italy.
Sons and Lovers is a 1913 novel by the English writer D. H. Lawrence. It traces emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with a demanding mother and two very different lovers, which exert complex influences on the development of his manhood. The novel was originally published by Gerald Duckworth and Company Ltd., London, and Mitchell Kennerley Publishers, New York. While the novel initially received a lukewarm critical reception, along with allegations of obscenity, it is today regarded as a masterpiece by many critics and is often regarded as Lawrence's finest achievement. It tells us more about Lawrence's life and his phases, as his first was when he lost his mother in 1910 to whom he was particularly attached. And it was from then that he met Frieda Richthofen, and around this time that he began conceiving his two other great novels, The Rainbow and Women in Love, which had more sexual emphasis and maturity.
A bonfire of the vanities is a burning of objects condemned by religious authorities as occasions of sin. The phrase itself usually refers to the bonfire of 7 February 1497, when supporters of the Dominican friar Girolamo Savonarola collected and burned thousands of objects such as cosmetics, art, and books in the public square of Florence, Italy, on the occasion of Shrove Tuesday, martedí grasso.
The Good Soldier: A Tale of Passion is a 1915 novel by the British writer Ford Madox Ford. It is set just before World War I, and chronicles the tragedy of Edward Ashburnham and his seemingly perfect marriage, along with that of his two American friends. The novel is told using a series of flashbacks in non-chronological order, a literary technique that formed part of Ford's pioneering view of literary impressionism. Ford employs the device of the unreliable narrator to great effect, as the main character gradually reveals a version of events that is quite different from what the introduction leads the reader to believe. The novel was loosely based on two incidents of adultery and on Ford's messy personal life, specifically “the agonies Ford went through with his wife and his mistress in the six preceding years."
Venus, Cupid, Folly and Time is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery, London. Scholars do not know for certain what the painting depicts.
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Romola (1862–63) is a historical novel written by English author Mary Ann Evans under the pen name of George Eliot set in the fifteenth century. It is "a deep study of life in the city of Florence from an intellectual, artistic, religious, and social point of view". The story takes place amidst actual historical events during the Italian Renaissance, and includes in its plot several notable figures from Florentine history.
Rumor Has It is a 2005 American romantic comedy film directed by Rob Reiner, and starring Jennifer Aniston, Kevin Costner, Shirley MacLaine and Mark Ruffalo. The concept of the screenplay by Ted Griffin is that a woman learns that her mother and grandmother may be the inspiration for the 1963 novel The Graduate by Charles Webb. The film received negative reviews from critics and was a box office disappointment, grossing $88.9 million against its $70 million budget.
Sarah Dunant is a British novelist, journalist, broadcaster, and critic. She is married with two daughters, and lives in London and Florence.
The Custom of the Country is a 1913 tragicomedy of manners novel by the American author Edith Wharton. It tells the story of Undine Spragg, a Midwestern girl who attempts to ascend in New York City society.
The Magic of Ordinary Days is a Hallmark Hall of Fame production based on a novel of the same name by Ann Howard Creel and adapted as a teleplay by Camille Thomasson. It was directed by Brent Shields, produced by Andrew Gottlieb and stars Keri Russell, Skeet Ulrich, and Mare Winningham.
The Calumny of Apelles is a panel painting in tempera by the Italian Renaissance painter Sandro Botticelli. Based on the description of a lost ancient painting by Apelles, the work was completed in about 1494–95, and is now in the Uffizi, Florence.
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The Serpent and the Rope is Raja Rao's second novel. It was first published in 1960 by John Murray. Written in an autobiographical style, the novel deals with the concepts of existence, reality, and fulfillment of one's capabilities. The protagonist Ramaswamy's thought process in the novel is said to be influenced by vedantic philosophy and Adi Shankara's non-dualism. It also deals with the problems of the immigrants and immigration.
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Sofie & Cecilia is a historical novel by Canadian author Katherine Ashenburg. The novel drew attention for being Ashenburg's fiction debut published when she was 72. She was inspired to write the book after a visit to Sweden where she learned that despite the fact that they had the same artistic training, Swedish artist Carl Larsson refused to allow his wife Karin to paint after they were married. She initially reached out to her friend, writer Jane Urquhart, hoping she would write about the Larssons, but Urquhart instead encouraged Ashenburg to write a novel about them herself.